The Pevensies are foreign when they return home.
The streets no longer know them. They do not seem to fit in their own bodies as they stroll the cobbles, Lucy’s hand tucked carefully into Peter’s, Edmund trailing watchfully behind Susan like a shadow. Their eyes are sharp, their smiles crooked, and those who see them cross to the opposite side of the road, afraid of the ancient gleam they see reflected back at them that does not belong in the eyes of a child.
Water murmurs to Lucy when she flits past, and lamplight follows her wherever she goes, even in broad daylight when the lamps are unlit. Their flames sputter into existence when she walks by, flickering at her in a way that seems to whisper I know you. Lucy looks at them with feral teeth and smiles, and vines twist from the cobbles at her feet. She laughs like a wild thing, eyes glowing, but a moment later she blinks and it is gone. Her feet hardly seem to touch the ground at all as she darts through the alleys.
The sky is clearer when Peter walks the streets, clouds vanishing like they were never there at all. His eyes are too much like a lion’s, struck through with gold and filled with a brooding fierceness, yet he laughs as he twirls Lucy around, and claps Edmund on the back as they share a stupid joke, and smiles with Susan when she tells him of the bow she plans to carve. He is all warmth and friendliness, but there is something about his eyes. There is something about all of their eyes.
The sun caresses Susan as she moves about, and she is graceful, too graceful, her hair seeming to be alive of its own accord as she steps lightly along the streets. Her skin is pale like ice, and sometimes her gaze appears almost silver as she stands by the river, gazing into its depths with a distant, siren-cold smile. She is gentle, but her fingers look a little too long sometimes. Her laugh is a little too unsettling.
Trees lean towards Edmund when he walks past, branches scraping his clothing, leaves showering around him. Books and journals and pages covered in notes perpetually fill his arms, spilling from his grasp but never quite falling. His voice is even-keeled, quiet, but there is something wild about it, something unhinged. He speaks of things none have ever heard before, dark hair falling into his eyes, mouth unsmiling and hands perfectly still, and for a moment he seems to be someone else, fangs beneath his lips, dirt on his tongue. He tilts his head just a little too far, sometimes.
The Pevensies are foreign when they return home. They do not fit their bodies. They do not fit the streets. People who encounter them cross to the other side of the road to avoid them, terrified of the oldness they see in the children’s faces. Such depth does not belong in the gaze of a child.
And yet four sets of eyes, ancient and deep and flickering like candlelight, stare out from the children’s faces, and their smiles are sharp, too sharp. Their laughter is a little too wild as they walk, the oldest and youngest hand-in-hand, the middle children trailing each other like shadows.
There is something about those children’s eyes.
There is something about those children.
You know how companies used to make flour sacks with pretty flower patterns on them because mothers would make dresses out of them for their daughters? We should bring that back. Paper bags designed to be reused as wrapping paper. Jars of jam designed to look nice filled with pencils or homemade sauces. Fabric that's high quality enough to use as a patch.
Give things a second life!!
Not every story is about seeing yourself in it. Sometimes it’s about learning to see other people too.
Bookshop dates- This mainly involves following each other around for the first ten minutes, and then losing each other. They occasionally go back to the other to excitedly whisper “Look what I found <3″, after they found a book they’d been wanting or the other had been after. By the end of the trip, both their arms would be full, but Anne would always insist on carrying Cathy’s, so Anne’s arms would be overflowing. Cathy’s first stop is usually the classic or high-fantasy section, and Anne’s is the sci-fi/Manga or a graphic novel section.
Picnics- This would be the time where Anne is the least like a gremlin, because 1) there is food, 2) they’re at the park and dogs always come up to them (I headcanon both of them being dog people), 3) Cathy looks beautiful in the sunlight. Anne always tries to cuddle Cathy, and Cathy’s always trying not to choke on whatever she’s eating bc Anne is tickling her.
Stargazing trips- Cathy knows all the names of the stars and constellations, and she’ll rant about their stories too. Anne listens, not even looking at the stars but just at how beautiful Cathy is in the starlight. They lie on top of their car, which is a beat-up blue jeep with mud all along the sides.
not-really-a-date-but-I-wanted-to-write-about-it - Anne will just randomly come into Cathy’s room with coffee and then she’ll sit on Cathy’s bed, just watching her write. The tap of the keyboard eases her, and watching Cathy turn around to hand her the writing to read makes her really happy bc Cathy doesn’t share her work with anyone else until it’s fully finished.
Kaz has very well thought methods
Shout out to avatar generations for giving us canon gaang art that actually includes suki
i want 50 avengers tower fanfics of the thunderbolts on my desk by morning do you hear me
And after a while you just stop. You stop watering your plants. You stop watching netflix. You stop reading. You stop replying to your friends as fast as you used to. You stop buying yourself nice things. You stop putting an effort into how you look. You stop taking care of yourself like you used to. You stop sleeping. You stop eating healthy foods. You stop petting your dog. You stop socializing.
You stop with everything. You find yourself sitting in your room for hours on end, without doing a single thing. Days feel like years. And you think you can’t do it for much longer.
Hi :) welcome back to my bullshit | she/her | my ao3 is StopmotionStars
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