I Think You’re Probably Right That Of Harris As The Nominee It Might Be Difficult To Hold More Senate

this is disgusting

When The End comes for real, it’s just as Crowley supposed, with Heaven and Hell united against humanity.  There are a lot of people who don’t believe what’s happening, but about half earth’s inhabitants do.  And they show up for the fight.  

The army humans have guns, there are doctors wielding baseball bats and taxi drivers with tire irons.  Masses of youths are forming up with nothing but broken bottles and spite to defend themselves with.  

Lucifer scoffs at them, his beauty already luring some people from their posts.  

Not too many of them, though.  Aziraphale has to believe that…

There may be millions of angels and demons among the ranks, united for a common goal, but there are billions of humans.

Crowley and Aziraphale are in the thick of it, of course.  Of course.  Aziraphale has come into the possession of his flaming sword again, through a series of events that Crowley really doesn’t want to think too hard about.  

They stare down the Morning Star across the open expanse of the soon to be battlefield, humanity behind them, as much of it sheltered beneath their wings as they can manage.  

And then the Heavenly forces begin to sing.  

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For the love of…

Look. Let’s address the obvious first off: Fandom has problems with women. We all know this. We also know that “has problems” is putting matters rather mildly.

That is a fine premise. Plenty to go on from there.

What is NOT a fine follow up is defending the idea that “fandom hates women” by pointing to the reaction to R*ylow. Because that entire ship? That is a dumpster fire in its own right even before getting to the whole dust up where, because of him making a harmless joke about sex, specifically his character in Star Wars and Rey, another fictional character in Star Wars, having sex, there’s a movement within that group to discredit and tear down John Boyega. 

Like, we’ll get to that business in a bit. But let’s address the fact that the majority of R*ylows are shipping CHARACTERS THAT ARE NOT SHOWN. 

The whole business of this ship is to use Rey to “redeem” “Ben Solo,” a character who metaphorically killed himself in TFA through the literal killing of his father. The two meetings of Rey and Kylo Ren in TFA were first him rendering her unconscious and kidnapping her, and then her attempting to kill him for his murder of Han Solo and attack of Finn - killing her mentor and attacking her friend.

But those who ship this transplant the characteristics that defined Finn onto Kylo Ren, who they refer to as Ben Solo, a name he rejects until about the last hour of the most recent movie. They make him into a tortured character who is tragically torn between the light and the dark, has not made a decision on where he stands and needs to be pulled back. EXCEPT Kylo Ren was introduced ordering the slaughter of an innocent village - a slaughter that Finn refused to participate in. 

All of this is, let’s not mince words, based off the fact that Kylo Ren is a white man and Finn is a black man. Because we saw, back before TFA released, a heaping TON of abuse hurled towards him purely for BEING a black man - I remember vividly all the anti-blackness going around when we had no more than a trailer for the sequel trilogy. 

I am not - let me repeat this NOT - shaming anyone, male, woman, enby, whatever you identify as, for wanting the narrative of “saving the monster.” As a queer person, yeah, I get that, considering that a lot of my narratives growing up that I can identify with have all kinds of queercoding throughout them, even when involving straight pairings. But the defining difference has always been that in those stories, the monster wanted to be accepted as a person. TFA gave us a monster who chose to be monstrous.

And TLJ only added into this narrative - Rey refused to join Kylo. ONCE AGAIN, he spurned her offers of coming back to the light, choosing to take the leadership of the First Order. We also saw in flashback that he chose to respond to Luke briefly flirting with the idea of killing him by BURNING THE ACADEMY TO THE GROUND. Whatever you want to say about Luke’s moment of weakness, that is definitely overreacting, that is taking out your pain on innocent others.

TRoS even brings this to a conclusion, a similar one to the redemption of Anakin Skywalker, being unable to live in the world that he saved, that no act he could do could balance the scales to allow him to be a part of that world, considering the deaths and pain at his hands in specific.

So that - THAT - is who Kylo Ren was on screen.

The R*ylow version of him, however, is some scared teenager/young adult, who has been ignored, emotionally neglected by his parents, nearly murdered by his uncle, and drowning in the darkness, in need of a rope.

The canon version of him, to sum up, is a roughly thirty-ish adult man, raised by loving parents who had a galaxy to rebuild and couldn’t devote every second to him, his uncle had a moment of weakness where he pointed a weapon at who he perceived as a threat (I can give this, or I would, had Kylo stayed and even TRIED to get answers, but the indications are that he ran and proceeded to destroy the academy), and at every turn gave in to the darkness until his mother gives her life to drag him back to the light side.

I don’t care what your fantasy is, what bothers me is the ignoring and VERY HIGHLY SELECTIVE reinterpreting of the on screen material to justify this idea of Kylo Ren being a broken and abused bird in need of kindness. Because on screen, he spurns all the kindness he gets until Leia sacrifices herself. And THAT I only accept because of the filming limitations of Carrie Fisher’s last content.

