Thankfully, I Retired Relatively Young. Not That Retirement Is A Gig Worth Being Too Grateful About Either.

That is a seriously romantic font, it suggests a phantasmagoria.

Back when cans were cans❗

Joseph Schlitz Brewing Co, 1963

Damn it!

Never gonna find that talking fish.

Happy 95th birthday to Angela Lansbury, who was born Oct. 16, 1925, in London. An acting legend on stage, TV, and film, here’s some photos from her extraordinary life. Photo captions. 1. A glamorous portrait from her time as a contract player for MGM. 2. Lansbury in her first screen role as conniving maid Nancy in Gaslight (1944). Lansbury received her first Academy Award nomination for this performance. 3. Lansbury in one of her fabulous costumes for The Harvey Girls (1946). 4. Lansbury and her good friend Hurd Hatfield at Hollywood landmark Schwab’s Pharmacy. Hatfield and Lansbury appeared together in The Picture of Dorian Gray (1945). 5. Lansbury received her third Oscar nomination for playing Laurence Harvey’s fearsome mother in the political thriller The Manchurian Candidate (1962). 6. Lansbury and her fellow TV/stage legend Bea Arthur rehearsing a number for Mame.

The Band Scary Pockets performing a soulful iteration of Radiohead’s 1993 anti-anthem, “Creep” (On Youtube at https://youtu.be/tcNuPheBQgU)

Well that was incredible. The singer was just pouring out a heart rending, soulful rendition of Creep that would make your chest shudder.  Her possessed  driven voice was looking to smash right out of that room, like a gail force from massive unseen pipes.  She could turn from whisper to soaring then back.  

Meanwhile, the backing band  played a giddily infectious and genial vamp, like it just went right over their heads that Creep is a devastatingly sorrowful song–not melancholy, but acute anguish, bereaved loss as a freely gushing wound that doesn’t heal.But no, they carried entire duration  of the song–like it was jauntily amiable, laid back and with the purest kind of no-fucks-to-give, bounce in its gait.  For me, it recalled the sensation and storied feel of Herbie Hancock’s Fat Albert Rotunda, or the lope along good natured Linus and Lucy theme from countless Peanuts animated specials–which only added to the thick warm mallow feeling it stirred in me.  

Her voice railed with loneliness and loss.  It’s sonorous dolor filled the air enveloping the rhythm section, but instead of leaching the vitality out of them, it was like they just absorbed her energy for juice.  It cranked the mood coming off them from dopey laissez-faire to jubilation, the loping feel of the rhythm’s stride shifted subtly, rising in mood to a march. Then up from march to a joyous victory dance  without changing any tempo, dynamic, or orchestration, just like they appropriated the agony energy of her song and transformed it into an aural ecstasy  more suited to a dervish. 

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More info on them, pasted from Youtube:

Subscribe: http://bit.ly/2IwGwQc

Official Website: https://scarypocketsfunk.com

Stories Channel: https://youtube.com/channel/UC-yUK_2H... 

Facebook: https://facebook.com/scarypockets

Instagram: https://instagram.com/scarypockets

Twitter: https://twitter.com/scarypockets

Bandcamp: https://scarypockets.bandcamp.com

Musicians Vocals: India Carney Bass: Sam Wilkes Drums: Lemar Carter Guitar: Ryan Lerman Wurlitzer: Jack Conte  (who you might recognise from Pomplamoose) Recording Engineer: Pete Min

As if I have the option not to.

All the beautiful women with their zaftig curvy bodies and strong sexy feet.

Remember kids, the best way to embody important values like equality, inclusion and diversity is to maintain a prioritizing hyper focus favouring your arbitrary demographic based identity group.

Always loudly demonstrate your beliefs in individual human rights, person-first ethos, anti-nationalism, anti-communism, anti-ideologism , anti-elitism, anti-classism, by shaming and castigating others for failing to conform to this enlightenment which only we possess, and has forced us to always protectively act solely in the vested interests of our group in the name of justice for all.

Think of it as being part of an eternal elite Hive granting you purpose, clarity and a badge of untouchable authority. It is essential, if we are to prevail in having our truth dominate, that you see, think and act solely through the lens of our unified group's needs, feelings, grievances and agenda. If you ever doubt, remember that is your internalized misogyny. There is only being with us, or being oppressors and we won't tolerate them. Don't worry if it sounds confusing, we have it very clearly defined for you in our discourse that no one is allowed to debate.

Be proud, aggressive and fierce about it: devalue, discredit and dismiss dissent it is the hate from out-group voices who don't want us to get our way, they are distracting noise. Opposition shouldn't be allowed to be heard, it could confuse people. If they oppose us then they are by our definition, oppressors. Whatever their needs, or any challenge or question, always be swift in calling out opposition and use anything you can to silence it. Make our voice loud and overpowering, denounce them as haters, anything it takes. That is how you will have freedom to carve out entitled space and privilege for our group. Then you just continue to self-promote us under the banner of inclusive justice and equality that no one can argue against.

I know it sounds deceitful, hypocritical and impossible to pull off, but trust us, we've been doing it for decades, no one has stopped us yet and most wouldn't dare try. Demands and shaming, always repeat what works.

Yes.

Monuments Chapter 1 In Paris, frozen on huge stone pedestals, cult characters from popular culture are raised to the rank of “Monuments”. Paris-based photographer Benoit Lapray says It is a way for him to underline that these heroes of fiction are today part of the world’s cultural heritage.