Dipstickflopdoodle - Dipstickflopdoodle

The point is that they’re all stupid

In regards of the Trump government scraping all trans inclusion in its queer information portion of its websites I have made this thing. Spread the word. Don't let them pretend we never existed.

P.S: Don't like! Reblog! <3

Hey remember that a boycott if actually MORE effective under capitalism if you profess you would actually end the boycott under certain conditions.

“Nothing this company does can make up for their bad actions, I will never buy from them again!” Okay so they’ve lost you as a customer and have no reason to try and get you back. You can HOPE to drive them into bankruptcy but Chic-Fil-A is evidence of how well that works.

“This company did something bad. I would not consider buying their product again, UNLESS, they publicly apologized and made up for it by … [donating money to a cause, promoting different content, offering better care to their employees, etc.]” This is actually MORE likely to be effective because if enough people say this, the company m sees them as potential customers of a certain demographic, and is willing to make changes to get those customers back and, long term, make money from them.

i know its the mets, but this is the coolest shit i’ve ever seen a human being do

Joyce trying to mother Billy when she realizes his situation at home (as a mother who raised two boys in that environment) and Billy assuming she wants him like all the other moms in town. So he plays up the charm, is sweet on her, and Joyce thinks he’s finally warming up to her, finding a home at her house. Then he goes to make an actual move on and she is just like “wOAH MISTER”. She’s ready to scold him to high heavens until he snaps that he just assumed she was like the rest of them, pride hurt, and Joyce rants on for like an hour about the audacity of these women, that he has nothing to feel ashamed, honey, for pursuing them because they shouldn’t have reciprocated and blows a fuse when she asks for a list of names and he mentions Karen. She makes the woman apologize personally to Billy at 10pm at night, and he is just mortified and wants to be anywhere else because please Ms Byers I’m an adult you’re ruining my street cred right now

you’re in her DMs. I’m in her grave, throwing hands with her brother.

there should be a sub genre of books that were originally written to comment on the evils of capitalism and how greed and wealth corrupts society as a whole and how those popular books were subsequently made into hollywood movies and were marketed in a way in order to mass produce as much merchandise as possible so the companies behind the movies can make as much money as possible and thus completely erasing the original meaning of that story while also unintentionally proving the point of the original novels themes

my 10 holy grail pieces of writing advice for beginners

from an indie author who's published 4 books and written 20+, as well as 400k in fanfiction (who is also a professional beta reader who encounters the same issues in my clients' books over and over)

show don't tell is every bit as important as they say it is, no matter how sick you are of hearing about it. "the floor shifted beneath her feet" hits harder than "she felt sick with shock."

no head hopping. if you want to change pov mid scene, put a scene break. you can change it multiple times in the same scene! just put a break so your readers know you've changed pov.

if you have to infodump, do it through dialogue instead of exposition. your reader will feel like they're learning alongside the character, and it will flow naturally into your story.

never open your book with an exposition dump. instead, your opening scene should drop into the heart of the action with little to no context. raise questions to the reader and sprinkle in the answers bit by bit. let your reader discover the context slowly instead of holding their hand from the start. trust your reader; donn't overexplain the details. this is how you create a perfect hook.

every chapter should end on a cliffhanger. doesn't have to be major, can be as simple as ending a chapter mid conversation and picking it up immediately on the next one. tease your reader and make them need to turn the page.

every scene should subvert the character's expectations, as big as a plot twist or as small as a conversation having a surprising outcome. scenes that meet the character's expectations, such as a boring supply run, should be summarized.

arrive late and leave early to every scene. if you're character's at a party, open with them mid conversation instead of describing how they got dressed, left their house, arrived at the party, (because those things don't subvert their expectations). and when you're done with the reason for the scene is there, i.e. an important conversation, end it. once you've shown what you needed to show, get out, instead of describing your character commuting home (because it doesn't subvert expectations!)

epithets are the devil. "the blond man smiled--" you've lost me. use their name. use it often. don't be afraid of it. the reader won't get tired of it. it will serve you far better than epithets, especially if you have two people of the same pronouns interacting.

your character should always be working towards a goal, internal or external (i.e learning to love themself/killing the villain.) try to establish that goal as soon as possible in the reader's mind. the goal can change, the goal can evolve. as long as the reader knows the character isn't floating aimlessly through the world around them with no agency and no desire. that gets boring fast.

plan scenes that you know you'll have fun writing, instead of scenes that might seem cool in your head but you know you'll loathe every second of. besides the fact that your top priority in writing should be writing for only yourself and having fun, if you're just dragging through a scene you really hate, the scene will suffer for it, and readers can tell. the scenes i get the most praise on are always the scenes i had the most fun writing. an ideal outline shouldn't have parts that make you groan to look at. you'll thank yourself later.

happy writing :)

as much as the concept of Jesus being a fairly normal lad has its charms, im personally very intrigued by the idea of him being just… extremely weird. not even in a mystical sense, just…….staggeringly BIZZARRE. 

you go to the well to get some water, and here’s Miriam’s boy, staring at the sky, completely still. his expression is unreadable. you hazard a hello and ask how he’s doing, and he slowly, unblinkingly, lowers his gaze on you (he’s 8 and is missing his frontal teeth, not that this is making you any less uncomfortable) and says “I cannot speak of the state of my being, Nathan son of Saul, my brother, but rejoice for the water you shall take today will be as pure as the soul of the children of Heaven”

…you start sweating