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this picture is actually making me go insane because what do you mean he just LOOKS LIKE THIS ???? his nose omggg i CANT

YOURE SO TALENTED OML

why do you think you're jesus? - a.d.

contains: wc just under 1k, sad lonely art donaldson, emotional apathy, mentions of religion/shitty religious imagery, nana donaldson mention 🔥🔥, LILY DONALDSON MENTION 🔥🔥🔥, 2019!art donaldson

notes: im so scared to post this but i really had fun writing it so. Dont flop? or if it flops i wont be mad.. i just hope it doesnt suck :(

“Who am I? Jesus?”

It’s the way she laughs when she says it, like it’s impossible for Art to worship her so. Like she doesn’t see how he’d be poised to kill himself if she wanted him to. It’s humorous to her, how Art craves her validation like the sun on his skin, he needs her more than the air he breathes. But to Art, it’s not a joke. This is just his life.

“Yeah.”

He answers truthfully, looking her dead in the eyes. He’s serious, too. To him, Tashi is everything, and he’s paying her back- he’s becoming everything she never got the chance to be. That’s love, right?

“You know you can beat him.”

She says it in that assured manner, as if she’s looked into a crystal ball and seen his future, maybe even manipulated the fabric of the universe to throw the game his way. It’s ridiculous to him, how she already expects these things from him, knowing damn well he’s never beaten Patrick fucking Zweig before. Not before, and definitely not now.

“What if I don’t? How are you gonna look at me if I still can’t beat Patrick Zweig?”

“Just like this.”

Tashi’s gaze is cold and calculating. It always is, but Art can read her well enough to sense the undertones, to see when she’s proud and when she’s upset. But right now, this whole poker-face act is working too well. It’s like staring into the eyes of a statue of Christ. Unnerving, all knowing.

Art’s only been to church once in his life. His nana had asked him along one Sunday morning when his parents were away on a business trip, and gladly, he said yes. But the whole experience felt.. suffocating for him. Like he was being forced into a too-tight, too-itchy sweater that just barely fit him. But the second they had left the church, Art had visibly relaxed, even as Nana asked him how he liked it.

“It.. It was good. Was fine,” he shrugged it off, before changing the subject and pivoting to the latest gossip in Nana’s book club. But deep down, he knew he couldn’t ever step foot in a church again, to feel so restricted under the watchful eye of Him.

It was sort of like that now, except Jesus was a She, and she was looking right through Art, wrapping him tight and warm in the itchy sweater. The love of his life, the woman he married, was snuffing him out like an unwanted flame. And what scares Art the most, is that the thought relieves him.

Art heard when she left. He heard the quiet pings on her phone and the rustling of a jacket. The sounds of the hotel door closing and her steps echoing down the hallway keep repeating in Art’s head as he feigns sleep, his chest rising and falling with each breath he takes. 

The bed is cold beside him, chilly where he needed Tashi’s lap to be, to keep him warm and keep him alive. He’s not stupid, he knows she’s off to see Patrick. Hell, he’s considered going off and meeting up with the bastard, just to have a chat, but Art has a feeling Tashi wants more than just a chat.

He curls up in the bed, not wanting to get up. Like if he kept his eyes closed, Tashi would come back, run her hands through his hair, feeling the smooth metal of the wedding band on his skin as she whispered quiet assurances, promises of love and devotion that the game didn’t matter.

Art opens his eyes.

The room is dark and empty, the sheets beside him rumpled. Tashi’s shoes are gone from where they were by Art’s slippers. There used to be a time when Tashi would make fun of Art for wearing slippers, but now she seemed to have accepted the fact that she settled for a man who wore slippers. He gets out of bed, sighing to himself in the quiet of the night. 

The stillness feels good, like cool air on sweat-soaked skin. It’s easier for him to think to himself, to really hear himself. Of course, none of the thoughts are great. He leaves the master bedroom, following Tashi’s steps. He could see the pauses that she made in his head, a hesitant step after a floorboard creaks and a pause to get her jacket. He can envision her sending a text to Patrick, leaving the hotel room without a second thought. Or maybe he was overthinking. Maybe he was doing the stupid jealous husband thing, not even realizing. Maybe it was just insecurity, and a quick talk could fix it. But he knew that wasn’t the truth.

He heads past the kitchen and living room to Lily’s bedroom, opening the door quietly and peeking in. His daughter is asleep, curled up under the covers while a quiet lullaby plays on the portable radio that Tashi brought along. The second Art takes the slightest step inside, Lily stirs, looking up to meet her father’s eyes.

“Sorry, Lilypad…do you have any space for me?”

There’s a pause before she nods, shifting over in the bed to let Art settle in with a groan, laying atop the covers as he wraps an arm around her, kissing her forehead and murmuring a quiet “Thanks, honey,” as he settles in for the night.

His eyes flutter, and he catches a glimpse of the framed photo on her nightstand, one that she liked to carry everywhere. It was a picture of her and Tashi, taken at her fourth birthday party. Lily was wearing a cowboy hat, and next to her, Tashi wore a bejeweled princess crown, smiling widely at the camera. 

