1. annabeth instinctually knowing he’s alive and refusing to lose her faith in him even when grover, the one with the empathy link, didn’t believe so.
2. the hug. the overwhelming relief on her face. his pleasantly surprised reaction. us being able to see everything visually click in grover’s head once he realized what he’s in for. percy teasing her about it when they’re hiding on the highway bc he assumes that’s why she’s being standoffish. grover heaving and rolling his eyes when percy suggests that. i can already envision the MoA parallels in my head of them running to each other.
3. percy and annabeth referring to each other as friends on multiple occasions like FINALLY you’re getting it
4. percy telling annabeth and grover about his revelation that the quest goes deeper than they think and annabeth and grover being light years ahead of him
5. percy’s renewed faith in his father contrasted with annabeth’s dwindling faith in her mother
6. annabeth seeing the fates cut a string and mentally preparing herself to sacrifice herself for her friends and the quest bc she’s so ride or die for them it’s insane even if she’ll deny it and say it’s for the sake of the quest.
7. none of them talking to gods with the deference they’re supposed to. annabeth cooly staring down ares like she couldn’t be blasted to smithereens.
8. annabeth casually mentioning she’s never seen a movie ever to an appalled percy, speaking to how sheltered camp life has been for the last 5 years, making her unaware of general pop culture. percy promising to catch her up on what she’s missing out on. cut to their interrupted botl movie date that’s most definitely not a date. cut to MoA when she mentions roman holiday is her favorite movie bc she watched it a lot with her dad after they somewhat reconciled…also due in part to percy.
9. annabeth getting distracted by the beauty of the machine at the entrance while percy thinks he is actively going to die. her love for design will never not be endearing.
9. percy and annabeth riding down the tunnel of love seeing hephaestus’s story play out and annabeth insisting that sally prepared him the best way she could’ve—with unwavering loyalty to his loved ones, the antithesis to the gods.
10. annabeth being so ready to sacrifice herself for him, especially after probably being ridden with guilt and self-hatred for letting him get the best of her at the gateway arch, and understanding he would never let her do that. his pure faith in her as being the most capable—“You’re better at this than me. You just are.” with the utmost conviction in his voice. both of them tearing up and percy begging her to do what he originally chose her on the quest for. annabeth fighting back every instinct within her that despises standing back and letting someone else take the fall. him turning to her and saying “i need you to promise me something” and her immediately swearing if she’s able to save anyone on this quest, it’ll be his mother, knowing that’s the most important thing to him in all of this. him asking she come back for him and her scoffing “you think you had to ask?” and his sad watery smile back, knowing he didn’t need to….ALSO the ever-iconic “seaweed brain”. PEAK cinema i’m telling you
11. percy trusting annabeth with riptide as his parting gift and thing to give her strength and remember him by. paralleled with how she’ll (hopefully) untie her camp necklace and tie it around his neck before his final fight with ares as a token of good luck and entrusting him with the home she wore around her throat…
12. the well-written conversations with the gods, though unexpected. grover being FAR more clever than he’s given credit for, manipulating ares’s tendency towards anger, bitterness, and pride to get what he wanted out of him. annabeth rejecting hephaestus’s promises of power and glory and the renewal of her mother’s favoritism and pride, something annabeth used to crave with her entire heart. annabeth echoing to hephaestus what she said to percy in the tunnel about him not being like the rest of their godly family and telling the god that she refuses to be like them too. that the way they treat each other and their children isn’t right, the same way percy insisted to her last episode. hephaestus being one of the only gods capable of empathizing with her and telling her “you’re a good kid, annabeth. i’ll put in a good word with your mom for you.” no one speak to me i’m unwell
13. timothy omundson in general…although i keep hearing him as lassie in my head 😭
14. ares negging on them and warning percy his dad’s mind is as fickle as the sea itself and percy won’t be able to hold down his father’s favor and percy responding by threatening the literal god of war in the most percy-like fashion
15. ares didn’t call twitter X. but now we know who’s behind the mentally ill stan wars
1. the one thing i am really miffed about it is them robbing thief annabeth from my cold, dead hands. i wanted to see her raid a store without a second thought and be a little gremlin!!! she has hermes’s influence all over her (thanks luke/being a runaway), let us see it!!!
2. percy and annabeth being slightly awkward at the entrance of the thrill ride of love didn’t carry the same humor as the book scene because they’re such children about it in tlt and annabeth is extremely flustered but we don’t see that here.
3. aphrodite’s scarf. it was a fun detail they could’ve kept. seeing percy making heart eyes would’ve been funny (and maybe a glimpse into future seasons)
4. percy seeing a clip of gabe being gabe and saying “im going to kill him” is merely a NUGGET of the hatred we should be seeing from percy for that man. especially in area’s presence which feeds off of and amplifies everybody’s anger and hatred and bloodlust. there still needs to be more build up to turning gabe to stone at the end of all this
5. percy blacking out from using his powers to get him and annabeth out of the water. while he’s nowhere close to being a master at his craft at this point in the books, and he is known to lose control, even as a more seasoned warrior, i don’t think what he did warranted a blackout. i feel like they’re underselling his innate strength a little bit.
