J. R. R. Tolkien: no, my books aren't about the war I experienced. It's just a story
J. R. R. Tolkien's works: you cannot go home, war ends entire bloodlines, you are mourning the death of your brother alone, you dug into the earth and permanently scored the land, you cannot explain what you have been through, you cannot go home, "that wound will never fully heal. He will carry it the rest of his life", leaving the women behind does not save them, the young die first, you cannot go home, the parent will bury their child, you have lost the wives and you will never connect with them again, "how shall any tower withstand such numbers and such reckless hate?", you are not the same, you cannot go home, you can never go home, your father will only side with those he sees as worthy bloodlines and you cannot change his mind, it is more meaningful Not to kill, sometimes your sacrifice accomplishes nothing, you cannot go home
Hello! Iβm a horror & dark whimsy writer/content creator, and I was just published for the first time a couple months ago with my environmental horror short story βHAUSTORIUM.β Itβd mean a lot if folks checked it out! Keep an eye on this space, more to come ππ»π²
Me: *writes an amazing chapter*
Me: Ah yes. That is amazing. Can't wait to begin the next one. So many possibilities!
Me: *turns off my laptop and goes into a month-long depression*
Okay, it's finally time to edit. You've got all your materials sorted, it's time to dive right in. You want to start with the big edits first, aka the plot pass.
Now listen. You're going to want to linger and fix those little bits of grammar or dialogue, and I know it's so hard not to, but letting yourself get off-track might mean wasting hours on a scene you realize later you have to delete. Fix a few spelling errors, leave a note, and stay plot-focused.
In the plot pass, you're asking yourself some basic questions:
Do events follow a clear order? - When you're getting everything down on the page for the first time, scenes might get jumbled up or events might not have clear causes. Maybe you have a car crashing into the cafe pages before, but in a writing haze, you wrote your main characters having a casual conversation moments later. If the bad guy beats your heroes to treasure, is it clear how they got there? (Not everyone can be Yzma.)
Do circumstances feel contrived? If there are any problems that can be solved by your characters sitting down and talking to each other, it may be better to lean into their motivation for not speaking to each other, rather than coming up with bad romcom scenarios. If the plot can be resolved by the mcguffin the grandma had the whole time, it might be better to make finding that mcguffin part of the plot instead.
It doesn't have to be perfect, and you don't have to reinvent the wheel. If someone gets bitten by a werewolf, it's perfectly fine to have them turn into one at the worst possible moment. When it comes to contrived, you're looking for problems that seem easy to solve and look for more interesting ways to complicate them.
Are your character motivations consistent to the characters throughout the story? - They can change throughout the story, but character motivations do need to be linked to the actions they take. An out-of-nowhere betrayal is way more satisfying if you lay the groundwork for it ahead of time.
Take a moment to list out the motivations of the characters in a scene you're not quite sure of can help you figure how to fix it. Having an outline helps with this a lot!
Are you following an "if... then" format? - My brain doesn't work like this when I'm writing, because as a writer you know how A got to Z, and it seems (in your head) obvious how it happened. This is where my scene card outline come in handy, because I can look at my overview of what should happen and why, and then compare it to what actually happens in the scene. I've discovered so many threads I forgot to connect that way, like why a character had a certain device (I forgot to have him pick it up two scenes earlier), or adding a few simmering dialogue bits that make the big fight pay off much better.
Can you fix the "Because the Plot Demands It" scenes? - Look, sometimes your character needs to be in that haunted house to see that damn ghost, but your character isn't the type to set foot in such a place. It's really easy, especially in the first draft, to contrive a way in there (she took a wrong turn on her way to grandma's!), but retooling these scenes to connect them to the characters motivations and needs is the way to go. The main character doesn't want to go into that obviously cursed place, but her best friend hasn't shown up for school in three days and now she's crying for help from the second floor window. Your character's strong desire to be there for her friend is a much better way to get her into that house.
This is not always easy - it took me six fricken drafts to realize a critical part of a character's motivation was because his father blamed him for his mother's death - but it is going to be worth putting in the work to hammer down.
Do you have a solid timeline? - This might not seem as important, but it's super easy to accidentally fit two weeks worth of activities in three days. Make sure you have that on reference, even if you don't mention it in the book. Also make sure to gauge your distances if your characters are on a trip, because if you do accidentally say it takes two hours to drive from Seattle to Spokane instead of five, someone will dive down your throat for it. Not me. Just someone.
Okay, maybe me. Slow down, you maniacs.
Next post we'll dive into the structure pass. See you then!
what do you mean elon musk did a nazi salute on live tv at the united states presidential inauguration twice and is now erasing the evidence off the internet by replacing the footage with the crowd cheering instead?
would be a shame if people reblogged this, wouldnβt it?
For some reason the versions of this where he gives two salutes is being deleted and replaced with a version with a quick cut to a cheering crowd so Iβll just share it here π
Itβs uncanny how similar Trump is acting like Hitler. People are now doing the Nazi salute. Theyβre drawing the symbol. The KKK was seen in Kentucky asking people to join them. ICE has been ripping families apart. Companies have pulled back Diversity Initiatives. Weβre no longer part of WHO and there wonβt be any communication from the CDC at least until February 1st. Weβre being censored and the news canβt be trusted. Thousands of Americans didnβt know there were protests against Trump yesterday outside the U.S. Quotes from The Handmaidβs Tale and Anne Frank have been compared to whatβs going on right now.
According to The Lemkin Institute for Genocide Studies and Prevention the U.S. has officially been given a red flag alert for Genocide.
Iβm exhausted but I will never stop being angry.
Nothing exposes the inability of people to navigate power imbalances quite like the relationship between drivers and pedestrians.
For example, I just had a driver get screaming-at-me mad because I stopped walking at a slip lane to make sure he was going to stop. And like, buddy, I know I have the right of way, but if I assume you are going to stop and I guess wrong, I will literally die. Whereas if I wait to see if you're actually going to slow down, I am just delaying both of us by a couple of seconds. And that might have more to do with why I made the choice that I did than my being a stupid bitch who needs to learn the rules. Like, if you can't understand why the fact that you could effortlessly accidentally kill me (and likely face no consequences) means I am reticent to assume the best from you, maybe you just shouldn't have any power over anyone ever.
Unique vintage male names, companion to this post:
There are less of them because people seemed to be less creative with naming their sons. Not sure why.
I write things sometimes. she/her, but I'll take whatever pronouns suite the bit
103 posts