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A real conversation I think the Crows would have specifically to fuck with Kaz….
New pigeon: I’ve heard stories of Dirtyhands but it seems impossible that he could have done so much when he’s still so young. How does he do it?
Kaz: *quiet bc he’s a man a of mystery and theatrics*
Nina: bc he’s a fair man ❤️
Jesper: and the power of friendship ❤️
Wylan: and his acceptance of other people ❤️
Kaz: ?????
Inej: it’s true. He very easily got the best crew in Kerch. Why? He offered fair deals for us to join the crew - right Nina?
Nina: So generous. So kind. He sent a pretty girl to climb through my window too. How could I refuse?
Inej: He recognized the potential and skills of those more easily overlooked.
Wylan, putting a hand over his heart: I never thought anyone would take a merchant’s son seriously in the barrel. But Kaz really has an open heart. It made me so happy to make bombs for him.
Inej: and he knows how to treat those important to him.
Jesper: the man didn’t even kill me once. Could have. Should have. But there’s just too much love in his heart. It's to be expected. He's so close with his parents-
Pigeon: he is? Really?
Nina: haven't you heard? He honors his father daily-
Jesper: and, still lives with his mother-
Kaz: .....get out.
Nina: Inej didn't get her turn to say you're the bestest boyfriend in the whole wide world tho.
Inej, very seriously: the bestest.
*ungodly laughter as they get kicked out of the Crow Club*
i was reading the latest translated chapters of weak hero and i saw somebody saying that they 'weren't interested' in episodes like this because the girls in weak hero only purposes were to be love interests. for some context, lala, lily and julia's backstory is revealed in the latest chapters. but isn't a character's only purpose to be a love interest when that character has no contribution to the story and personality that doesn't revolve around the male characters? if julia, lala and lily already have a backstory about their friendship, and julia contributed to the story during the ganghak arc then that means that they aren't 'just love interests'. Isn't it sexist to think that the only purpose a girl could ever have in a story is to be a love interest? Especially if they have a personality, backstory and character outside the guys lmao.
One thing that like. shakes me to the core if I think about the radiant emperor duology. is how Zhu wanted to help Ouyang despite the betrayal, in a way that was more than just a convergence of their fates.
Two things: since the first book, we know they're similar, connected, and that Zhu feels this connection wholly with a fascination that slowly becomes more complicated. She is more open to the connection that Ouyang, because she embraces wholly who she is, knowing her otherness in a complete way that for Ouyang was only pain and self-hatred. Second, Zhu is incredibly strong, mentally and emotionally, in separing herself from those who aren't in her tightest circle. Shelley wrote in two beautiful separate instances in hwdtw how when you witness someone in pain, if you don't hate that person you will be contaminated by that pain, and Zhu has for most of the series such unflinching emotional fortitude that while she observes and acknowledges and fights for other's pain, she doesn't feel it herself, not completely. Book one ends with her killing a kid because he is in her way, we can't forget it.
Ouyang's grief, so potent throughout the entire second book, is fully understood by Zhu only when she loses Xu Da. And Xu Da's death, united with the connection Zhu and Ouyang have nurtured in their fucked up way of theirs, is enough that when Ouyang's deep-rooted disgust and refusal of femininity breaks their alliance, it doesn't break their connection. Sure, Zhu feels true betrayal, and mours the possibility of a future that Ouyang sees only for a brief moment, for himself after the end of his revenge, made possible by Zhu. But Zhu, who is so ruthless she is similar to a person who is more violence than humanity, kind of... pushes the betrayal aside. She will help him anyway. They have the same goal. She keeps on including him in her dream of a future, even after he betrayed her.
When she learns of Ouyang's death, she tries to be happy he at least got what he wanted, completed his fate. She wants his desire for revenge to have mattered for herself, to quench the doubt if everything she's doing is worth the pain, and for Ouyang, sadness in her heart. But she already knows somethins is wrong in the air, in the room where the Great Khan's blood ran down the tiles, and that's what makes me insane. Their bond didn't break when Ouyang rejected their sameness and betrayed her. The bond deteriorates only when his sacrifice was for nothing. Zhu aches for Ouyang. She carries his ghost with her and at the last moment, Ouyang would be her final weapon. Except we've seen how Xu Da's death changed things. How grief, for Xu Da and Esen, shaped Zhu and Ouyang forever. So the fact that the last thing Zhu does before starting her reign is fixing the bond, restoring it to its original resonance, is what proves she was going to forgive him, in a way. She was going to give him a place in the new world.
