lease write more abbott it’s a blessing 🙌🏻 maybe something to do with phone sex? he’s away at a conference?
omg yes! 18+ ONLY. Do not interact if you’re a minor. Jack’s in Boston for a trauma conference. You call. You say it’s because you can’t sleep. But that’s only half of it.
warnings/content: 18+ only (NSFW content), established relationship (married), emotionally repressed longing, slow-burn smut, phone sex, voice kink, dirty talk, mutual masturbation, married tension
You hate how quiet the house gets when he’s gone.
It's not the kind of quiet that happens at night—but the kind that sinks into the space he usually fills. The sound of water running after midnight. The low thump of his steps down the hallway, deliberate, uneven—his right leg always just a little heavier. The comfort of knowing his hand will brush yours when you reach for your toothbrush at the same time.
You feel the absence of all of it.
Jack’s in Boston. Trauma conference. Just a few days, he said. Routine stuff. But it’s late now, and your body knows what’s missing.
You’re curled up on his side of the bed, wearing one of his old army shirts. Not a clean, folded one from the back of the closet—this one’s threadbare and warm from too many washes, the collar stretched, the fabric soft. You only wear it when he’s not home. When the smell of him is the only thing that helps you fall asleep.
You haven’t yet. It’s close to midnight.
You don’t plan to call him.
You just… do.
He answers fast. Not rushed. Just ready.
“Yeah.”
You blink at the ceiling. “You busy?”
A pause. Then, quieter: “No. You alright?”
You nod before remembering he can’t see you. “Didn’t mean to bother you.”
“You’re not.”
Another beat of silence. You can hear the faint hum of hotel heating behind him, and the quiet rustle of fabric. He’s probably sitting up in bed. You can picture the way he runs a hand over his face — tired, but not surprised to hear from you.
“You sound off,” he says.
“I’m fine.”
“Don’t lie.”
You exhale. The kind of breath that says more than you want it to.
“I just couldn’t sleep.”
You roll over onto your side, pulling the covers up. His pillow doesn’t smell like him anymore. Not really.
“I’m wearing your shirt.”
He doesn’t answer right away.
“That old army one,” you add, quieter. “The one with the stitching in the sleeve.”
Now he exhales — low and tight.
“Fuck.”
He doesn’t say anything after that. You don’t need him to. The silence stretches between you — familiar, warm, heavy. The kind of silence you’ve only earned through years of knowing each other like this.
You shift under the covers. The shirt rides up, exposing the backs of your thighs to the cold air. You leave it there. He always liked the way your legs looked like that — one bent, one straight. Like you were already waiting for him.
“You touching yourself yet?” he asks.
“Are you?”
A beat. Then: “Yeah.”
That makes you ache.
You slip your hand beneath the covers. Your fingers meet warmth. Wet. You drag them slow — lazy, teasing — and your thighs twitch with the contact.
“God, Jack.”
“I know exactly what you’re doing.”
“What am I doing?”
“First pass. Testing how wet you are. Finger sliding just under—”
You gasp. “Yes.”
“I’d be kissing your stomach if I was there,” he says, lower now, strained. “That soft spot just above your hip. You always flinch when I do that.”
There’s a pause. His breath hitches.
“What about you?” you whisper. “Tell me.”
You hear it — the shift, the subtle slide of skin on fabric.
“Boxers are down,” he mutters.
“Back against the headboard?”
“Mhm.”
“Using spit?”
He groans, deep and low in his chest. “Jesus.”
Your hand moves faster. Controlled. You know exactly how much pressure you need — and how much you want to hold back just to stay here with him.
“You’d be on top,” he says. “Knees on either side of me. I’d let you move at your own pace for a while.”
“Then?”
“I’d grab your hips.”
You press harder. He grunts softly — just a breath, but you feel it.
“I know how you sound right before you come,” you whisper. “You get quiet. Then you curse. Just once.”
“Yeah,” he breathes. “And you go completely still. Just for a second. Then your whole body shakes.”
“I’m getting close.”
“I am too.”
You whimper. “I don’t want to finish without you.”
“You won’t.”
“Tell me when.”
Silence. Then:
“Now.”
The release is sharp — full. You cry out, hand working through it, legs flexing. You hear him too — a quiet grunt, drawn-out breath, the faintest curse under his breath as he falls with you.
It’s quiet for a while. Just your breathing. His.
Then Jack speaks again. Lower. Rougher. Real.
“You okay?”
You nod, still catching your breath. “Yeah.”
“I hate being this far from you.”
“I know.”
Another pause.
“I’ll be home tomorrow.”
You smile. “I’ll leave the shirt on.”
He exhales. “Good. I want to take it off you myself.”
