I Need You To Call People To Vote Sjsjs Https://twitter.com/hlvrz/status/1637578622314725376?s=46&t=WSDu5DPauNhBNnyir4iQ5Q

Making jokes about Noir being colorblind/not understanding colors is how we cope with how unbelievably powerful his brain is

#Despite everything, they didn’t kill him

Kylian at a handball game with Tchaga, Lana and Isaiah🥰

I love my team but the stress they put me under is DIABOLICAL

I ain't forgot about these

I'm completely normal about this movie...

Anyway won't it be cool if all media was treated with this much love and care

My favorite kind of pictures <3

Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.

This is epicccccc

SEBASTIAN DOESN'T REMEMBER THE CARRY ON VIDEO, WE'RE SO DONE