josh o'connor and mike faist behind the scenes of challengers (2024) dir. luca guadagnino
on the edge of my seat
MOJO PIN — art decided he didn’t need you anymore after your breakup but boy was he wrong..text after text, drug after drug after drug. If he just had you, he wouldn’t need no drugs or..his mojo pin to keep him satisfied but he didn’t wanna weep for you and he didn’t wanna know what you were up too until you showed up at his trashy apartments front steps after receiving a bit too many harsh messages from him after a harsh night.
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i wrote about design for living & challengers in relation to each other last year for an unpublished essay on threesome movies. in celebration of the upcoming watchparty, here's a paragraph:
Challengers is surprisingly close to Design for Living in narrative. A threesome past haunts the principals, two talented men are inspired by the patron Mother who does not do the same work, the trio fail at monogamous relationships before finding three-way unity. Both Gilda and Tashi end up in convenient marriages that represent their dissatisfaction not only romantically, but in their identities and careers as well. This similarity in particular illuminates why both these films work where some others with similar premises don’t. Polyamory isn’t the point, it’s the setting. The domination of monogamy impacts all facets of life. A woman’s conventional role extends past fidelity. She is expected to sacrifice everything for her husband: her individuality, her labor, her spirit. Gilda and Tashi both succumb to then fight against this loss — the polyamory is almost incidental. It’s only evidence that they are no longer victims of patriarchal exchange.
pairing: kook!art donaldson x pouge!reader
𓇼 ·⠀· art is the kind of kook who seems like he has it all—generational wealth, beach houses on both sides of the island, and the kind of charm that makes moms want to feed him and dads want to mentor him.
𓇼 ·⠀· beneath the polished image, art is quietly at war with himself. he plays the role well: parties, surfside bonfires, midsummers. but he often feels like a visitor in his own life. especially among the other kooks, who are mostly about image, money, and dominance.
𓇼 ·⠀· you met unintentionally. it was just another night on the beach where he ditched a charity dinner early and took a walk to escape the noise. you were sitting in the sand alone, hair wild from the sea air, completely unbothered by the world around you. he didn’t say anything at first, just watched. something about you didn’t belong and he liked that.
𓇼 ·⠀· you aren’t a kook, not really. maybe you’re a pogue, maybe somewhere in between, but you live without pretense—and that shakes him. you say what you mean, don’t bow to money, and don’t care if your clothes match or your car stalls. you’re all instinct and gut, and he loves it.
𓇼 ·⠀· he starts finding excuses to be where you are, claiming he wants to "experience the real outer banks." you roll your eyes the first time he says that, and he laughs, but he still shows up.
𓇼 ·⠀· he’ll offer to help you fix your bike, even though he’s never held a wrench. when you invite him to a bonfire with your friends, he’s awkward at first but earns their trust faster than he expected. turns out, under the country club polish, he’s just a boy craving realness.
𓇼 ·⠀· he’s not proud of it, but he keeps your relationship quiet in the beginning. kooks don’t date “down,” and he knows the kind of backlash he’d face if he was seen with you. not just from his friends, but from his parents, who still measure success by marriage prospects and family names. you find out when you spot him at a club event, smiling beside a kook girl his mom has been pushing onto him since they were thirteen.
𓇼 ·⠀· when you you call him out? he doesn’t deflect. he listens. that’s the night he shows up at your place barefoot, hair a mess, eyes soft. no driver, no excuses. he kisses you like he’s never kissed anyone before. and from that point on, he doesn’t hide you again.
𓇼 ·⠀· he’s not the type to fight someone at a party or key someone’s car. he's a little too timid for that. art protects you with his presence—an unspoken signal that you're off limits. he won’t start drama, but he’ll stand in front of you when someone sneers, and he’ll shut down his kook friends with quiet, lethal words when they make offhand comments about pogues or “people like you.”
𓇼 ·⠀· he listens to your stories, your opinions, your anger. when you rant about the class divide or how kooks ruin the natural beauty of the island, he doesn’t try to fix it or argue. he just takes it in.
𓇼 ·⠀· sometimes he looks shaken, like he remembers you go against everything he was ever taught. other times, he looks like he finally understands why he’s always felt like something was missing.
𓇼 ·⠀· the first time he invites you to a party, you're hesitant. kooks and pouges don't mix, it's basic logic. but he promises he'll be by your side the entire night—a promise he keeps. he holds your hand and introduces you as someone important. the kooks don’t know how to handle you, and you don’t care. you notice the way art watches you the whole night—protective, proud, maybe a little in awe. you fit into his world like a storm rolling into a sunny day—unpredictable, powerful, and impossible to ignore.
𓇼 ·⠀· art starts talking about leaving outer banks. not because he wants to abandon his life, but because for the first time, he sees another way to live. you challenge him. you make him think. he confesses he doesn’t want to take over the family business. he wants to start something of his own. maybe a surf shop or a nonprofit for underprivileged kids on the island. something that means something.
𓇼 ·⠀· one night, you’re lying on his family’s yacht. the stars gleam above, his arm rests under your neck, and he whispers that if you asked him to run away with you tomorrow, he would. you believe him.
𓇼 ·⠀· art is composed in public—shy, poised, a master of masks. but behind closed doors, he’s something else entirely. he leaves notes in your bag with maps to secret beach spots. the notes are always something along the lines of "MEET ME HERE AT MIDNIGHT AND WEAR THE SUNDRESS I BOUGHT YOU. PLEASE. -A." when you fall asleep on him during a movie night, he doesn’t move—even if his arm goes numb. he brushes hair from your face gently, like you're some beautiful sacred being and he's worried he'll break you. you call him out when he’s too guarded, and he lets himself crumble with you, because you’re the one person he doesn’t need to impress.
𓇼 ·⠀· by the end of summer, the kooks don’t really know what to make of him anymore. he still dresses like one of them, still shows up at parties and fundraisers—but he’s different. he speaks up more. he pushes back. he spends more time in the cut than in figure eight.
𓇼 ·⠀· people whisper. some say he’s throwing his future away. some say he’ll realize far too late. but when he looks at you—sun kissed, salt laced, free—he knows he’s never been more certain of anything in his life.
taglist: @fwaist @pittsick @cowboyfaists @manipulatemedonaldson @nozhdyved
art come home the kids miss you 😾😾
I’m not an art donaldson apologist bc he has nothing to apologize for
wait guys hear me out… death of a party girl is SO patrick after he lost both art and tashi in one day. i like to think that he turned to partying and that scene to take his mind off of it, definitely spiralling downward sometime before we see him again in 2019
DO WE SEE MY VISION.
taglist: @girliism, @imperishablereverie, @faiztsheap
tashi duncan as dayanara vega
if you're bad, she'll say so. better form, point your toes, arch your back. she's strict, but she's good. there's a grace behind her movement quality, an easiness that looks natural to her. she also had a knee injury (a few years back) and now has taken up a teaching position. if you're good, she'll tell you, and she'll be unbelievably proud of you for making it a few more steps.
patrick as gavin morales
he's sharp and fierce, confident in himself and his abilities- and as he should be. he's overflowing with talent, all hips and chest, spotting on point. his moves stick, never flowing unless they need to be. he's good at being himself- after all, everyone wants to be him.
art as kurtis sprung
he's mastered the classics and foundation, starting in ballet and creating a whole new interpretation of fusion. his movements are fluid and slick, he knows how to control his body, his muscles and his strength. he dances for himself and his own comfort, turning different genres into a style that's completely his own.