6. overall, although it kind of worked out, there was just a lot of plot deviation from the books—grover not going to waterland, no mechanical spiders, percy and annabeth not jumping out the ride into free fall and being saved by grover wearing maia, although they crash into a billboard etc etc.
Something that is confusing me is how many people are defending the changes Rick made and defending Rick himself in regards to the show.
He lied to us.
He got the entire fandom to hype up the show, got the show made on the basis of getting a book accurate adaption. This was supposed to be something accurate to the books, including the book characters, the book scenes, the book stakes- we were supposed to get to see our favorite moments in the books on screen.
And then he went and rewrote the book.
This adaption isn't the book we read. The characters aren't the characters we read. Grover's personality was wholesale replaced. This is something entirely new-
And whether you like it for itself is a different matter entirely, but the point is that... this isn't The Lightning Thief that we read years ago.
He lied to us.
there was a moment when the people in the movie theatre and the capitol audience in the stands were laughing at the same things, having the same reactions to the games, to the deaths, to flickermans jokes, to the doctor's announcement...i wonder aren't we watching it for entertainment too
suzanne collins' books may exist in popular culture as "dystopian", but they have always been a meticulous and startlingly close social critique of our world. at what point does our own idolization of the movies and the books repeat that story? we watch just as the capitol audience does.
all dystopia eventually crosses a line from realistic futurism to current relevancy. how long will it take us to realize we've already crossed that line with these books? and the very people who need to realize this are the ones in that audience...real or fake, we're the same: consuming and consuming.
thinking about how they said grover was affected the most out of everyone bc he was alone and how nico and bianca stayed for 70 years inside that hotel and didn't forget each other bc they were always within reach and how that little detail makes their story even more devastating bc they got through it together and the moment they got out they get separated and then bianca never comes back
made too many jokes abt being sexy and cool and accidentally developed an ego
Suzanne collins wrote a trilogy where a main media propaganda strategy was to market a horrific act of violence as a love story to distract ppl and then it got adapted into a box office breaking movie and ppl made it all about the love triangle. so then since they didn’t get the point the first time Suzanne collins wrote a prequel story about the main dictator and she makes it so that you as a reader want it to be a genuine love story so badly even tho it’s so very clearly not and instead feels extremely unsettling to make her point even more meta which then gets adapted into another box office breaking film and now ppl are making romantic snowbaird tik toks. do u think she’s gonna write another book that’s somehow even more blatant or just give up and start executing ppl? hard to say but I wouldn’t blame her for the second one
changes in the pjo show that are better than their book counterparts (from a chronic over analyzer who has been obsessed with this series since age 12)
sally working morality lessons and her own opinions into explaining the greek myths to percy (sally is amazing any details included that allow more of her character to be shown are fine with me i love learning more about her thought process. i also think its a really interesting and more subtle way to show that the mortal parents of demigods are also impacted negatively/are victims of the gods actions.)
stating outright that luke sees annabeth as his sister (bc luke seeing annabeth as anything other than his sister defeats the point of the series in a lot of ways. it makes him irredeemable and is disgusting which overshadows all of his valid arguments and the way percy mirrors him. it's like when an author makes a morally gray character commits some vile act that is out of character but is so bad readers can't ignore it in order to turn that character into a "true villain".)
BRINGING UP THALIA (thalia is one of my favorite characters in the whole series so of course i'm ok with any mention of her, but it sets up future events so well. we understand characters motives sooner, its probably a way that luke can gauge whether a demigod will join the titan army based on their reactions to the story, WE SEE HOW DIFFERENTLY IT EFFECTED LUKE AND ANNABETH)
the medusa and annabeth parallel (that change shows the truth of the gods in one parallel. it sets up annabeth's change in mind set that we get to by the last olympian. i can't explain how much i love this parellel.)
annabeth being the one to watch luke's string be cut (he is her family, it will be her dagger, it is only fair she be the one to see it. that is all i have to say about it.)
GROVER MANIPULATING A GOD (i love this so much bc i think it shows his desperation in a way. he knows how much is riding on this and after finding his uncle and percy falling from the arch he is willing to do anything to succeed. no more thalias.)
there's probably more but that all i can think of atm
guys we’re gonna have new content we can make GIFSETS we get to hear “look I didn’t want to be a half-blood” brb im crying
percy, at some point in season three after bumping into a random red haired girl at the Hoover dam: i know who you are. You’re Rachel Elizabeth Dare. You can see through the Mist, and you’re gonna be the next oracle
there's actually more at someone's old and dead sideblog that i found like two minutes ago while researching this autistically
@youtriedstars
NO YOU DID NOT 😭
Ironic that here you can know more about me than anywhere else. (English isn't my first language, sorry for any mistakes.)
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