The entire book is a sequence of tragedies, created by love expressed too late, too little, love that was not enough, yet was also the cause of every tragic end. So there's a little love also in Ouyang and Zhu's tragedy, where their sameness wasn't enough, and Ouyang is the last piece of the old world, made better by Zhu's will for a better future.
Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.
Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!
Amaryllis: Pride
Black-eyed Susan: Justice
Bluebell: Humility
Calla Lily: Beauty
Pink Camellia: Longing
Carnations: Female love
Yellow Carnation: Rejection
Clematis: Mental beauty
Columbine: Foolishness
Cyclamen: Resignation
Daffodil: Unrivalled love
Daisy: Innocence, loyalty
Forget-me-not: True love
Gardenia: Secret love
Geranium: Folly, stupidity
Gladiolus: Integrity, strength
Hibiscus: Delicate beauty
Honeysuckle: Bonds of love
Blue Hyacinth: Constancy
Hydrangea: Frigid, heartless
Iris: Faith, trust, wisdom
White Jasmine: Amiability
Lavender: Distrust
Lilac: Joy of youth
White Lily: Purity
Orange Lily: Hatred
Tiger Lily: Wealth, pride
Lily-of-the-valley: Sweetness, humility
Lotus: Enlightenment, rebirth
Magnolia: Nobility
Marigold: Grief, jealousy
Morning Glory: Affection
Nasturtium: Patriotism, conquest
Pansy: Thoughtfulness
Peony: Bashfulness, shame
Poppy: Consolation
Red Rose: Love
Yellow Rose: Jealously, infidelity
Snapdragon: Deception, grace
Sunflower: Adoration
Sweet Willian: Gallantry
Red Tulip: Passion
Violet: Watchfulness, modesty
Yarrow: Everlasting love
Zinnia: Absent, affection
(Okay so just to clarify I don't actually care about the morality of fictional characters because they're, well, fictional. I just wrote this because I don't really see anybody else talking about them)
Usually when I see people talk about the Daehyeon boys it's usually about how they're similar to Eunjang and that if it wasn't for the Union, Jake's crew would get along with Eunjang so well etc etc.
But I don't really believe that Eunjang and Jake's crew could be friends (hang out?? tolerate each other, maybe, but not friends) with all their differences. It's pretty obvious that SEOPASS made them similar on purpose so I'm not gonna act like that's some groundbreaking discovery I made lmao, but there are some things that make me think that the two groups are actually pretty different.
For one, when Gray and his friends are leaving to go find Big Ben after fighting Dean and the others, he tells the guys from Daehyeon that Ben wouldn't gang up on Jake with them, and that Ben wasn't "Some wannabe thug like you guys."
(Pop off Gray)
But yeah, Jake and his gang can act like they're the chill, strong, laid back good guys, but that's all it is. An act. I mean, Dean and Eunchan literally pick fights with people for no reason, and are assholes a lot of the time.
Jake doesn't start fights for no reason but he never stops his friends from doing so, and though I've never seen this happen in canon before, I can a 100% imagine him being excited when that happens so that he can get into fights for a 'justifyable' reason. (This reminds me of something @rare-and-beautiful-things in a post before about Jake beating people up for his friends in their strong abd kind Union member post)
Plus the dynamics in their group are actually pretty different. Eunchan and Dean immediately underestimate their opponents (and in a way, Jake does too, but that's more understandable since he IS the number two in the Union), making a bunch of derogratory comments about the people they're fighting.
I've never seen anybody in Eunjang do that (besides Teddy but he's a special case💀) even though most of them are unbelievably strong they always approach their opponent with caution and never look down on them.
Also,, one thing I've noticed is that Dean and Eunchan have the tendency not only to look down on their opponents, but their friends as well. Okay that sounds bad so let me explain more😭😭
I feel like Eunchan and Dean unconciously rank people? (like most people in the Union do, and I guess it kind of comes along with being a thug) and don't get me wrong, I think they geniunely think of Timothy as a friend and care for him, but when you're in the Union you tend to view people who can't fight as someone less deserving of your respect, whether you do it consciously or not.
An example of this is when Gray is about to fight Dean, Eugene warns Gray about Dean's strength, Gray pats him on the shoulder and tells him not to worry.
