On The Bright Side He’s Just Found One Of The Spiders I’ve Left Alive In The Bathroom

This scene was absolutely beautiful BUT it’s also the crux of the issue. You guys this is where the problems start. Because—because Crowley’s already cast out, he finds COMFORT in the idea that they are lonely together. “As far as he can” becoming “as far as they can” is an END to his complete “otherness” and something to appreciate, to covet, and to find solace in. He’s finally not alone.

But—and this is important.

Aziraphale does NOT feel that. He can’t.

This moment is completely and utterly devastating for Zira. He finds out he’s not damned and sure, he’s relieved. But he’s no longer “an Angel” in the way that he’s learned is right. He’s now unchangeably and forever; less holy—a concept that is dearly important to his identity. “[Going] along with heaven as far as he can” is a FAILING on his part. Not heaven’s(at least to him). There is no solace or comfort—he finds existence like that—just the two of them—achingly LONELY. And that’s just how his perspective demands to be taken. It’s the only perspective he is capable of in that moment AND after it, too.

Take into account Crowley has went from having no one AT ALL to having SOMEONE. And he puts EVERYTHING he has into it. This is not good. It’s unfair to Aziraphale. And it’s unfair to himself. On the opposite side, you have Aziraphale. Who has just went from having the ENTIRE HEAVENLY HOST, to having this SINGLE demon— who, one minute ago, Aziraphale thought would be dragging him off to hell.

And the part that aches is that this perspective hasn’t changed. Aziraphale feels like his existence is lacking because he wants so badly to be GOOD. And good is Holy. Good is heavenly. He’s the problem for having morals that are misaligned.

Spoilers for the last episode:

Aziraphale has just been given the validation that he is not only GOOD but the most HEAVENLY Angel there is, the Supreme Archangel, even. And if heavens morals are now HIS morals, then that’s EVERY PROBLEM SOLVED. With a bow even, because Crowley’s basically on heavens side anyway, he’s GOOD, isn’t he? He’s been good this whole time, so why wouldn’t heaven want him back? Reinstating him as Angel would fix everything. They can be together, and they can be good, and they can be HOLY. All Aziraphale’s conflicting emotions about loving Crowley can be packed away because Crowley will be perfect again—and surely Crowley wants to be perfect—wants to be forgiven.(sorry everyone, that hurt me too, oof) Aziraphale is SHOCKED by Crowley’s refusal. He’s devastated that his version of perfect is treated as something naive and distasteful.

Crowley’s devastated too. He’s just lost “their side”. A concept that for 5000+ years has been THE ONLY THING he puts love into besides his car and perhaps his plants(And humanity, but he’ll never admit to that—I’m looking at the “No more dying” scene). Crowley is constantly being devastated by Aziraphale. He’s “too fast”, he’s too evil, he’s too good sometimes. Crowley has always been TOO MUCH. But this is different because for four years, he’s had “them”(on their own side) without the hiding, and without the denial and without Aziraphale constantly putting former jobs between them. PLUS he has a mountain of trauma centered around the concept of “forgiveness”, so that’s not great considering Aziraphale’s last words to him(THAT HE HASNT SAID ALL SEASON EVEN WHEN HE MADE CROWLEY APOLOGIZE IN THE FIRST EPISODE, AHHHHH). He’s losing everything and he’s desperate: Why isn’t he enough, hasn’t he been enough these last 4 years? Hasn’t HE been enough the last 6000?

Aziraphale has always been enough for Crowley. But being enough for Crowley doesn’t fix how Aziraphale has never been enough for himself, not since Job. He looks at this offer as a chance for HIM to be enough, and for Crowley to be FORGIVEN. Crowley looks at it as a betrayal because it’s Aziraphale saying Crowley ISNT enough, and he NEVER has been.

But that’s not what Aziraphale is saying. He’s saying, “Let me fix it for you”. Crowley is hearing, “Let me fix you for it.” Two completely different and completely horrifying concepts.

And then Crowley needs to say HIS piece(oh my gosh, btw, this was heartbreaking).

“Let’s be together on our terms” is basically what I’ve distilled it down to. But Aziraphale hears, “Let’s run away from our problems”

Aziraphale doesn’t want to run away, and Crowley doesn’t want to change who he is.

They both want to be together so badly but they don’t understand why they each want it so differently. And Aziraphale can’t compromise because he’s brainwashed and LOATHES himself. And Crowley can’t compromise because he’s traumatized and LOVES Aziraphale just as he is. Crowley doesn’t want to be good on heavens terms. He can see Heaven for what it is; “toxic”. He hates heaven not only for what the Host did to him, but for HOW THEY TREATED Aziraphale.

