Mizu, Femininity, And Fallen Sparrows

Going to be thinking about this for years

i just know i will always be hunted by Jean "I'm not in love with you anymore" and Kevin "I didn't know you ever were" trope.

uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)

neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.

the year is 2006. you’re an avid fan of collegiate exy. kevin day recently transferred from the best team in the league to the worst after breaking his hand in a skiing accident. before the season starts, janie smalls attempts suicide. she’s a fox, so absolutely no one is surprised by this. however, this means that david wymack has to find a new striker. he picks up a neglected, unremarkable kid from millport. for some reason, this mysterious nobody thinks it’s okay to publicly humiliate riko moriyama, king of exy. apparently, neil josten and kevin day talk shit about riko all the time (this confuses you. kevin and riko are supposed to be best friends). not long after, seth gordon dies of an overdose. once again, it’s the foxes, so no one should be surprised, but something is… off. seth was clean, and it didn’t seem likely for him to throw it away. the foxes don’t get anyone to replace him. despite being short a player, they’re performing better than ever before. you don’t want to admit it, but neil josten can probably be credited with a lot of the foxes success. and something is off about that kid, too. he’s a 5’3 brunette with brown eyes, and then suddenly he’s not. he comes back from winter break with red hair and blue eyes, but more interesting than that is the number four tattooed onto his face, marked for the ravens, marked for the perfect court. the normal minyard twin murders someone in cold blood. neil josten is actually nathaniel wesninski. his father, the butcher of baltimore, tortures him and burns his tattoo off. the trojans throw away their shot at winning. kevin covers up his tattoo with a queen chess piece. he’s never been skiing, the theories behind what happened to his hand are endless. jean moreau transfers to the trojans. this isn’t helping with the abuse allegations. despite everything stacked against them, the foxes beat the ravens. for some reason, this is riko’s final straw and he kills himself. some people are blaming kevin and neil, but you personally believe that it’s a tad bit dramatic to commit suicide after losing one game. the rest of the ravens don’t seem to agree, as they’re all suddenly in the most fucked up game of “follow the leader” known to man. jean moreau is spotted being escorted from the foxes dorm room a bloody mess, but that’s only the beginning. one of the ravens stabs himself with a letter opener, another steps onto the subway tracks, and a third overdoses. it’s 2007, and you started saying that the ravens were in a cult as a joke, but you don’t know if it’s a joke anymore. you’re seriously starting to consider that your favorite sport was created solely as a front for the mafia

…imagine having been 1 of andrew’s experimental hookups when he was locked up…ur walking down the street minding ur own business and then u see a giant billboard of andrew j. minyard, professional Exy star and most-watched goalkeeper in the nation, and u do a spit take and ur buddy’s like “yo u ok???? haha oh yeah andrew minyard he’s pretty hot same” and u’re just like “he sucked my dick in juvie”

my favourite thing about the perfect court is how they are all parallels of each other - each person could have ended up like one of the others, but they didn’t.

neil could’ve ended up like jean, if his mother hadn’t taken him and run. neil could’ve ended up like riko, if he’d internalised his father’s abuse and tried to earn his affection instead of fearing it. if he’d tried to become someone his father would be proud of - like riko does - he would’ve become heartlessly violent. but he doesn’t.

jean could’ve been like neil, if he’d had just one family member care about him enough to run. he could’ve ended up like kevin, if he’d gone with him when kevin ran. he could’ve been like riko, if he’d taken everything that had been done to him and inflicted it on the world/people around him, but he doesn’t.

kevin could’ve ended up like riko, if he’d twisted tetsuji’s abuse enough to believe that the things he deserved were taken from him. he could’ve ended up like jean, if he’d refused to run after his hand was broken.

riko could’ve ended up like any of them. if an adult had cared about him enough to save him, he could’ve ended up like neil. if he’d hated his father instead of fighting for his attention, or if he internalised the abuse he faced instead of inflicting the same abuse on others, he’d have been more like jean or neil. if he’d accepted his place and decided to fight for the things he did have - exy, kevin - he’d have been more like kevin. but he doesn’t.

yes, their situations are largely shaped by the people around them - riko, jean, and kevin (until he learns about wymack) do not have an adult in their lives that cares about them enough to change their situation. but it’s also their individual responses to their abuse that shapes how they act. i’m not trying to say that people get to choose their trauma response, but it’s important that riko and neil parallel each other because we’re shown the could have beens. it shows you that it really only takes one person to change everything - mary taking neil and running is so so so important for how neil’s character and personality and trauma response turns out.

neil could’ve ended up like riko, but he doesn’t. riko could’ve ended up like neil, but he doesn’t.

andrew has only ever hurt aaron once.

it was when they were both still in high school, the first year andrew was on his medication. he took a dose and fell asleep during a movie, out cold. aaron and nicky both let him sleep, and then nicky went to go start dinner while aaron woke andrew. he woke him by touching his shoulder, and andrew had him up and pinned against the wall before he fully registered it was aaron. hand around his brother's throat, nicky comes back in and freaks out (one of the first times this has happened, more than just a hit). andrew releases aaron and nicky asks him what the hell that was. andrew doesn't say anything before aaron interrupts him– nicky, it was my fault, he was asleep, i shouldn't've touched him, he didn't mean to do anything, it didn't even hurt, i promise. and andrew stops. stares at his brother because he has heard him say those exact words before, in a different house, bruised by a different hand– andrew, seriously, it's not a big deal, it didn't even hurt. it was my fault anyway, and she's drunk, she didn't mean it.

andrew doesn't say anything, but he hears it. he remembers. he never touches aaron again.

- I’m not the child you once knew.

- No. That child would see you and run.