You just took all those thoughts out of my head and wrote them down perfectly.
Cannot see him as cinnamon roll at all and really dislike him, but it’s just the way his character was written. Deliberately. He is supposed to be like that.
Aaron’s performance was perfect and I’m sure he knows who he plays much better than viewers do, he probably was informed about plans for his character changes for future season(s). If they actually would go for it. Or they can just “fix him” and call it character development. Wouldn’t work, if he was nice and flawless from the start.
And damn!! The idea of him becoming a villain while Coop gets redemption ark is really tempting. I just hope Dane will be around more, they feel like important character that didn’t get their chance for actual development in this season, unlike Norm (best boy, btw) and Thaddeus.
Okay I haven't talked about Max much yet, but I think it's really funny to see people talking about him like he's just this sweet innocent cinnamon roll when my read on his character was the COMPLETE opposite.
I mean yes, he seems very sweet. He's very soft spoken. Naive in a way like Lucy, but not as much. Kinda vulnerable. Got a killer smile. And some of the moments with him and Lucy are pretty adorable. But damn if he doesn't have a DARK side!
Like I've heard people say that Max is stupid or that Aaron Moten's acting is bad, but hell no. Aaron Moten sold me on his acting during the interrogation scene. Max was scared shitless and I FELT that. I think Max was meant to be played as a character who lacks understanding about certain things and seems disconnected from people due to both being brought up in basically a cult and having an inherent lack of empathy.
You think about the fact that he admitted he wanted Dane to get hurt, someone who's supposed to be his best friend. How he coldly sat there and watched Titus die. And before that stood there and watched him get mauled by a bear, almost like he was fascinated by it and wanted to see what was gonna happen. The fact that he tried to kill Thaddeus the moment he became a threat, even though the two of them had appeared to have bonded and developed a genuine friendship. And let's not forget he was willing to let all of Vault 4 get plunged into darkness just so he could keep playing with his power armor.
Max wants to be a knight, he wants to be a hero. And I think he tells himself he wants it for the right reasons, but I think what he REALLY wants is power and recognition. Which is really what every (okay maybe not every, but a lot) good villain wants, right? Because at the end of the day Max wants what Max wants. He's selfish, even though he doesn't think he is.
And sure, he's nice to Lucy. And he went balls to the wall to save her when he thought Vault 4 was gonna execute her. But she's a pretty girl who helped him and offered him a safe home. When she gave him the proposition that if she helped him bring back the head, he would have the Brotherhood lend her some knights to save her dad, he KNEW he couldn't make that promise. But he made the deal anyway. So he doesn't REALLY care about her or what she wants.
And that blank stare he gets when he gets mad? ACTUALLY terrifying. The guy's got serious psychopath vibes. Literal anti-social personality disorder, if you ask me. In fact the first thing I thought about when Max let Titus die is this kids going to end up going to the dark side lol.
And I think that would work really well thematically if they plan on giving The Ghoul a redemption arc beside it. There are so many parallels between Lucy and The Ghoul, and they have such a strong connection to the beginning when the bombs dropped. I get that Max is there to represent the Brotherhood and he's from Shady Sands, the town Hank destroyed, but it felt weird that he didn't seem to be AS important in the grand scheme of things compared to Cooper and Lucy.
But if Max turned out to be a badass twist villain to thematically contrast Cooper's redemption arc, while Lucy remains steadfast to her commitment to goodness and the golden rule I feel like that would really round it out. It would make sense if you consider a lot of people have pointed out that Lucy, Cooper and Max all seem to represent different play styles and different moral alignments. And I think it'd be pretty crazy if the writers of the show set out to make it seem like Ghoul is a bad guy and Max is a good guy, but then it ended up being the opposite.
I mean, there are definitely hints all over the show that The Ghoul isn't as bad as he may seem. And Max has already done some pretty messed up stuff, so I'd say the possibility is totally there, and I'd be here for it!
Who's with me???
Clark, I’m sorry to bother you.