And then we return to the issue of this backlash to John Boyega’s tweets. All of this is because he made a joke about sex, implicitly his character and Rey - the character that R*ylows have designated “belongs” to Kylo - having sex. And this has led to him being harassed (and not for the first time, because TFA did seem to be building to something between Rey and Finn), and by these same people.

We led with “fandom has problems with women.” This? This is “fandom hates black people.” And “fandom REALLY hates interracial couples.”

Like, take a stroll through AO3. How often do you see interracial M/F couples in the top of the listing of pairings? About the only serious example I can come up with off the top of my head is Sleepy Hollow and Ichabod/Abbie, which ended up never being canon. Because of the white showrunners and producers getting cold feet about it and deciding to repeatedly throw white women at Ichabod while continually sidelining Abbie until her actress finally decided to leave - given that she hadn’t even been invited to be part of the special features for the season two DVDs, and the fact that she’d already gotten reduced to the sidekick on a show where she should have been the lead.

Or even on a show where a non-white man is the lead - let’s look at Teen Wolf for another fine example. The show’s lead was a Latino teenager. The favored fandom pairing involves two white guys who, the initial episodes featuring them interacting showed, didn’t particularly care for one another. This led to the fandom turning that dynamic into “they secretly want to fuck,” and, as we see with Finn and Kylo, transplanted characterization and dynamics onto the other characters to prop up their ship.

I repeat myself above. I am not judging fantasy. Hell, I’m not even against writing alternate universe variations where the good guys are bad guys and vice versa. The problem I am seeing here, the reason that I cannot abide R*ylow, the reason that I see that specifically as a toxic fandom element, is because it actively diminishes the black man involved in matters - MANY fics will either downplay or completely trash Finn’s canon character in the name of making him the villain who Kylo must defeat to claim Rey.

These people claim to love “Kylo and Rey,” but frequently they are treating her as his redemptive sexy lamp, her purpose is to be his reward for reaching the bar that is basic human decency, having no interest in her beyond her being there to reward him for finally rejecting the darkness, when she has no canonical romantic interest in Kylo and only knows Ben as an idea. Even when the canon has her trying to reach to him, she is NOT doing it because of her intense love - love is not a switch, it is not some snap decision. It comes about because of knowing a person. Lust is instant. Attraction is instant. Love? That requires time. The ideal of Ben as a person could be attractive. But Kylo is not who Rey is or would be attracted to. 

All of this is still secondary to the fact that, because of an actor making a joke about his character and another character - a character who repeatedly has an inherently far kinder dynamic with his - having sex, there is a group of this fandom who has decided that this was an attack on them, and they must respond in kind. 

Whether or not you agree with ANY of what I have said of the interactions of Kylo and Rey, PLEASE tell me that you agree that THAT behavior is unacceptable. And THAT is the group that people are referring to when they speak so derisively about R*ylows. 

Because that is the group that speaks loudest. They’re who come to mind when the topic turns to this ship. You may not be part of it, but guilt by association comes into effect, because this group is hostile to anyone who doesn’t implicitly agree with them. And when you get this hostility from what comes across - whether it’s fact or perception - as a massive wing of total strangers, strangers who decide that, because you disagree with them, you are The Enemy, and you must be destroyed… Yeah, your reflex becomes “That group is trash, do not listen to them, do not engage with them, and god, aren’t they pathetic for devoting themselves to this ridiculous thing of made up characters.”

You want to go after the issue here? Root out the bad behavior that is the cause. Not the symptom. The symptom might be hating on women. But the cause is still the racism that started all of this.

You want to talk about how fandom hates women? Fine. Go right ahead. But don’t use a topic that came about because of racism to do it.

The more I think about it the more I realise that no ancient civilization would be at all interested in taming dragons.

Dragons are carnivores, so they’re really inefficient and costly to feed. They’re solitary, so its really frigging hard to form any kind of relationship with them. They’re darn right dangerous, so why risk your life taming one when there’s loads of llamas in the world. And worst of all their life spans are insanely long; if you had an opportunity to breed one, you wouldn’t live long enough to see the fruit of your labour mature, so you wouldn’t even bother.

Read Along with Quincey Harker - 8th of May

This is a Blood of My Blood reading of Dracula, based on the Bad Ending AU created by @ and @ and others

First Read Along post with context

Blood of My Blood full AU in order

Helpful background reading for this chapter @bluecatwriter 's excellent novella Chapter 22 Indulgence, which has a lot of juicy interactions between Jonathan and Dracula.

This line hits him like a brick thrown at his head. What? Uneasy, unsafe? Things were going so well! What has happened in a single day to make Papa so frightened?

Only the Count, well, what's wrong with that? Father always explains things so well, so there is perfect clarity and no room for argument.

Papa was only shocked that Father didn't cast a reflection. Of course it may have seemed unusual, but there was no need for him to become dramatic.

