If You Want To Write Something For November, But You Don’t Want It To Be Fifty Thousand Words Long,

sometimes you need dialogue tags and don't want to use the same four

📚 The Art of Subtext in Writing 📚

Let’s talk about subtext. It’s one of those things you feel when you read, but maybe don’t consciously notice, and yet—it’s everywhere. It’s in the way characters talk to each other, the details they avoid, the glances that linger, and the things left unsaid. Subtext is what gives a story depth, pulling readers into the unspoken layers underneath the surface. It’s like the heartbeat of a scene, or the feeling you get when you’re reading and know there’s more to what’s happening than meets the eye.

So, why is subtext important? Because it makes stories feel real. Life isn’t always clear-cut; people don’t say exactly what they mean, emotions can be complex, and motives aren’t always laid out on the table. Subtext reflects that complexity, making your characters and situations feel richer and more relatable.

Here are a few types of subtext and how to use them effectively:

1. Romantic/Emotional Tension

This is probably the most common type of subtext, especially in romance or drama. Think of characters who clearly like each other but won’t admit it. They argue, they bicker, they avoid eye contact, but all that is subtext for “I’m secretly into you.” Use this when you want your readers to root for a connection that isn’t obvious or acknowledged yet.

2. Conflict Subtext

Not all conflict is overt—sometimes it’s in the snappy dialogue or forced politeness. A character might “agree” with something on the surface while feeling the complete opposite. This kind of subtext is powerful because it lets readers see two conflicting layers: the polite conversation happening outwardly, and the resentment or anger bubbling underneath.

3. Dramatic Irony

This is when the reader knows something the character doesn’t, creating tension or humor. Subtext here involves leaving hints in the writing that make readers feel “in on it.” For example, if a character is convinced their plan is foolproof but readers already know something’s about to go wrong, you create an undercurrent of impending doom or anticipation.

4. Thematic Subtext

Subtext isn’t just for characters; it can also layer meaning into the theme of a story. If your book’s theme is about, say, identity, you might use subtext to show how a character hides certain parts of themselves around certain people. They might be saying one thing while subconsciously revealing their discomfort or need for acceptance.

5. Cultural/Social Commentary

Sometimes the best social commentary is subtle. Rather than outright saying, “This society values material wealth over happiness,” you might show a character who’s obsessed with buying status symbols while feeling deeply unfulfilled. This approach can make readers reflect on the message more personally and deeply.

How to Use Subtext

To work subtext into your writing, trust your readers. Give them just enough so they can pick up on what’s below the surface without spelling it all out. Here’s a small exercise: write a scene between two characters who are pretending to be friendly but actually dislike each other. Notice how tone, body language, and word choice convey the tension without anyone actually saying, “I don’t like you.” It’s all about restraint.

Writing Tips

Punctuating Dialogue

✧

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can also be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”

➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.

“This shows it’s the same character continuing to speak.”

How different is your second draft from the third draft?

Not much. First to second there's often proper construction work. Second to third draft we're in the territory of "I showed the mss to some friends and I need to fix that thing Janice didn't get in Chapter 5, and the goof that Bill pointed out in Chapter 7 and I probably need to write a new beginning to Chapter 11 because I'm confusing absolutely everyone...."

CREATE A CHARACTER (HIGH FANTASY):

(Feel free to use as many or as few of the prompts to create your character!)

Name: the first letter of your character's name using the day you were born (1-31)

1A, 2B, 3C, 4D, 5E, 6F, 7G, 8H, 9I, 10J, 11K, 12L, 13M, 14N, 15O, 16P, 17Q, 18R, 19S, 20T, 21U, 22V, 23W, 24X, 25Y, 26Z, 27Á, 28Ë, 29Í, 30Ö, 31Û

Hair Colour: your character's hair colour using the month you were born (1-12)

1 red, 2 orange, 3 yellow, 4 green, 5 blue, 6 purple, 7 black, 8 white, 9 blond, 10 brown, 11 grey, 12 multicoloured

Species: your character's species using the month you were born (1-12)

1 sorcerer, 2 witch/wizard, 3 fairy, 4 pixy, 5 merperson, 6 dwarf, 7 angel, 8 demon, 9 jinn, 10 werewolf, 11 elf, 12 spirit

Features: one of your character's main physical features using the the last digit of the year you were born (0-9)

0 scars, 1 tattoos, 2 piercings, 3 freckles, 4 glasses, 5 birthmark/beauty marks, 6 different coloured eyes, 7 curly hair, 8 jewlery, 9 you chose

Weapon: your character's weapon of choice using the last digit of your age (0-9)

