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Besame, luego te explico on We Heart It - http://weheartit.com/entry/80823438
“Because to suffer for love is good. The pain all sweet somehow. In the end.”
-Sandra Cisneros [[Woman Hollering Creek]]
Fifteen years ago, Glenda Yañez put on the clothes of her ancestors.She had always admired how her grandmother dressed—her wide, layered skirt; a thick embroidered shawl; and a top hat leaning just so, two long and dark braids coming down her back. Yañez, who grew up in the bustling city of La Paz, Bolivia, had come of age in jeans and T-shirts.
That’s because her grandmother’s indigenous dress — known as the chola style — had for centuries been a target of acute discrimination. For most of Bolivia’s history, a Spanish-descended, white minority lorded over the country’s native majority in a system akin to apartheid. The chola wardrobe is a fashion distinctive to Bolivia’s second largest indigenous group, the Aymara people. And it’s one that has endured since the 1700s, even though it has brought with it heightened segregation.
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The photos accompanying this article are SO wonderful.
Mantra! Dear educators and activators, have no shame and no fear in creating safe spaces for youth to share and discuss important issues. Support our youth genuinely -- We must uplift our #LGBTQ young people of color! We must uplift all our young people of color. #Repost @sonsandbros
"Apolitical art does not exist" Diego Rivera
Frida Kahlo exhibition in Genova, Italy
Take a shower, wash off the day. Drink a glass of water. Make the room dark. Lie down and close your eyes. Notice the silence. Notice your heart. Still beating. Still fighting. You made it, after all. You made it, another day. And you can make it one more. You’re doing just fine.
Charlotte Eriksson (via petrichour)
I am an indigenous-mestiza-afrodescendent trans-national Latina sister from the picturesque South American city of Guayaquil and brought up in East Flatbush, Brooklyn. I love and respect my journey in exploring my browness and my womanhood.
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