Here Are My Dungeon Meshi Stickers! I Basically Thought "hey. Lots Of People Will Have Cute Food Themed

I used to think that the reason I wasn't satisfied with Izzy's death was because I was too attached to his perspective as a character and couldn't focus on the big picture of the season and the main Gentlebeard relationship enough. I mean, I was still convinced that his death and the way it was carried out was a shit writing decision, but everyone else outside the Izzy Canyon circles seemed fine with it, so I was starting to think that maybe they were right.

So I looked back on the rest of the season and rewatched the finale... And realised something that I'd been trying to ignore because it was too painful to admit. A huge part of why Izzy's death hit so hard (in a bad way, not that delicious masochistic pain of having a beloved character die a good, narratively satisfying death) was because throughout this season he was the only character who actually had a satisfying arc and development. Practically no one else did. I didn't actually care for Gentlebeard this season, not the way I cared in S1. From episode 1 to 8 and a half, Izzy's arc was crafted with more care, kindness, subtlety and narrative weight than the main Gentlebeard arc which, in comparison, felt like a string of choppy beads badly tied together in an approximate shape of an arc, but collapsed as soon as you looked at it too closely.

Yes, we all know this season suffered for being 2 episodes too short, but I don't think that's all there is to it. This is starting to feel like GoT season 8 all over again. Would it have been better if it wasn't so rushed? Maybe. Or maybe it would have been even worse because this season just didn't seem to know what to do with itself or the characters. The themes and symbolism are all over the place and completely inconsistent. Ed and Stede's characters are practically back at the same place they left in S1. All they did was bounce off the walls back and forth with no real growth. As soon as they took a step towards fixing their relationship or growing as people, they either tool three steps back or it just got dropped. Stede letting fame get to his head? Interesting and realistic development. And how was it resolved? It wasn't. Stede and Ed being whim prone? I'm glad they brought it up. And then they just fell for another whim and it was presented as a satisfying ending.

Ed went from the Kraken, to taking the first steps towards being Ed, then suddenly all the way to being Ed by way of a Night of Magical Healing Sex that he he didn't actually want to happen because he wasn't ready. And then all of a sudden he pivoted to abandoning Stede and piracy and becoming a fisherman... for 5 min. And then back to Blackbeard again because two fishermen were mean to him for 5 minutes. And then abandoning it again to open an inn. How was any of this even remotely coherent or satisfying? They didn't even have a single conversation about any of it. Ed had more proper closure and communication with Izzy during his dying scene than with Stede and the rest of the crew put together. Izzy's arc got sacrificed to do the heavy lifting for Ed's arc and became nothing more than a shortcut to speed run his character growth. Except it didn't even lead anywhere. "Ed, they're your family, they love you" no they don't, he didn't even have a single positive conversation with any of them except Fang. Of course this could have been the point, and Ed could have seen Izzy's death, his own discovery of found family and his dying words as a pretext to repair his relationship with the crew. But he just left them and stayed with Stede instead.

Sure, you could say this was only the second act of the story, and S3 will resolve everything. But the second act is still meant to move the story and the characters forward in some way. Yes, of course if we get S3, I imagine Stede and Ed's life as innkeepers won't exactly be idyllic. But the problem is that the conflicts they'd have will only be a rehash and repeat of the same conflicts they've already have, or were supposed to have, this season. Multiple times, even. We already know that Ed is simply unable to live with himself no matter what life he chooses. The title of S1 was literally "wherever you go, there you are". We already know Stede's love isn't enough to fix him. We already know their goals in life are completely opposite. Maybe they could have shown Stede realising, after his humiliating in S7, that piracy wasn't all it was cracked up to be or he isn't suited for it, and that's why he chose to leave it behind and open an inn, but that's not the explanation we were given. It was just another whim. They literally didn't learn anything this season. They had two baby conversations in E4 and E5 and didn't take anything from it, just kept doing the complete opposite of anything. "We're both prone to whims, let's take things slow" became "let's take things extremely fast by moving in together permanently and becoming entrepreneurs". They never talked about the actual, deepseated, longstanding trauma issues they needed to resolve before they could even begin to have a proper relationship. They literally got a heavy-handed glimpse in what their life would become if they just stuck together without addressing their own personal issues, and chose to do that very thing. It that's what S3 is going to address, then why were Anne and Mary part of this season instead of the next one?

