Some more of these because why the hell not :)
I don't think they realize how much the fandom needs this lmaooo
Fuck Miguel because HES actually the first anomaly. He abused his power/ability to travel between universes to take the place of someone else. Had he not done that, that universe and everything in it would still be around. But Miles? Miles ACCIDENTALLY got bit by spider that wasn't where it was supposed to be. How tf was he supposed to know that?
[papamin au 🐅] morning sillies ☀️
Hobie is definitely Miles number 1 defender😭
I'm completely normal about this movie...
Anyway won't it be cool if all media was treated with this much love and care
Miles Morales Kilometres Morales
Glorious Moments of Footballers Captured by a Calculator <3
Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.
spider crew