My hair is desperate.
It curls in on my face, my curtain bangs swoop in. Windy, rainy, sunny, no matter when, my hair always cover my face. With or without my consent. It's desperate. It's desperate to hide my face.
It doesn't matter if I tie my hair back, hair would always fall down to face; my hair would curl inwards until it stabs at every inch of my cheeks, my nose, my forehead, my eyes.
My hair feels desperate.
Desperate to hide my face.
I wonder if my mind had grown to hate my face so much that even the dead cells of my hair are desperate to hide it. To stab it like they're needles that can change my face with enough attacks.
My bangs feel desperate to hide my eyes. As if it knew it were the windows to my soul and it wants to hide it, to let it live and disappear in the shadows of them, of my bangs.
As if it was so ashamed of my soul, of me, that it would try to hide it at all cost, at any time of any given day. From the moment I wake up, it will fall to cover my face. And from the moment I sleep, it'll fall down to cover my face already shadowed by the darkness of my room.
My hair is desperate.
And ashamed.
That feeling when you're drawing a female and it looks like a dude
When you drawing a male and it becomes a female...
Kaeya: Hey Klee,
Klee: Yes, big brother Kaeya?
Kaeya:Life is like a bomb. It takes a lot of things to make, but it takes only one tiny step for it to be lost. That's why, you need to be careful. Understood?
Klee: I...understand.
Kaeya: Good. Now, let's go check up on Albedo.
Klee: Yey!!
I need Tumblr to put a feature where we can filter our "likes" page because I am trying to find something I like that isn't showing up on the search and it's been, like, 10 minutes
Just thinking back to "Eyewitness" and the amount of patience Philip had, putting up with Lukas' dumbfuckery. But, seriously, I love Philip Shea's character.
"You're into me, that's what's happening."
— Philip Shea
Murasakibara: I want ice cream...
Himuro: You can't. You have a cough.
Murasakibara: *pouts* So mean, Muro-chin.
Himuro: *closes his eyes and sighs*
Murasakibara: *eating ice cream*
Himuro: *opens his eyes* Where the fu—
Why is it that the people you see yourself in the future with is the one that leaves your present? But the person you couldn't foretell would stay in your future was the one who is?
I have never animated anything this complicated ever! I wanted Flash to look bigger but apparently that didn’t happen. XD
I love Peter Parker, I love Flash Thompson and I love SpiderFlash or whatever this is called (what is it called?). Though it’s sad it doesn’t seem very popular.
Anyway, be prepared! I’m gonna go draw more of this pairing!
Draco Malfoy: you look like shit, Weasley.
Ron Weasley: **smirks** but still fuckable, right?
Rewatched Saltburn and I'm obsessed with Farleigh and Oliver's tutoring scene. The essay specifically. For those who don't remember: Oliver did his homework and all his assignments and genuinely gave a well thought out essay for their summer assignments. Farleigh shows up hungover and late and didn't even read the books. But the teacher immediately loves Farleigh and is chatting him up with an interest he barely tried to show Oliver. Even after Oliver gives his presentation and shows that he's clearly a much better student than Farleigh. Obviously this is the real start of their rivalry. But it's also such a beautiful look into their characters and how they mirror eachother. Farleigh understands Oliver's essay, I believe. But like the teacher he's bored by it. The knowledge and work is there, but the presentation of it is boring and strange. Academic and correct, but lacking the appeal to the audience. (Which, can we talk about the fact Farleigh was genuinely listening at all? The teacher zoned out and switched channels, but Farleigh was interested and paying enough attention to know the exact number of times Oliver used the word "thus" in his essay. They respect each other truly even if they despise eachother at this point, and refuse to acknowledge the grudging respect.) So Farleigh does what he does best, he gloats over Oliver. He picks apart the style of the essay and it's presentation rather than addressing the central argument or topic. This delights the teacher and frustrates Oliver who is like, "so you're going to critique the style of my essay rather than it's substance? Seems a bit lazy" and that's the core component of these two characters.
Farleigh is ALL about presentation. He knows how fragile his pedistal is placed up and in view for everyone to see. He's a charity project, just like every other rando of the month. Sure he has some familiar connection, and that's given him a leg up in this world. But it's still shakey at best. He always has to give the correct performance, say the right words, keep his audience on HIS side. Unless he wants to get knocked down with the rest of the common rabal that he knows he's belongs with, but can't stand the idea of. So yes, of course he picks apart the one thing he knows Oliver is failing at. He takes his one advantage over Oliver and uses it mercilessly to both entertain and secure his audience on his side. (I wonder if the positions had been different some how, if Farleigh would have had anything to say about the substance of the essay itself. He was paying attention to it, did he want to have a real academic conversation? Did he possibly want to try and connect to Oliver in that way? A real and non performative way with someone who's so similar to him?)
As for Oliver, obviously his character is intelligent. He does the readings. He does the research. He puts the time and effort in to *learn* in the way Farleigh never does. And it must infuriate him that his essay is so easily pushed to the side for a cheep critique that doesn't even address the central argument of his essay. Of course he would hate Farleigh from the start for that. It's such a quick negation of all that Oliver has to offer and give just because it's not wrapped up in a pretty bow. And that's just his character. The substance is there, the intelligence is there. But it's not enough. It will never be enough. Because Oliver doesn't know how to translate it to his audience in a way they'll care about. He learns and tries to mimic, but it always falls short because he just can't seem to figure out the way to blend in and present himself so seamlessly as Farleigh.
And that's why they're such perfect mirrors of each other. They're both intelligent and clever. But they've found different ways of getting what they want and proving themselves. Farleigh is the face and the presentation, Oliver is the substance and body. In another world imagine what these two could have done and been if they hadn't been pitted against each other for the same prize. And the fact Oliver definitely deliberately shoved Farleigh out at the perfect time so he wouldn't get hurt and killed? Oliver and Farleigh respect and admire the other. But their tragedy is they can never be on the same page or team because the world they're in says there is only room for one. And they'd both do anything to get that title.