Art reaches across to the nightstand, gently placing the photo face down, before settling into bed, snuggling into Lily.

He hopes Tashi will see it. And he hopes that whatever she does that night, she feels guilty.

WHITE COLLAR .

Tashi Duncan, Art Donaldson, and Patrick Zweig were never meant to be criminals.

They were meant to be icons—flawless, untouchable, transcendent. The prodigies of the court. They were supposed to be the kind of legends etched into history books and Wheaties boxes, draped in gold and immortal praise. Together, they were the wings, the sandals, the laurel crown of Nike herself—divine symbols of strength, speed, and victory.

But fate, as it often does, had a different trajectory in mind.

Tashi's career ended in a single, brutal snap—an injury that never quite healed, physically or otherwise. Patrick spiraled beneath the weight of expectation, his once-electrifying talent drowned out by inconsistency and a reputation he couldn’t outrun. And Art, sweet, unshakeable Art, lost the one person who ever made the tour feel like home. When his grandmother died, something essential inside him went quiet. He didn’t walk away from tennis. He simply stopped showing up.

The three of them could’ve faded then. Could’ve let the world move on without them. Could’ve become cautionary tales whispered about in locker rooms and bar corners. But they didn’t. They wouldn’t. Being forgotten was never going to be enough.

The spark came from Patrick, as it often did. He was crashing in another woman’s bed—charming, broke, and always a little too clever for his own good—when he noticed the vase. It stood on a pedestal near the window, backlit by city lights. Porcelain. Imperial yellow. Eighteenth-century Qing dynasty. The kind of thing you see once in a lifetime, if you're lucky—or reckless.

While she was in the bathroom, he did a quick google search. Qianlong era. Estimated value: nine million dollars.

That night, Patrick did something he never did—he scheduled a second date. Then he called Art. Then he called Tashi.

The plan was stupid at first. Then brilliant. Then inevitable.

Ten years later, they were infamous.

The trio had become the most elusive white-collar criminals on the international stage. They slipped through countries and identities like water, leaving behind only splintered champagne bottles, forged documents, and the distinct scent of audacity. Their work was seamless, often beautiful, always just out of reach. They didn’t chase greatness anymore. They stole it—paintings, diamonds, tax codes, ancient artifacts, entire reputations.

And despite the dossiers, the witness statements, the surveillance photos and whispered confessions, not a single case ever stuck. No court ever held them. No handcuffs ever locked.

But there was you.

The head of the FBI’s White Collar Crime Division in New York. Unshakable, relentless, methodical. You’ve built an entire career on patterns no one else sees, on connections no one else believes in until it’s too late. You know them better than anyone else alive. You know their methods, their tells, the rare moments they falter.

They know you, too.

You’re not just a threat—you’re a problem. The kind they can’t buy, charm, or blackmail their way out of. They laugh about you sometimes, over drinks in villas under fake names. But lately, the laughter’s been thinner.

Because you’re getting closer.

And this time, they feel it.

tagging: @kimmyneutron @babyspiderling @queensunshinee @hanneh69 @jamespotteraliveversion @glennussy @awaywithtime @artstennisracket @artdonaldsonbabygirl @blastzachilles @jordiemeow @soulxinxthexsky @voidsuites @elsieblogs @deeninadream

ethel x arttashi… i’m shaking

You keep saying you came here because Art needed matches… I think you came for something else. You think I came here for you? You think I came here to throw it all away for you? Maybe you just wanted to see me. I have seen you, you look like shit. 

ZENDAYA & JOSH O'CONNOR as TASHI DUNCAN & PATRICK ZWEIG in CHALLENGERS (2024) dir. Luca Guadagnino

this is me planning an edit in my head when a song comes on

i love listening to MUSIC!!!!!! and imagining things happening

me unfortunately

they're always with me 24/7

thinking abt the color choices in challengers... luca guadagnino ur such a genius and i love u forever...

using art as a main example because i see it most in him but the scenes of him in 2019, pre patrick reunion, the colors are bland and neutral, as if reflecting his life back to him. even when he does wear colors (his blue and white uniqlo) its only ever small accents. the colors are never bright or happy or super in your face, they're just sort of.. there. like art is in his marriage and in the tennis world. hes nothing really special when hes doing this.

the scenes above- his match with patrick, the motel scene, and atlanta are the ones i find the most interesting color-wise.

in the tennis match, he's still only wearing small accents of color, but his surroundings are much brighter and contrast against him, making him stand out- playing with patrick brought that small spark back to his playing.

the motel scene is so obvious, the constant need and longing that all three characters feel for each other seems to make the room ebb and glow with the warm lighting, the contrasting colors of tashi's neon pink, patrick's mint green, and art's baby blue making an unbalanced mosh pit of colors that shouldnt mean anything but do.

atlanta scene, arts fiancee is LITERALLY cheating on him and his ass knows this- but to just know patrick is nearby, that their sick fucked up triad has a hope for returning brings some color back.

its like the mere idea of having both patrick and tashi around brings this sort of energy back into art that can be seen through the coloring. it cant only be one- it has to be both pat and tash, all three of them connected once again for the color to return to art's eyes