Constant Companions Closeup #1: DYAD

(also on spotify!)

Hello everyone!! It's been a couple weeks and change since Constant Companions, my newest album, was released unto the world, and I've been genuinely blown away by the response. Genuinely, thank you to everyone who's been streaming, commenting, making mashups, changing their pfps and usernames - it means the world to me!

I wanted to give some of that love back with something people have been asking me a lot about - and, admittedly, something I love doing. Song explanations! Deep dives! Dropping the lore! Welcome... to the Constant Companions Closeups...

For the next eleven days, I'll be going into each track one by one and babbling about the process, inspiration, details, feelings, and thoughts behind each one! We're getting sappy. We're bearing our hearts. We're telling unfunny jokes. And we're starting with track one - DYAD (featuring unit.0)!

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Naturally, since this is the first track, it also serves as a great point to talk about my intention with this album as a whole!

I'll elaborate more on this with future tracks, but to me, there are really two main things that define the sonic progression of this album versus my previous work - guitars and vocal synths. Obviously, these things have been present in my work since I first started calling myself Jamie Paige, but Constant Companions is intended to be my overwrought, sappy confession of love to these two things that time and time again have made me simply want to make music. I love rock and I love Hatsune Miku dammit!!!

I had originally written this song in February of 2023 for a game-jam-esque online festival hosted by my friend Loni called HAPPY PARTY TRI, and at that time, I had found myself at a major crossroads. I had put out People Posture Play Pretend and :women_wrestling: the previous year, and while the response was nice, I was feeling listless and lost.

I love singing. I like my voice well enough. I certainly love writing music with lyrics!! But... there was something uniquely electrifying about using vocal synths. Amidst a lot of insecurity and emotional turmoil surrounding the process of making art and putting myself out into the world, it was one of the few things that just made everything feel right. Suddenly, I was making the same kind of music that had touched my heart so many times over.

Would it alienate people, though? Would I lose longtime listeners? Yes, that weighed on my mind more than I'd like to admit, but even more than that... I was worried I'd lose some part of myself, as silly as it sounds. Maybe what I thought was a bridge would become a barrier, and the messages I wanted to send across the gap would never find their way.

Ultimately, I felt that Dyad was the only kind of opener I could've possibly given this album, and a perfect fit for the album's motif. A dialogue between myself, stricken with loneliness and a lack of inertia running in circles, and that synthesized voice (ANRI Arcane my darling), grabbing the outstretched hand and asking a question I already know the answer to -

"Baby, do you know what you wanna hear?"

Yes, it's a love song, but it's not just for a person - it's a love song for the creative impulse, and for the places I wanted it to take me.

im resisting the urge to be jokingly dismissive of myself to diffuse tension but i still need to signal that the emotionally bare part of this is over so pretend im doing a funny little dance Anyways let's talk more technical stuff

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Like many of my songs, Dyad came together from a patchwork of different snippets and ideas I had laying around. The back half of the chorus - "dream together, we can dream together" - originally came from this idea I had jotted down something like 9 months prior, but ended up being a perfect fit for Dyad in basically every way. The verse snippet that I'd written to go with it got reused for a later song on Constant Companions as well! (I say without naming it, as if it isn't literally lifted wholesale from this demo and thus incredibly obvious)

I wasn't originally planning on brazenly quoting the bridge of a Tally Hall song when I set out to write this song, but while toying around with a bridge idea involving a shortened version of the pre-chorus melody, I realized I had inadvertently copied it anyways. I was going to scrap it... but at the request of my dear friend and certified Tally Hall lover Marcy Nabors, I made it an explicit reference. Which I'm fine with, personally! The first CD I ever owned was a copy of Marvin's Marvelous Mechanical Museum my sister bought me all the way back in 2006 - You can pry that sentimental attachment from my cold, dead hands, TikTok kiddies.

Lastly - not really behind the scenes so much as just a shoutout - thank you to unit.0 for the lovely lead guitar work on this song!! He's been a beloved collaborator of mine for many, many years now, and one of the people who ultimately convinced me this direction was the right one to go in, so it means a lot to share this song with him. Go listen to his music!!! Now!!!!!!

That's about it for this song! Not to sound like a fucking YouTuber, but genuinely, if there are any details you'd like to hear more about, let me know and I might made a bonus post at the end of all this. Otherwise, thank you for listening! Tomorrow: Not Quite There, featuring telebasher!

❤️💚

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Teenagers are rarely taught the reason why they can't consent to sex with adults.

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And people who benefit from a society based on coercion masquerading as freedom wouldn't like that.

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if you feel like you're always getting talked over, or if you feel like you're always accidentally interrupting people, you should consider looking into some of the linguistics research about conversation style and turn-taking. lingthusiasm podcast has a great episode called "how to rebalance a lopsided conversation" that goes over some of this research in a really accessible way; Deborah Tannen's book You just don't understand is an early book¹ that's aimed at general audiences on the same topic.

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you can train your brain for more linguistic awareness! start listening for pauses, intakes of breath, or back-channeling that's meant to support, not interrupt. try it out!

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