I remember everyone saying they wanted Ed and Stede to reunite as quickly as possible in S2, and I get why. They have great chemistry together. The season is about them. But for it to work, spending more time apart is exactly what they needed. They needed to learn how to live with themselves and others, first. Romantic love alone can't fix you as a person. You have to fix yourself first. Community can help (as with Izzy's case), but you still have to put in the work. In retrospect, I'm glad that Izzy didn't get a love interest this season - because he wasn't ready yet, and had to learn how to have normal relationships and friendships with other people before attempting an intimate romantic relationship, lest he ended up falling head first unit another toxic mutually dependent relationship. That's what Stede and Ed should have tried too. Instead the show just ended up using Izzy's death as a quick surgical fix, robbing Ed of his agency and having to do the hard work repairing himself and his relationships with other people. There's a sad irony in getting exactly one character's arc just this, and then using it as a sacrificial lamb to patch over the main character's arc.

( a collection of magical realism starters. adjust phrasing as necessary.) feel free to make edits to better suit your muse, but please don’t edit or add on to the original post ♡ if you like, please consider supporting me through tips

"Did you notice how the flowers in the garden bloom in patterns that mimic constellations?"

"I swear, the painting in the hallway changes every time I look at it. Yesterday, it was a serene landscape. Today, there's a storm brewing."

"I met a man in the market who claims he can hear the whispers of trees. Do you think he's telling the truth?"

"The old librarian told me she’s been alive for over a hundred years, and she showed me a book that ages backward."

"Every time I play the piano, it feels like the notes are guiding my fingers, as if the music has a mind of its own."

"I have this strange ability to see people's memories when I touch their hands. It's both a gift and a curse."

"This necklace I found seems to glow when the moon is full. I've never seen anything like it."

"Grandma's mirror doesn't just show reflections; it shows glimpses of the past and the future."

"The café at the end of the street only appears when it rains. Have you ever been inside?"

"There's a hidden garden behind the school that only children can see. They say it’s where dreams are planted and grow into reality."

"The new neighbor claims she can brew potions that change your fate. Should we believe her?"

"He says he can read the stars to predict people's destinies, but his predictions are always so eerily accurate."

"The river in the forest runs backward during the full moon. No one knows why."

"Every night at midnight, the streetlights spell out messages in Morse code. Have you ever tried to decode them?"

"Lately, the wind has been carrying whispers, like it's trying to tell us something important."

"I've noticed that the shadows in our town don't quite match their objects. It's like they're alive."

"There's a legend that if you light a candle at the old crossroads at midnight, you'll meet a guardian spirit. Do you dare to try it?"

"In our village, they say that singing to the dawn brings good fortune for the entire day. Have you ever wondered if it really works?"

"I've found a door in my house that leads to different places depending on the time of day. This morning, it opened into a meadow."

"They say time moves differently in the old clock tower. Spend an hour there, and a day could pass in the outside world."

even more job ideas for your western/cowboy oc that are not outlaws, bounty hunters, or sheriffs

wanted poster sketch artist - try your darnedest, some of the descriptions folks will give you will be really... something

owner of a small inn/old trading post in the middle of nowhere - days are slow, but ever so often you get travelers stopping by to rest or replenish their things

stablehand for a traveling wild west show like "Buffalo Bill's" - working with performers is tough (they always think they're the main character ugh), you prefer the company of animals and enjoy watching shows from behind-the-scenes

a small town's local barber... and dentist... and surgeon...

saloon piano player - inebriated patrons amuse and annoy you

snake oil salesperson - do you brew your own magic juice or are you just a pawn in a larger business?

sunday school "teacher" - you were not quite educated yourself, but you were the only able-bodied adult in town without kids or family, so you got assigned daycare duty

im not waiting to see the whole event story its so cute and i love them

(rbs appreciated!)

Worldbuilding: Questions to Consider

Government & authority:

Types of government: What type of government exists (monarchy, democracy, theocracy, etc.)? Is it centralised or decentralised?