0 dagger, 1 batons, 2 staff, 3 war hammer, 4 spear, 5 mace, 6 shield, 7 axe, 8 bow and arrow, 9 sword

Supernatural Ability: your character's supernatural ability using the month you were born (1-12)

1 telepathy, 2 invisibility, 3 shapeshifting 4, mind control, 5 telekinesis, 6 illusionist, 7 teleportation, 8 flight, 9 hypnosis, 10 prophecy, 11 invisibility, 12 time travel

Role: your character's role using the last digit of the year you were born (0-9)

1 protagonist, 2 antagonist, 3 deuteragonist, 4  romantic interest, 5 confidant, 6 foil, 7 the caregiver, 8 the joker, 9 confidant

Occupation: your character's occupation using the day you were born (1-31)

1 smuggler, 2 knight, 3 animal handler, 4 barmaid, 5 pirate, 6 dancer, 7 painter, 8 musician/bard, 9 assassin, 10 gladiator, 11 farmer, 12 hunter, 13 prince/princess, 14 ranger, 15 thief, 16 explorer, 17 alchemist, 18 healer, 19 highwayman, 20 herbalist, 21 sailor, 22 swordsman, 23 writer/playwright, 24 actor, 25 executioner, 26 emperor/empress, 27 astrologer, 28 diviner, 29 guardsman, 30 historian, 31 messenger

(Inspired by: @creativepromptsforwriting)

The Emotion Thesaurus: Adoration

Hello, everyone! I will be starting a new series that will help you the writers describe emotions.

This guide will be a writer’s tool to characters expression.

This section comes from The Emotional Thesaurus by Ackerman and Puglisi.

Adoration

Definition: the act of worship; to view as divine.

Note: the subject of adoration can be a person or thing

Physical Signs:

Lips parting

A slack or soft expression

Waking quickly to erase distance

Mimicking body language

Touching one’s mouth or face

Reaching out to brush, touch or grasp

Steady eye contact, large pupils

Leaning forward

Stroking one’s own neck or arm as a surrogate

Pointing one’s torsos and feet towards the subject

A flushed appearance

Nodding while the subject speaks

Smiling

Open body posture

Releasing an appreciative sigh

Laying hand over the heart

Frequently moistening lips

Pressing palms lightly against the cheeks

Skimming fingertips along the jaw lines

Eyes that are bright

Agreement

Speaking praise and compliments

Keeping trinkets, pictures of the subject

Constantly talking about the subject to others

Rapt attention, still posture

Becoming unaware of one’s environment

A radiant glow

Visible shakiness

Reduced blinking

Closing eyes to savor moment

Speak with a soft voice

A voice that cracks with emotion

Internal Sensations

Quickening heartbeat

Breathlessness

Feeling one’s pulse in throat

Mouth dry

Throat growing thick

Rising body temperature

Tingling nerve endings

Mental Responses

A desire to move closer or watch

Fixating one’s thoughts on the subject

Acute listening and observation

Ignoring distractions

An inability to see the subjects flaws or faults

Cues of Acute or Long-Term Adoration

Obsession

Fantasizing

Believing that the feelings are mutual

A sense of destiny

Stalking

Writing and sending letter, emails, and gifts

Taking risks or breaking laws to be near or with subject

Weight loss

Poor sleep patterns

Jealousy towards those interacting with the subject

Taking on traits or mannerisms of the subject

Carrying something that represents the subject

Possessiveness

May Escalate To:

Love

Desire

Frustration

Hurt

Cues of Suppressed Adoration:

Clenching or hiding one’s hands to hide sweating or shaking

Avoiding conversations about the subject

Watching or observing from afar

Staying out of subjects proximity

Blushing

Sneaking looks at subject

Creating chance run ins

Writing secret letters, keeping diary

Lying about one’s feelings regarding the subject

Writer’s Tip:

Body cues should create a strong mental picture. If the movement is too drawn out or complicated, the emotional meaning behind the gesture may be lost.

Please like, follow and reblog if you find this helpful!

wishing all artists a very sincere "get weirder with it" this coming year

Love this

I love you fanfic writers I love you original fiction writers I love you nonfiction writers! I love you writers who share your work and writers who never share a single thing. I love you published writers! Traditionally published writers! Self-published writers! Writers who never plan to publish! Writers who write for fun and writers who write for work and writers who write sometimes only when they feel like it! Song writers! Poem writers! Screenplay writers! Writers! How amazing it is, to be able to turn our thoughts into written words.

“In general…there’s no point in writing hopeless novels. We all know we’re going to die; what’s important is the kind of men and women we are in the face of this.”

— Anne Lamott