PALESTINA LIBRE HOY Y POR SIEMPRE
Yesss more details on his creampie kink and dirty talk!! He definitely plays w/ you after he finishes inside. I feel like his dirty talk would be heavy on praise too? I’m down disgustingly bad for this old man it’s almost shameful
Lots of people want me to elaborate so.. 🫢😏
- He neeeeds to finish inside you.
- The primal urge to fill you to the brim and watch his cum leak out of you makes him insane.
- Sex with him is intense and passionate (I could go into more detail there too lul) and marking you as his by cumming inside you is the cherry on top.
- His thrusts are always hard and deep, but never fast. He loves you on your back beneath him, hands like a vice on your hips.
- You can always tell his close by the way he starts grunting, deep and gravely sounds as his tip kisses your cervix.
- He uses his thumb to rub tight little circles on your clit, urging you to finish with him. And it’s so overwhelming, the way his stretching and filling you, his thumb on the bundle of nerves..
- You’re squirming and crying out in absolute bliss, and he doesn’t relent. “That a girl, baby. Take it. You can do it, do it for me.”
- And when he cums inside you he’s almost growling, hips pinned to yours as he fills you to the brim. He’s grinding into you like he’s on a mission, panting and cursing.
- “Such a good fucking girl, taking me so well. Look at that, so fucking full of my cock.”
- He pulls out slow and easy, watching his cum slip out, admiring the creamy white ring around the base of his cock.
- And he’s panting and cursing, using his finger and pushing his cum back in, humming at your surprised whines as he whispers. “Look at that. So fucking gorgeous, you’re so full of my cum.”
- And he won’t stop until it’s all back inside you, kissing your stomach and chest as he mumbles. “Mine. You’re all fucking mine.”
Ayo Edebiri via deemakeupart on Instagram — February 22, 2025
HIS BICEPS. HIS FOREARMS. HIS WRISTS. HIS HANDS.
Jenna Ortega | Met Gala Celebrating "Superfine: Tailoring Black Style" | May 05, 2025
Cannot believe he fucked a couch and killed a pope
lukewarm take but i personally do not give a shit if poor people cheat a system that was designed to fail them anyways. i also coincidentally do not enjoy the taste of boot rubber
Sundays are meant for lazy mornings and trips to tjmaxx. Normally you wouldn’t dream about going to the local one because it’s a literal mad house but Jack said he found one that’s an hour out that’s supposed to be bigger, and has the tomato beaded bag that you really want. It makes you laugh because you showed him that TikTok only once but he remembered. Of course he would because why wouldn’t he remember the things you like??
But he mostly also wants that one ottoman that also doubles as storage - the one where he can rest his leg on and keep the fluffy blanket that always knocks him out cold because it’s impossibly soft. Y’all stop by the local coffee shop for some fuel before hitting the roads and you can’t stop smiling because it’s honestly the first time you’ve ever seen Jack be so carefree and genuinely relaxed. He always likes doing things with you. But this? It’s makes you so happy seeing him take initiative in something so seemingly trite.
He gets the bigger and wider cart. He knows better than to get the double decker small one. He loves watching you pick out art for the walls, consulting with him about what stuff to get for the kitchen. He always pivots to the candles, picks out one that smells like the one place you took a trip to together. That was your first big trip as an actual couple. You giggle and smooch him softly a few times in the candle isle, and you pretend to not see when he sneaks a few more into the cart.
With the blankets and pillows, he’ll often give a squeeze and a low hum of approval. He’ll crack a joke about the pillow feeling like your boobs, and there’s a small pause before the both of you laugh so hard because when has he ever made a joke like that??
Yeah, Maxxinista!Jack is a different person and you love it.
Listen I think Jack loves little trinkets. He’s def a trinket kinda guy but never had much because ya know army days. But he loves a trip to home goods or marshalls and he’d be like “hey honey what do you think about this pitcher? It goes with our cups.” Towels? Oh you bet he’ll be making sure they feel right. He’s always been a very functional “if it works it works” kinda guy but then he gets introduced to Egyptian cotton and thread count sheets and that man has never slept better in his life.
Inspired by this post from @abbotjack hehe
“FUCK ICE (US Immigration Police)“
Roller graffiti in NYC
when would jack stutter, have to catch his breath? whether it be something he sees, hears, smells. what makes him take pause?
Jack Abbot doesn’t stutter for effect. He doesn’t lose his words in arguments or get flustered in tension. He was trained—trained—to speak clearly through chaos. To radio for medevac while pressure-wrapping a wound with one hand. To give the date, time, and morphine dose to a nineteen-year-old he was holding together by sheer will while bullets cracked overhead. Words, for Jack, have always been tools. Precise. Tactical. Controlled.