Leadership: Who holds power and how is it acquired (inheritance, election, divine right, conquest)?

Law enforcement: Who enforces the laws (military, police, magical entities)?

Legal system: How are laws made, interpreted, and enforced? Are there courts, judges, or councils?

Laws:

Criminal laws: What constitutes a crime? What are the punishments?

Civil laws: How are disputes between individuals resolved?

Cultural norms: How do customs and traditions influence the laws?

Magic/supernatural: Are there laws governing the use of magic or interaction with supernatural beings?

Social structure:

Class/status: How is society divided (nobility, commoners, slaves)? Are there caste systems or social mobility?

Rights & freedoms: What rights do individuals have (speech, religion, property)?

Discrimination: Are there laws that protect or discriminate against certain groups (race, gender, species, culture)?

Economy & trade:

Currency: What is used as currency? Is it standardised?

Trade laws: Are there regulations on trade, tariffs, or embargoes?

Property laws: How is ownership determined and transferred? Are there inheritance laws?

Religion/belief systems:

Religious authority: What role does religion play in governance? Are religious leaders also political leaders?

Freedom of religion: Are citizens free to practice different religions? If not, which are taboo?

Holy laws: Are there laws based on religious texts or teachings?

Military & defense:

Standing army: Is there a professional military or a militia? Who serves, and how are they recruited?

War & peace: What are the laws regarding war, peace treaties, and diplomacy?

Weapons: Are there restrictions or laws regarding weapons for civilians? What is used as a weapon? Who has access to them?

Technology & magic:

Technological advancements: How advanced is the technology (medieval, steampunk, futuristic, etc.)?

Magical laws: Are there regulations on the use of magic, magical creatures, or artifacts?

Innovation & research: How are inventors and researchers treated? Are there laws protecting intellectual property?

Environmental/resource management:

Natural resources: How are resources like water, minerals, and forests managed and protected, if at all?

Environmental laws: Are there protections for the environment? How are they enforced? Are there consequences for violations?

Cultural & ethical considerations:

Cultural diversity: How does the law accommodate or suppress cultural diversity?

Ethics: What are the ethical foundations of the laws? Are there philosophical or moral principles that underpin them?

Traditions vs. change: Does the society balance tradition with progress? How?

Happy writing ❤

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wasted

When the truly ancient gods were rediscovered, they didn't seek vengeance on a world that had forgotten them - rather, they were happy that the humans they were so fond of remembered them once again after untold millenia of loneliness.

two-bees escapril prompts!

Happy almost April, friends!! In case you were unaware, April is National Poetry Month. It's actually my favorite month, for exactly that reason! Also because it's jazz month, my anniversary with Noelle (April 14th), and April 26th, which is my birthday, is ALSO Lesbian Day of Visibility!

If you're not familiar with Escapril, it was a poetry "challenge" thing on Instagram, starting in (I think) 2019, run by an account called @letsescapril. Escapril isn't officially running anymore starting this year, so a lot of different poetry accounts have taken it upon themselves to post new lists of prompts!

This is just a no-stress, fun thing encouraging people to write. I mean, I made these, and I'm sure even I won't be able to post every day. Don't pressure yourself to write every day if it's going to make it so you can't write at all! Also, feel free to respond to these with any kind of art you feel compelled to make- I'll be thrilled to witness your creations. Tag your posts with #twobeesescapril so we can all read your beautiful work!

Happy writing! <33

Depicting Real World Religions Alongside Constructed Religions

Maya asked:

