He flew away ✨ 🚁
Aoyama cause i wish i drew him more, love the little guy
I just remembered the "Please. I don't want to see another human life destroyed by this place” line, and honestly did they have scenes of Luz starting to wonder if Belos' had a point and going into the island did destroy her life? If not, they should have had.
No, they did not have Luz ever wonder how the isles affected Belos--except in the storyboards:
Luz still calls him out for trying to destroy the isles and being a hypocrite but there's still that moment of empathy in which she asks point blank: "What do you think they DID to you?!" She briefly contemplates just why someone would go so far to destroy an entire population and what his mindset might be. Unfortunately, this was not included in the final version and Belos' expression is blank instead of pleading.
Then there's this storyboard from For the Future in which Luz, Eda, and King explain to the Collector how people like Amity and Lilith became their friends:
Luz's line about "people being complicated" is in the episode but the entire exchange between her and the Collector is not even though it opens up a lot of interesting ideas and themes. Without it though, the show becomes straight up hypocritical when it states that people are complicated but reduces its villains to generic archetypes and its hero characters as being simply misguided or victims of the villains.
And no, this doesn't mean that the show should have excused Belos' actions or even forgiven him; but they could have and should have acknowledged the complexity of his character by keeping this nuance in and how the characters react to it. By doing so, the message of "people are complicated" becomes clear and strengthens the other characters as well. Luz gets to self-reflect on how she sees other people and learn that even the worst people among us are incredibly complex and have driving forces that are uncomfortably close to our own, thus making it much harder to demonize them. The Collector--instead of being a Giant Star Baby--keeps both his childlike bluntness and keen observational skills that he had in season 2, thus fleshing out the character instead of devolving him.
Regrettably, that nuance is absent from the show and we have a rather black-and-white narrative about Good vs. Evil; people are only ever really "bad" if someone tricked them or if there was a misunderstanding and all the Real Bad People are just selfish jerks who are power hungry and controlling.
This is not compelling storytelling; this is a tale as old as time. And the worst part is that there was a great story in The Owl House but it was left in the rough drafts.
Storyboards by Yasmin Khudari and King Pecora
This whole thing is a fantastic idea that got sent to me by @thatfunkyopossum back when I drew my first Kitsune Rom-com AU comics
He’s a great artist and a pretty sweet dude, so check him out if you wanna!
I don’t know if everyone here knows about Ramune, but it’s basically this soda that’s quite well-known for being hilariously complicated to open (if you don’t read the instructions).
The Elk House Swap AU part 1 (pages 1-10)
cw/tw: blood!
another one of those cryptic nightmares
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Infection AU where a zombie like disease spread and making you lose control of your quirk
Two of my pieces from the @shineonzine✨
I’m so glad I was able to contribute to this project. Everyone involved is super talented!
Please check out the free digital zine here!
Apparently I can’t resist a good cat-suki joke. o3o
UA traitor
And that traitor is Aoyama Yuga.
Aoyama is kind, a little cowardly, but still a brave boy who wants to be like all his peers. He wants to shine! And after Kamino, after settling into a dormitory, after passing the exam for a temporary Hero's license, Aoyama revealed himself to us as a really interesting character, a young man who was really lonely, but who wanted to be with his classmates and be “his own” in this company. He wanted to have friends and enjoy the school hero life.
His first friend is Midoriya Izuku. (I don't want to repeat myself, so please read these notes: Deep Water, Traitor, Dream (the last part of the article). And we see how for a long time Yuuga and Izuku have been building friendly relations with each other: they are neighbors, when Izuku's quirk was activated in chapter 193, Yuuga ran to check on him; or when during a Cultural Festival Yuuga was worried about Izuku being late, and then helped him prepare for a performance; or at common evenings they sit next to each other and communicate. These two are really close and worried about each other.
However, something changed with the jailbreak of Tartarus. Aoyama Yuuga became nervous and fearful. When the guys decided what they would do and how to look for-to return Midoriya back, Aoyama suggested leaving everything to Adults, professionals. Do you see how his bubble with the text is shaking? Why is he nervous? Why does he not want to participate in the “rescue of Midoriya Izuku” - his dear friend, whom he himself wanted to be friends with, whom he worried and cared about?
But in any case, he took part in this rescue operation, and ran along with Hagakure and Kirishima, and when Kirishima said “I have something to say”, he just said “oui”. But he. He didn't say anything to Izuku, he was standing far away from him, not daring to approach. All the guys from the class said something to Izuku, only Aoyama was silent (even Hagakure asked how the guys were feeling after landing.)
And then we see several panels where he keeps to the side and carefully avoids being near Izuku. And it looks very interesting, especially at the moment when Hagakure talks about the “cool defense of the UA barrier”. He has his back turned to us and to Izuku all the time, we don't see his face at this moment.
Why isn't Aoyama happy? Why didn't he talk to Izuku? Why didn't he want Izuku to return to UA?
Because he - as a traitor - will now need to let the villains inside the UA Barrier or in some other way contribute to the fact that Izuku was handed over to Afo.
It is also worth noting that at the closed exhibition held this spring, there was a very interesting illustration that symbolizes a sense of guilt. Why should Aoyama blame himself? Take a closer look at this illustration.
He is sitting on boxes near the opening doors, from where the monster is crawling, and bottles are scattered around, there are some gas(?) cylinders, some things. Can this tell us that this is an allusion to some kind of storage room, where there is a secret entrance, and since now the UA resembles a fortress ready for a siege, then this room is one of its weak points? After all, things and provisions in case of a siege must somehow arrive (I'm thinking about underground communications) and be stored somewhere. And Aoyama will be the one who will be the gap in the UA Barrier.
He avoids his dear friend, he keeps away from everyone, and he feels guilty. Why? Because he is the Traitor on behalf of All For One.
And this was also hinted to us on the spine of the cover for volume 10: usually a smiling and beaming boy, looking for recognition, looks nervously to the side. For the volume is called “All For One”.
And if Aoyama Yuuga is really a traitor, then we are waiting for a heartbreaking drama between him and Izuku, whom Yuuga will betray first, and then sacrifice himself for him. After all, he just wanted to be like everyone else and shine.