Father! That's not responsible! So often Mum had repeated to Quincey the importance of being in control. Never act brashly out of anger or fear, she told him. Always be in control, or you will be controlled by others. For Father to lose control like that…

Father must have been frightened. People do all sorts of things when they're frightened, Mum had told him. He must have seen Papa's blood and been scared. After all, Papa's life and blood were always to be protected, and Papa was careless to cut himself like that.

And Father can move rather quickly, and it can be startling if you're not expecting him. Harmless, but maybe a little scary.

And sure, Father had smashed the mirror, but that was just to prevent more misunderstandings.

Very annoying - there. That sounded like the Papa he knew. Reasonable, unflappable. Like when Father was too taken by Papa's charm that he had kissed Papa's neck and shoulder all over and fed himself back to youth. Quincey hadn't liked it, hadn't understood, but then Papa had wryly explained that accidents happen, and Father made it up to him by asking forgiveness and taking him flying.

Just like the stone mentioned, Quincey's heart drops. No. No, he'd almost forgotten the shape of those sharp thoughts in Papa's mind. The memory had been smoothed over by happy family times, of stories and backgammon and fishing. Of Papa flying with Father and then Mum. But reading the fear in Papa's words in the diary, and the image of the falling stone... Quincey remembers.

This diary is revealing a dark and unknown edge to Papa's thoughts, just like those half-remembered nights.

Whether it's rational or not, Papa was scared. And he's thinking about the windows far too much for Quincey's liking.

He is being deceived. Papa is wrong about the castle and the Count.

He got scared and started seeing danger where he was actually safe, that's what it was. After all, what was he actually scared of? No reflection, a damaged castle and a few locked doors? That's nothing, that's just Quincey's childhood. He said he's a prisoner, but he hasn't even asked Father if he can go.

So there were no servants after all. Father was... pretending? Because he was ashamed, or embarrassed. A boyar should not be personally seeing to the needs of his guest, except that Father was personally invested in Papa's needs.

Quincey almost laughs at how Papa writes about the wolves again. What does it mean that Father could control them? He smiles. Only that Father is a powerful protector and knows how to use his power.

The unease that was building in Quincey disappates. It's all perfectly reasonable.

Such a familiar scene! How little Father has changed!

Quincey's eyes glaze over the passage about the battles of long ago, he knows those stories in detail. But Arabian Nights… Father had often told jokes about that story, more than once calling Papa his ‘little Scheherazade’, for all his skill at storytelling.

Quincey shakes his head, clearing the last vestiges of fear and tension from his body. He got so caught up in the vivid writing, the miscommunication that lead to fear, but he knows the end of the story. Soon the fear will give way to Love, and there will be the peace and happiness in Castle Dracula that he knows.

A sudden, terrifying thought

When you see an animal with its eyes set to the front, like wolves, or humans, that’s usually a predator animal.

If you see an animal with its eyes set farther back, though—to the side—that animal is prey.

Now look at this dragon.

See those eyes?

They’re to the SIDE.

This raises an interesting—and terrifying—question.

What in the name of Lovecraft led evolution to consider DRAGONS…

As PREY?

Unabashed Book Snobbery: GoT's 10 Worst Adaptational Decisions

Spoilers only through GoT S4.

Anonymous said: I recently discover your blog and I’m in love with it, I’m in full reading of all your posts! But at the risk of repeating something that someone you have already ask for you… I cannot resist the curiosity! Especially after your magnificent poll, cause I like how critical you are with Game of Thrones so… What would you say are the 10 worst decisions committed so far? Scenes, plots or characters. (btw, sorry, my english sucks)

Well, anon, at first when I saw this I smiled, jotted down a knee-jerk bulleted list, and sent it over to a friend of mine who also happens to be critical of the show. Then she and I began talking about it further, and suddenly it became a Google Doc with mini essays. The following is a collaboration between myself and the wonderfully talented Dornish enthusiast theculturalvacuum​.

To quickly preface, we are not the types of people who will criticize every minor change when a book is being adapted to the visual medium. Even with GoT, there are times we even kind of like changes. But the fact is, with this series, we have very good reasons for our book snobbery. Showrunners David Benioff and Dan Weiss (D&D) have, over time, demonstrated to us that they have a very limited understanding of the characterizations and themes at play in a series that is about so much more than twists and gasps. In the case of LOTR, it was clear that Peter Jackson, despite his changes, understood Tolkien’s vision. From our perspective, while D&D may know plot-wise where ASOIAF will end up, what they are giving us is a story that relies on overused tropes and trite interpretations, which ultimately misses “the point.”

So without further ado, the 10 worst adaptational changes, from least awful to most:

10. Masturbatory original dialogues:

Back when Season 1 was in production, D&D found themselves short in terms of run-time. It was a low-budget operation back then, so they added a lot of scenes of just two or three characters talking in one room as a way to pad their show. Originally, these scenes were thought of as the shining stars of the series (Varys vs. Littlefinger being almost like a spy vs. spy). Then they turned into…

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