Hi WWC! Thank you so much for this blog, it's an infinitely wonderful resource! Do you have any suggestions for how I can balance representation of real religions with fantasy religions, or should I avoid including these together? Does the fact that certain things bleed over from our world into the fantasy world help legitimize the appearance of real world religions? I feel like I can come up with respectful ways to integrate representation in ways that make sense for the worldbuilding. For instance, no Muslim characters would practice magic, and both Jewish and Muslim characters would conceive of magic in ways that fit their religion (rather than trying to adapt real religions to fit my worldbuilding). I also have some ideas for how these religions came about that fit between handwave and analogous history (though I realize the Qur'an is unchangeable, so I'm guessing Islam would have come about in the same way as IRL). BTW—I'm referring to humans, not other species coded as Muslim or Jewish. I may explore the concept of jinns more (particularly as how Muslims perceive fantastical beings), but I definitely need to do a lot more research before I go down that road! Finally, I saw a post somewhere (*but* it might have been someone else's commentary) suggesting to integrate certain aspects of Judaism (e.g., skullcaps in sacred places/while praying, counting days from sundown instead of sunset) into fantasy religions (monotheistic ones, of course) to normalize these customs, but as a non-Jewish person I feel this could easily  veer into appropriation-territory.  *One of the posts that I'm referring to in case you need a better reference of *my* reference: defining coding and islam-coded-fantasy

[This long ask was redacted to pull out the core questions asked]

"Both Jewish and Muslim characters would conceive of magic in ways that fit their religion (rather than trying to adapt real religions to fit my worldbuilding)."

Just a note that while having religion be part of magic is a legitimate way to write fantasy, I want to remind people that religious characters can also perform secular magic. Sometimes I feel like people forget about that particular worldbuilding option. (I feel this one personally because in my own books I chose to make magic secular so that my nonmagical heroine wouldn’t seem less close to God somehow than her wizard adoptive dad, who is an objectively shadier person.) I’m not saying either way is more or less correct or appropriate, just that they’re both options and I think sometimes people forget about the one I chose. But anyway moving on—

Your decision to make the water spirits not actual deities is a respectful decision given the various IRL monotheistic religions in your story, so, thank you for that choice. I can see why it gets messy though, since some people in-universe treat those powers as divine. I guess as long as your fantasy Jews aren’t being depicted as backwards and wrong and ignoring in-universe reality in favor of in-universe incorrect beliefs, then you’re fine…

"I saw a post somewhere (but it might have been someone else's commentary) suggesting to integrate certain aspects of Judaism (e.g., skullcaps in sacred places/while praying, counting days from sundown instead of sunset) into fantasy religions (monotheistic ones, of course) to normalize these customs, but as a non-Jewish person I feel this could easily veer into appropriation-territory."

That was probably us, as Meir and I both feel that way. What would make it appropriative is if these very Jewish IRL markers were used to represent something other than Judaism. It's not appropriative to show Jewish or Jewish-coded characters wearing yarmulkes or marking one day a week for a special evening with two candles or anything else we do if it's connected to Jewishness! To disconnect the markers of us from us is where appropriation starts to seep in.

–Shira

To bounce off what Shira said above, the source of the magic can be religious or secular--or put another way, it can be explicitly granted be a deity or through engagement with a specific religious practice, or it can be something that can be accessed with or without engaging with a certain set of beliefs or practices. It sounds like you’re proposing the second one: the magic is there for anyone to use, but the people in this specific religion engage with it through a framework of specific ideas and practices.

If you can transform into a “spirit” by engaging with this religion, and I can transform into a “spirit” through an analogous practice through the framework of Kabbalah, for example, and an atheist can transform through a course of secular technical study, then what makes yours a religion is the belief on your part that engaging in the process in your specific way, or choosing to engage in that process over other lifestyle choices, is in some way a spiritual good, not the mechanics of the transformation. If, on the other hand, humans can only access this transformative magic through the grace of the deities that religion worships, while practitioners of other religions lack the relationship with the only gods empowered to make that magic, that’s when I’d say you had crossed into doing more harm than good by seeking to include real-world religions.

Including a link below to a post you might have already seen that included the “religion in fantasy worldbuilding alignment chart.” It sounds like you’re in the center square, which is a fine place to be. The center top and bottom squares are where I typically have warned to leave real-world religions out of it.

More reading:

Jewish characters in a universe with author-created fictional pantheons

–Meir

Izutsumi in a traditional persian dress!! Her ears poking from under the veil is so cute to me

Sort of talked about this in my last post but ! I really want to see more persian representation in media, specifically animation. Really disheartening when most of the "popular" animated movies taking place in west asia are about war, revolution or just generally orientalist D: Hopefully one day that'll change !!

But till that happens >:) ill make my own representation