They both don’t understand each other because for all the pleading and presenting and monologuing, they never once in that whole conversation, actually talked.

Eugene gets me

The Perfect Explanation of Privilege – In One Powerful Punchline

“The Pencilsword” is a comic strip by Toby Morris, an illustrator from New Zealand. His most recent comic, “On a Plate” hits hard at the heart of the issues of concerning wealth and privilege.

How many times have you heard the “I’ve never been handed anything on a platter” argument in regard to social security and other social benefits?

Toby wrecks this argument by showing how two children can grow up, be loved and supported, and yet still have two very different outcomes.

Make sure to follow all the way to the end for the powerful punchline. This comic is an increasingly sad reality for far too many of this nation’s children and families.

Not to be political but I’m just so fucking angry right now

Surya Bonaly was a black Olympic figure skater for France in the 1990’s. During one of her routines, she did a backflip.

Yes, you heard me. A fucking backflip. On ICE.

No-one else has done that since.

Anyway, the judges were racist as hell, and didn’t like that one bit. A black woman showing up the competition? God forbid. So they told her the move didn’t count for her score because she didn’t land on one leg, like people are apparently supposed to in Olympic figure skating.

In response, this incredible woman, during her next routine, did another backflip and landed on one leg. What’s more, she finished the routine with her back to the judges, like a boss.

Predictably, the judges didn’t like that either. They said she shouldn’t do that anymore, since it was “too dangerous” and they didn’t want her encouraging others to try to do the same (nevermind that triple axels and shit are dangerous as fuck too).

But she kept doing it.

Again.

And again.

It was like her personal ‘fuck you’ to the judges every time she performed.

Because this woman is a badass.

Anyway, I’m just so mad that they refused to give her marks for fucking backflipping on ice. I’m mad that she only ever got silver. And I’m furious that I’d never heard of her till now.

the emotion i just experienced is kind of indescribable

I feel like people are sleeping on the awesomeness that is Sister Boniface Mysteries. I think it's considered "cozy murder mysteries" which is just a weird genre to have, but it's a spinoff of Father Brown in the 60's in the Cotswolds of England. I'm not usually a murder mystery fan, they're mostly just 'eh' for me - neither good or bad, just there to have in the background. But I love Sister Boniface for several reasons (which I will admit bias to)

The police are actually happy to have her around. The main DI will find an excuse to pull her into any case they have, and the entire police force love her and will almost always follow her advice/lead, unlike 90% of other mystery shows where the police are always either one step off from bad guys or just can't be bothered.

It shows the wide diversity of women who find their way to a convent. The nuns make wine. They wind up on cooking shows. They host an episode of a really hokey Austin Powers type TV series. They guest star on a children's show being filmed at the church. They love being a part of the cases when they get roped in. The Mother Superior is a cranky Irish lady who is like a beleagured mom who has more luck herding cats than keeping the Sisters out of cases, but she also has a favorite fish in the pond that she feeds, and loves babies and new parents and bends over backwards to help people and lets Sister Boniface blow up the basement with her experiments on a regular basis.

Sister Boniface herself. She was a translator in WW2, she has the equivalent of a masters in chemistry and is the police department's Go To forensics. She has a vivid imagination that borders on cartoonish when imagining the crime and how it could've happened. She rides a motorcycle. She is like 5 feet tall and spicy. The basement of the church has been converted into her own laboratory where she tinkers and futzes at all hours as long as it doesn't interfere with her church duties.

THE SISTER AND THE INSPECTOR ARE BESTIES WHO CRACK TERRIBLE PUNS OVER CRIME SCENES. No, really, there's an entire youtube video of every scene where these two idiots (affectionate) are cracking the absolutely WORST puns related to the crime. Sam Gillespie is the DI and he doesn't seem to actually enjoy the police part of policing, but really likes the community outreach part. He's a WWII vet that was at the battle of Normandy, took heavy losses, got bayoneted (which is brought up in one episode), and as soon as a crime has been committed, he calls in Sister Boniface. There is zero romantic interest between them, she is like his actual sister, and they are absolute enablers for each other's shenanigans, and it is hilarious.

There are no bad characters.

Secret Robin AU

Since Bruce never actually fired Robin, they're on much better terms. Which means calling in the middle of the night to be informed of a new sibling…

And Jason's not being kidnapped. He's just dramatic.

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I know some of these characters can be killed but you get my point lol 😂

im about 5 fucking seconds from putting the peeps in the chili pot and adding the m'n'ms.

Miss Piggy's response to misogyny and fatphobia is physical violence and I think we should all take something from that