A gif version of this post
Oh, I believe this is the real SPN ending, nice to find it after all.
god. okay. but if dean and cas both lived, if cas was made human to get him out of the empty, and they both got to sort through their shit and deal with their feelings….
maybe its not in character, but what if they open a cute little diner where the roadhouse used to be? rather than being a full on hunter for the rest of his life, dean gets a chance to settle down a little. the diners still a hunter hot spot and hes happy to give information and help dig up artefacts and bring lore books from the bunker, but he’s starting to feel the aches and pains from the life and wants to settle a little
so he and cas run this diner and have a small library of lore books ready to lend out while hunters eat and catch up, and the locals like them because the food is good and hearty, and because deans very sweet to the kids, and because cas is just this side of charmingly awkward and fond of everyone who comes in on the regular. they have two dogs who mostly nap behind the bar, but also sometimes venture out for treats and scritches
they get married eventually, and theyre just so endearingly in love and besotted that sam makes fun of them but at the end of the day hes emotional and tells them both he loves them and is happy for them. and dean cant stop looking at his ring, because its an unfamiliar weight but he loves it so much - its made of the same stuff as the angel blades, courtesy of jack, and its carved with enochian symbols of love and devotion and forever
and dean and cas grow old together, they get to be uncles and dote on sam and eileens kids so much, and they eventually stop actively hunting when it hurts too much to lift crates of beer and sometimes in the mornings deans knees don’t quite work right and they fall asleep 10 minutes into every movie they try to watch together
and when dean dies first (after a lifetime of drinking and bad food and not looking after himself), cas keeps working the diner, a sad but fulfilled widower, and eventually passes it on to some younger hunters or ex hunters or maybe sams eldest, and he dies years after dean, in his sleep, and wakes up in his own bed, with dean next to him, and theyre finally, truly, safe and happy and together, forever
how long does it take zuko to convince his staff that he isn’t gonna slap, punch, beat, banish, or otherwise assault them?
that they aren’t about to lose their job (or life) over a spilled cup or broken vase?
that he’s not trying to trick them when he says they can relax the ornate and complex flattery each time they leave the room?
that he means it when he bans corporal punishment in the palace (and out of it) and that they really can come to him if someone forgets that rule?
that they haven’t upset him or wronged him when he asks to take his meal without the full serving staff of twenty watching him?
zuko is sensitive, even when he tries not to be, and watching these people be so afraid of him would break his heart. but that also means we gets to see it when they begin to open up to him.
firelord zuko who’s feeding the turtleduks when a toddler comes running over. she almost topples into the water but zuko sweeps her up before she’s in any danger. he holds her in his lap and shows her how to feed them gently. when the mother comes careening out screaming for her child she stops short at the sight of zuko and collapses into a bow, head to the floor. she begs forgiveness but zuko shakes his head, and offers his hand for her to stand. he hands over her daughter, asks the girl’s name. his guard calls him back into meetings so he leaves with a smile and a bow to both of them. it’s the first time a child hasn’t been afraid of zuko here in the fire nation, and he smiles all week
firelord zuko who spends months trying to win over the kitchen staff enough the let him make his own tea. they refuse at first (as much as one is allowed to) and stand on principle. but zuko is patient, so patient, so he begins to visit the kitchens once a week. he tells the head chef he’s going to come, it’s not a surprise. and he just thanks the staff, asks their names, maybe mentions an earth nation dish he had that’s native to a region who’s dignitaries are coming. once he’s been a few times he asks about their lives. simple things, never much more than yes or no answers; he doesn’t want to force them into speaking more than they’re comfortable just because he is their firelord. but 10 months in, and he finally convinces the guards, tasters, and head chef he can make his own tea. the head chef still insists on checking the tea as it comes in (special shipment from the jasmine dragon of course) because he’s been working in the palace for a long time and he’s seen many leaders but zuko is the first firelord he’s actually wanted to serve. and he’s seen this 18 year old kid trying so damn hard to help the palace and nation heal, tying so hard to win favor with his dishwashers, that he wants to keep safe. he may not prepare the tea, but not a leaf gets to the firelord that isn’t personally checked by him.
and in a couple years, the permeating sense of fear and dread begins to leech out of the palace. maybe the maids start humming in the corridors, maybe the washer women laugh and talk as they go about their business, maybe the royal dressers don’t flinch at the scars all across their young leaders skin anymore
maybe the country is being run by a smart, kind, genuine young man who works tirelessly to restore their honor as people of the fire nation. zuko brings music, art, poetry, dancing and life back to the fire nation. he teaches the wisdom he learned from the sun warriors and old masters: fire isn’t just hate and death. it can be life, light, a sun blazing inside you and he fosters that light in his people. so they can shed the last 100 years of hatred together and foster a new nation of peace
so um, i did this today
Fixed it fam.