Man I Remember Watching That Channel When I Was Younger. To See Shavs Become Like This Makes Me Feel

Tyler is so fucking underrated. Like nobody even mentions him. I really hope Don makes an adult Tyler return in the Chucky tv series at season 3. If he doesn’t, I’m quitting the Chucky tv series and starting a riot.

I can actually see that headcanon being Canon tbh

I like to imagine the reason Puss was so cold to Perrito when they first met is because; the last person Puss trusted in a group home betrayed the ever living shit out of him.

Bro is probably traumatized

handsome women covered in blood. reblog.

all the dialogue tags you'll ever need

agreed

allowed

assented

assured

babbled

begged

blurted

boomed

breathed

cajoled

chimed (in)

chortled

clarified

concluded

confirmed

consoled

cried

cursed

declared

demanded

disclaimed

exclaimed

gasped

glowered

groaned

grumbled

grunted

gushed

hissed

insisted

jabbed

lamented

laughed

moaned

mumbled

murmured

mutter

noted

offered

ordered

promised

proposed

protested

queried

questioned

quipped

rambled

rasped

realized

recalled

relented

replied

reprimanded

retorted

said

scolded

screeched

shrieked

sneered

sneered

spat

swore

threatened

wailed

warned

whined

Kyle: *almost falls to Chucky’s lap* Chucky: Oh sorry Kyle, you ain’t my type anymore Me: KYLE AND CHUCKY HAD A THING!?

Child’s Play Headcanon

Chucky and Tiffany are fluent in Japanese and have watched anime. I mean, have you seen the scene in CP3 when he said sayonora? Plus, Chucky and Tiffany both understood what Glen said in Seed of Chucky.

I think back then they used to watched anime back when they were both humans.

Pls tell me pigsy not an abusive a hol

I finally finished Percy Jackson and the Olympians, now I’m finding Heroes of Olympus and Trials of Apollo.

Now I can update this AU.

Percy= MK

Poseidon= Wukong

Sally= Tang

Chiron= Tripitaka (I’m guessing like Golden Cicada is Kronos or something-)

Annabeth= Red Son

Athena= DBK (Since Annabeth’s father might’ve dabbled in aircraft practice, so I’m putting PIF as her dad, not sure who’s Red Son’s stepfather, probably just some random character I’ll make up)

Luke= Bai He

Hermes= Mayor (Yes I changed it)

Zeus= Jade Emperor (Reason? Both are like the head gods so it be wrong not to)

Hades= Macaque (You know why)

Grover= Mei

Dionysus= Zhu Bajie

Paul= Pigsy (It was a suggestion from someone and honestly yeah)

Bianca= Savage

Nico= Rumble

The rest of the characters are still a work-in progress. I’m still finding someone for Clarisse. I’ll probably reblog the AU information or smth

Valentines Day Special

well at least nica is getting her revenge on tiffany.

Ok now I’m in a ranting mood…..

I STILL FEEL HORRIBLE FOR NICA! She’s been through hell for her whole life, I feel like Don just loves torturing her character….

And NICA AND TIFFANY……..no no no no……..Just NO….this ship….is TOXIC….I still have no idea where the hell Don was going with this…it came out of nowhere…..like seriously…..like was Tiffany bored of Chucky? And was like….what the hell. If anything Nica’s like her play thing…and I find it downright awful.

Tiffany even treats her like a doll, dressing her up, making her watch Jennifer Tilly moves and when she’s done she puts her in a damn closet…

I feel so bad for the twins…..I’m Glad that their happy now back together again but I miss them…..

I hated Tiffany’s character throughout the series’s and I was just so done…..for Bride she was this strong independent woman who don’t take shit from no one…but in the series all that went down the drain with her….”obsession” I just made no sense to me at all.

Ok also if they want good representation they had all the opportunities to do that with Jake and Devon BUT NO they had to keep showing this downright abusive relationship between Nica and Tiffany.

Do you have any tips for writing enemies to lovers?

Hi, love!  Thanks for your question and your patience<3  I’m currently writing somethingsimilar to this, so I hope my experience can help you here!

Enemies-to-lovers is a popular trope, but it’s often treatedcarelessly by writers – especially TV/movie writers who rush through thetransition to fit a single movie or episode arc.  There’s nothing worseyou can do in this situation than to rush your arc.  Falling in love isalready a time-consuming plotline – but transitioning from enemies, who arealready shutting each other out, to lovers?  The quicker it happens, theless believable it becomes.

I have a lot of notes on how to write enemies to lovers, sobear with me as I list them out.

Writing Enemies to Lovers: The Basic Ingredients

1. Give them some similar traits.

No matter what, two people can’t fall in love if they don’trelate on some level.  The first step to creating possible love interestsis to find where they’ll connect.  Are they a hero and a villain? Evil and good?  Night and day?  I bet they both love animals. Maybe they’re both way into politics.  Maybe they share a commonenemy.  Maybe they’re both neat freaks or a bit sassy or super gay or lovethe same music.  It can be a few important things or a bunch of superficialthings – just make sure they have something that can tie themtogether.