But when Timothy does the same to Dean, Dean tells Timothy that he "didn't give a crap about his data", and I don't think he would have responded the same way if someone like Jake (or someone he viewed as 'more powerful' than him) told him to be cautious.
And let's be honest, you'd only talk to somebody that way if you didn't respect them.
It's pretty obvious that Eunchan does the same thing too. When Eugene and Timothy start fighting, Eunchan looks over at them and says, "What a bunch of losers."
I literally did a double take at that one because 1. Calling your friend (who's trying to help you) a loser? 2. It confirms what I thought about the other guys looking down on Tim for not being able to fight. They hang out with him and love him, sure, but subconsiously to them, anybody who cannot fight is a rank below them: a loser.
(I'm pretty sure they aren't aware of this since their friendship does seem pretty geniune. It's probably from the inflated ego that comes along with being a thug.)
The Eunjang boys have never once looked down on Eugene for not being able to defend themselves and always treated him as an equal, so that's another difference.
(Also another thing that's pretty telling is Eunchan's style of fighting- he hits Eugene in the face even though Eugene was practically defenseless and not attacking him. He also got Timothy to hold Rowan down so he could beat him up which is dirty asf and also just proves that they aren't really the 'cool strong heroes' they think they are.)
Anyways thanks for reading all this rambling and like I said at the start (i'll just repeat it because some people can't read and i don't want any hate) i don't actually care about whether fictional characters are good or bad because if I did I wouldn't be reading action webtoons (or having Wolf Keum as a fav) I just wanted to talk about this.
Interested in hearing yalls thoughts</3
I have been reading a bit on the OTW elections and the whole Tiffany G thing, but most of all, I've been reading comments from people supporting Tiffany saying that she just wants to clear AO3 from all the CSAM (child sexual abuse material) content and I don't know who needs to hear this but:
If someone comes to a predominantly QUEER space (like AO3) and tells you that censorship is necessary to eradicate CSAM... it's not actually CSAM they want to eradicate...
I've seen this type of discourse about Pride and about queer literature and queer movies and queer communities. It's a tried and true technique of the right and conservative movements.
First, they say there is a DANGER to the community through CSAM and they conflate the actual threat of CSAM in the community (we all know someone who thinks that writing a love story between two characters who are 16 is CSAM...), and make you believe that censorship is the only way to PROTECT THE CHILDREN. And since most people are (rightly) mind-bogled at having to explain that of course they don't support CSAM content, they bow down and accept the censorship for the greater good, without anyone actually trying to have a conversation about what qualifies as CSAM (which needs to, you know, actually involve real children and not fictional characters who are 17 and losing their virginity with their crush in a Mature-rated story about high school football and first love based on the author's own experience of losing their virginity at 17 to their crush in high school).
Then, they tell you that there are other forms of DISTURBING CONTENT, and what they really mean is porn that THEY find disturbing, for ex, (and I kid you not, I have seen comments like that) porn featuring disabled characters, which they consider to encourage the exploitation of vulnerable individuals, or BDSM porn (which supposedly encourages violence and lack of consent), or rough porn, or any kind of porn that isn't two (preferably white and skinny) able-bodied people doing it missionary style while lovingly gazing in each other's eyes. SO TO PROTECT VIEWERS, that needs to be banned as well.
And then, they tell you that even that sanitized version of porn is still porn and that people under 18 or under 21 or under whatever age they consider too young to view anything sexual regardless of the fact that not all countries have the same law about the age of maturity, should be free to surf the site without having to *gasp* filter out properly tagged works. So TO PROTECT THE CHILDREN, every explicit content is censored.
And then finally, when all that is left is a sanitized, white-washed, ableist, puritan type of content featuring General-Audience approved gay works of two nice men or two nice women holding hands and chastely kissing each other on the lips... Well guess what? :) CHILDREN SHOULD NOT BE EXPOSED TO QUEER CONTENT SO WE NEED TO BAN THAT AS WELL, and since we've basically done purge after purge before and there are still a handful of people on the website, well surely they won't mind/care anymore, will they?
It's not just a slippery slope, it's something that has been done time and again, and that is why censorship on AO3 will never, never have a positive outcome.
Thank you for coming to my TED talk.
Did they just have their first couple fight?
Don't be so cold Donald go after him☹☹
some of my favorite letterboxd reviews for strangers from hell
I keep thinking about her (mysterious fanmade teaser for Netflix's ASoUE)