So when Jack stutters, it’s never performance. It’s never dramatics. It’s malfunction. It means something short-circuited so violently inside him that all his practiced scripts—the field medic instincts, the ER attending cadence, the gallows humor—all of it collapses under the weight of something real.
It’s not trauma that makes him pause. He’s acclimated to that. It’s gentleness. It’s earnestness. It's the things no one ever trained him to survive.
It starts small.
You’re in his kitchen one morning, still in sleep clothes. No makeup. You open the fridge and mutter, “We need more eggs.” Not he needs. Not you need. We.
Jack freezes.
Just for a second. Just long enough that the corner of the coffee filter burns.
Because he’s spent years learning how to survive alone. Alone is safe. Alone is math he can do. But we? We is dangerous. We has loss baked into it.
So when you say something that sounds like permanence without even realizing it, Jack looks down at the mug in his hand like he forgot how it got there.
“You okay?” you ask, still rummaging.
“Yeah, I just—” He exhales, blinks. “I—uh, it’s—fine.”
It’s not the word he’s fumbling over. It’s the feeling.
Then it escalates.
You wear his sweatshirt to the grocery store and complain about the sleeves being too long. You say it in passing—no agenda, no performance. Just an offhanded “How the hell do your arms fit in this thing?”
Jack laughs. He nods. He goes quiet.
And later, when you’re brushing your teeth, he stands in the doorway, arms crossed, watching you like he’s never seen anything more disarming.
“You know you, uh—” He pauses. Swallows. “You look good in that.”
And that stutter? It’s not nerves. It’s not lust. It’s ache. It’s how dare you look like home in my clothes when I never thought I’d have one again. It’s him tasting the fact that someone might love him with the lights on. With the ghosts still in the room.
But the worst of it—the deepest malfunction—is when you touch the part of him he hides.
It’s a Tuesday. You’re lying in bed. Jack’s out of the shower, towel around his waist, residual steam curling off his shoulders. You’re half asleep when he climbs in, careful, always careful. The prosthetic is off. His right leg ends below the knee, the skin there pale, uneven in tone, scarred in a way that doesn’t fade with time.
You don’t flinch. You never have.
You roll over, press your face into his chest, and—without thinking—run your hand down his thigh and stop at the point where flesh becomes absence. Where history lives in muscle memory.
He draws in a sharp breath—sudden, ragged—like it knocked the wind out of him.
“Sorry,” you whisper, pulling back.
But he grabs your wrist. Not to stop you. To ground himself. To hold the moment in place.
“No, I—” His voice cracks. The words don’t follow. “It’s not—I just—” He blinks fast, jaw twitching. “I wasn’t—expecting that.”
Because what you touched wasn’t just skin. It was the thing he’s ashamed of needing love through. The thing people look at and get polite. The thing strangers pretend not to notice. The thing he never believed could be part of desire. And you just touched it like it was his. Like it was safe.
That’s when Jack stutters.
When you make the part of him he’s spent years compartmentalizing feel not just accepted—but wanted.
But maybe the most dangerous kind of stutter—the kind that ruins him—isn’t even about touch.
It’s when you fight.
Not over something petty. Something real. Something that threatens the fragile trust he’s learning to build. Maybe you accuse him of shutting you out again. Of pulling back every time things get too close. And you’re right. You’re so right it guts him.
He raises his voice. Snaps something defensive. His default. Control the room. Win the logic. Out-talk the fear.
But then you say it.
“Jack, you don’t have to be perfect to be loved.”
And that sentence? That sentence breaks him.
Not because of what it is.
Because of what it isn’t.
It isn’t a demand. It isn’t a plea. It’s grace. Unconditional. Unflinching. And it makes no goddamn sense to a man who’s only ever been valued for what he can fix, what he can endure, what he can sacrifice.
So he stares at you.
“You don’t—” His voice falters. “You don’t know what you’re saying.”
“I do,” you whisper.
And he stutters. He turns away. Rubs his jaw. Blinks hard.
Because he wants to believe you. More than anything. But his nervous system doesn’t know how to file that truth under anything but threat.
He says, “I just—” and never finishes.
Because he can’t.
Because it’s too much.
Because your love is louder than his guilt, and that is a sound Jack Abbot doesn’t know how to live through.
That’s when he stutters.
When you say something that unravels the wire he’s been holding himself together with since the war. Since the job started asking more than he had to give and he gave it anyway.
When you look at him like he is not a burden. Like he is allowed to stay.
That’s what makes Jack Abbot forget how to speak.
Not blood.
Not death.
But the unbearable mercy of being loved anyway.