The movie happened in a few months after the Shredder attack and I think this is interesting to see, how everyone deal with the loss of their home and Gram-Gram. Didn't think about it before, but movie gives some insight!
Raph is paranoid/tries to overprepare.
It's all about training-training-training because he can't let anything bad happen again and he NEEDS his brothers to be as prepared as possible to be able to defend themselves!
When the mysterios attack happened, Leo, Donnie and Mikey just stood their confused while Raph panickly jumped in front of the closest ones to try and shield them from whatever it is. When Splinter got hurt, he demanded everyone to retreat.(he was partly right but also partly wrong, it was a bad situation no matter what you choose)
(And Raph faced it by basically being the one who needs to be saved despite his trainings and how he most likely put himself as the responsible one for safety of their family)
Leo is in denial.
He refuses to acknowledge anything bad happening, or it happened but they were totally awesome with nothing negative happening as a result either way. But the only way to properly ignore it is to go out to have fun and eat pizza, their old routine.
When Raph was taken he refused to acknowledge the severity of the situation and rushed back. When they were surrounded by krang monsters, he once again refused to acknowledge how bad things are and was blindly pushing forward.
(And Leo faced it by being forced into situation where he can no longer pretend he Got this. He has to go in fight with fully understanding what this means for him and his family)
Donnie is avoidant.
I am pretty sure relocating into new lair and making it livable fell solely on Donnie's shoulders. And I am sure he gladly jumped into work to be useful to the family(even though it chipped away his time for his own needs like repairing Shelldon, whose head is just laying around on the floor).
His avoidance was mostly shown in him becoming more touch-aversed. In the show he was 90% of the time up for a hug and touch. In the movie he more often showed discomfort, the hugs with his family didn't bring relief like it used to.
(And Donnie faced it quite literally by turning his exposed back, his shell that despite his armor was easily reached and probably hurt by Shredder, to the enemy, not only allowing the contact, but submerging into it.
And after everything was over the hug from his family once again brought relief.)
Mikey is repressed.
We know the boy has NO problem letting everyone know when he is angry and mad! But in the movie with all the Leo-Raph fighting, with things always going wrong, he barely showed any strong negative emotion besides fear and uncertanty.
Mikey was always the openly sensitive one and he was trying his best by not adding more negativity to the fragility of their family.
He was forcing positivity and support.
Once he found out about his future mystic abilities, he latched onto them, hoping to be more of use to his family, to protect them.
(And Mikey faced it by allowing himself to be fully angry, by not giving up on Leo, channeling these emotions into finally unlocking his mystic hands!)
I also love the comparison of Leo as past and Raph as future in that one past. Leo is clinging to the post, to how things used to be, ignoring the present. And Raph was looking too much into possible future dangers, ignoring the present.
And Donnie and Mikey are the present. The ones who actually are trying to take care of their physical and emotional needs, while neglecting their own in the process.
They are the present, so they connect past and future. They tried to be there for both Raph and Leo. Training with Raph and playing games with Leo.
Mouthwashing
I have been practicing a little with the respective and the use of models in my drawings lol
I understand why Ford fell for this shit
Im Sorry @vanillatheartist, tumblr destroyed your question while I was working on it, but I went on a whole rant on this!
So the way I draw is not how I would ever ever NEVER recommend, it's all fundamentals put into just doodling from one point to finish before even doing the gestures so I made a time-lapse solely do demonstrate that
My very annoy first tip is knowing the fundamentals of draftsmanship, learning from studying figures, that is not just draw from photos but see how artists draw figures also by seeing how the gestures are done. Don't know how to draw a pose? Use a reference, don't know how to approach a pose? Create an inspiration folder of photos and artworks. What is also very important to know when drawing dynamically is knowing perspective and how to foreshorten, figure out the tricks and keep pushing the forms further and further..
There is so much from fundamentals that go into this and I have studied anatomy so much to be able to draw like how I did in the video without having to look at anything because I have collected a memory bank from studying and perhaps I just watch way too much fighting movies and I like to at times just watch boxing so I know a thing or two that you need to know theoretically (Lets be real I have never got into serious fights before, how would I know if I can do these moves) how fighting styles are.
Now perhaps I could give you few tips that aren't annoying LOL
First tip is knowing how to let all forms flow, let it curve depending of the frame you are going for, let the flow lead the eye, knowing flow can help you push then even further, don't just stick to the first try, see if you can take it even further, push and toss the form even more, SHAPES SHAPES Even muscles will create the flow, don't stick too much to accuracy of muscles, let it also lead the flow and create shapes that neatily stack together, knowing the anatomy allows you to also break it
Once you realize how to use the flow to manipulate the forms you need to consider the planes, the planes go with the flow, don't let the planes work against the flow of your poses! Using Flow versus straight lines create an effective dynamic shapes so being able to push those against each other makes the shapes way more interesting.
The simpliest tip I give is this... don't make a symmetrical blob.... thats where you manipulate muscles *wink*
Now... the biggest tip to make the pose pop out is knowing how to foreshorten the limbs, the biggest mistake is trying to accurately have the muscle somehow overlap the front muscle, this is why I do it like this drawing, cut into with the straight line and into the muscle, then let the forms of the muscles keep overlapping the next, this is why I do a lot of circles, they help me decide all the overlapping and poses!
Now... I didn't show any gestures, because I think we all hear it too much either way, its one of the biggest fundamentals so do check tutorials for it if you are unsure how to do gesture lines for poses !
I hope this helps somehow, Its been forever I have made a tutorial and I think this has become way more precise as I continue trying to show what Im thinking!
millions must mouth wash
The fact, that I've been rewatching "Howl's moving castle" while doing it, gave it so much more love from me...
the desperation of a demon
fem presenting loki!
Tulpar’s very own! Headed for bigger and better, right?
Curly from mouthwashing hehe