2. Put them on the same side of something.

When two people are mortal foes, it can be hard for them tosee each other in any other light.  Bringing in a common enemy (ananti-hero, a natural disaster, a person in power), or a common interest (amutual friend, a school play, a moral cause), can land foes on a teamtogether.  This forces them to become aware of each other’s strengths, andto consider (and worry about) each other’s weaknesses.  This is perfectfodder for an eyebrows-raised, “Hey, they don’t suck at this particularthing,” moment.

3. Get them alone.

With other people watching (especiallyfriends/coworkers/allies), little groundwork can be made for your twohate-lovers.  If you get your characters alone together, you’re given abounty of opportunities to bond them, including but not limited to: actualconversations, accidental (or faux-accidental) physical contact, the sneakymoment of checking each other out, etc. etc. etc.  People are differentwhen you get them away from their friends – less extreme, less rowdy, lessunreachable.  If you have to trap your characters in an elevator theold-fashioned way, damn it, you’re the only one who can do it.

4. Let them fight their feelings.

If these two are truly enemies, there isn’t going to be amoment of, “Oh, I like them.  Huh.  Neato.”  Oh, no. There will be internal backlash – they will beat their emotions back with abroom, and deny them to anyone who asks.  There will be extra hatefulglares, more middle fingers, and basically anything they can do to remindthemselves that they don’t like this person.  If you show thisinternal conflict, it both (a) makes the feelings seem real, organic, and (b)creates a more realistic transition from hate to love.

5. Love can sound like hate.

There’s a reason people say indifference is the trueopposite of love.  When your two enemies start to feel things foreach other, this will probably spark a lot of ranting, arguing, anddoor-slamming.  It creates a fixation – you sit there and you stew andyou tell your friends, “Remember when they did thatstupid thing?  Yeah.  Screw them.”  Your friends roll theireyes.  When will you stop talking about this person?  Just kiss themalready.

6. Sexual tension is a powerful tool.

If your characters experience sexual attraction, this is agreat way to accelerate their relationship against their will.  It’s theage-old, “My mind says no but my body says yes,” dilemma.  Yourcharacters can’t stand each other, or the image they have of each other, butthey’re attracted like magnets and can’t shake it.  This can make for somepretty hot – or pretty hilarious – scenes.

7. Give them a moment of horrified realization.

Eventually, the feelings will grow strong enough that one orboth of them will have to sit there, probably on the bathroom floor a littlebit drunk with one sock on, and realize: “I love that f*cker.”  It’llbe a scary moment for them.  It’s not that they haven’t known it – theyjust have yet to accept that it’s something to deal with, until now.  Thiscan be prompted by a dangerous situation, a shared activity, or a failed attemptat another romance – so when they really sit and think about it, theyknow.  Then it becomes a question of either “how do I get rid of this?”or “how do I pursue this?”.

8. Try their hand at flirting.

Whether one or both characters have come to accept theirfeelings, someone’s gotta start flirting.  A glancing touch across thearm; a small comment that could kind of be construed as amicable; a lingeringglance; that first peek at their enemy’s smile.  Something cute and quickand immediately followed by an existential crisis will do in a pinch. Without this water-testing, readers won’t have any image of what thisrelationship will look like – and if it can succeed.

9. Craft the perfect kiss/hug/confession.

When the time is right, create an undeniable display ofattraction to transition into a new phase of their relationship:the “welp-we-both-like-each-other” phase, which comes right beforethe “we-decided-to-(stay-platonic/start-romancin’)” phase.  The BigKiss/Confession is the most iconic climactic love scene, in which the twocharacters take a chance and become vulnerable with each other – and kiss, orsay, “I love you,” or do anything that can’t be construed in any otherway.  Want to extend the drama?  Interrupt them, or have it beone-sided, or let it turn into a fight until they decide, “Forget it, thiswas stupid.”  Readers will swoon.

10. Finish up with an awkward adjustment period.

If and when your characters do enter a relationship, makesure it’s a little tentative at the beginning, to keep it realistic.  Yourcharacters have made a huge shift in their dynamic – there will be somelingering arguments and love-hate, and maybe a bit of discomfort going publicwith their romance.  Then come the usual growing pains of a new relationshipgetting serious – figuring out how to navigate each other’s flaws, learning tobe open with their feelings, dealing with unresolved fights from before theirrelationship.  It won’t be perfect right away.  That’s the beauty of it.

I hope this helps you, love!  I adore love-haterelationships, and I hope you enjoy crafting your own enemies-to-lovers as muchas we’ll all love reading them :)  Good luck!

– Mod Joanna ♥️

Ifyou need advice on general writing or fanfiction, you should maybe ask us!