Little Hawks Got His Hair Ruffled

When i was 5 years old i had the serious, grim attitude of an adult and now in my 20s you could put me in an easy bake oven for fifteen damn minutes and i'd come out whimpering, unsalted, piping hot

Girls with no drivers license </3

happy @hawksbigbang! here’s the doods i did for the amazing @prince-liest’s fic Nearly Headless Doesn’t Count, sequel to The Sword of Damocles is Swinging, please check it out! it was an honour to collab with them 💛💛

If I don't make light of everything, I'm gonna explode.

fantasy au brainrot!!! everyone’s least favourite commission pet & proud of it

hello first post,, mha au where everything's the same except I make them happy ^_^

todoroki fam comin next :3

I remember that Hori referred to Hawks (and Ochako) being a 'light of hope' in 2021. It's also interesting that it was Hawks who commented on Ofa and how it connects people's hearts. Do you have any thoughts on this?

I think that arc was very dark for Hawks specifically and the anime's rendition of it is very dark. However these chapters... in 323-325 it is a bit different. It's where I think Hori was honest and where I do think Hawks and especially Ochako are at their brightest, narratively. So, uh, to go back to my writing for Graduation Day, I remember debating whether to analyze this scene because I thought it was relevant. I eventually decided that six thousand words is enough and to spare y'all, but let's get into it because I think it confirms my thesis that vulnerability is needed for connection in BNHA.

Ochako's first panels in 324 have her saying, admitting actually, that she cannot reassure people. She acknowledges they're all scared and worried.

This was the best thing she could have done.

The deification of heroes was something that led to the system they have now. Somewhere in the glitz and hero rankings people forgot these are regular people.

We see this repeatedly as an issue of identities - why Toshinori seems a shell of himself outside of All Might, most of Enji's issues boil down to him not knowing how to be Enji versus Endeavor and screwing his family up for it, and Hawks is...well, everything about Hawks is about being a Hero rather than a person, which is why Horikoshi had him kill someone literally named "humanity".

Ochako doesn't allow this to go on. She makes it clear they're all scared, they're all people who want safety, comfort, and want to be clean from mud and dirt, same as any other. It's why she's one of the Savior Kids; she's geared to try and humanize the other side. It's why she's paired with Toga. See below, as she thinks of Toga while giving a speech.

Essentially she reached the people in that crowd by reminding them who Deku is - a kid with way too much on his shoulders, a person just like them. Not a symbol, not a quirk, like AFO is treating him as. A boy. Or "regular high school kid" - yeah, I should have put this in Graduation Day, lol.

Symbols aren't meant to be fragile or have to come out from the rain. Deku does because he's a person.

So what about Hawks?

This isn't the last time Keigo is going make metaphors about One for All. Remember the line so many people read in bad faith about him comparing Endeavor "linking" people together too? He was talking about connection, pure and simple, realizing that much of his own motivations and Inasa's are connected through Endeavor, or their perceptions of him.

Truly, it's just him remarking that seeing society as holistic, as a whole rather than a part, is the key to solving their issue.

I think the emphasis on showing your soul, ugliness and cracks and all is one of the keys to reaching the villains. Something that doesn't position them as moral superiors, which is where Keigo failed drastically with Jin. He didn't give him a good choice at all. He also wasn't willing to be fully vulnerable with him. But I also think there's another dimension to this. More and more I think Horikoshi is actually criticizing individualism and the idea of "the great man". In his depicting of bystander system that has become an issue from society delegating acts of kindness and heroism to an actual career, I think he's critiquing the idea that one person can shoulder that burden.

It shouldn't be a person but a village, so to speak. It says a lot that the characters we know as villains are both seeking connection but also saying, in the depths of despair, that their individual will can change the world.

I still interpret this scene as Dabi deep in denial. Uh oh, he actually FELT something, time to double down and reiterate he doesn't give an actual fuck when truth is he DOES, he just doesn't want to. Otherwise he has to FEEL.

Anyway, the emphasis on the single person and single convinction is another one of those clues I think Horikoshi is leaving us about the "Great Man theory".

The great man theory is a 19th-century approach to the study of history according to which history can be largely explained by the impact of great men, or heroes: highly influential and unique individuals who, due to their natural attributes, such as superior intellect, heroic courage, extraordinary leadership abilities or divine inspiration, have a decisive historical effect.

I remember balking when I read this. Maybe it's because here in the West, there's little uhh agreement over Napoleon being heroic. Maybe it's because my history teachers were unsual but I've never really seen anyone seriously consider Napoleon heroic. There always seemed to be agreement he was a power-mad tyrant who took advantage of the Revolution to enact a military coup and then actual progress made by the Jacobins. So the fact chapter 3 of BNHA has Mic quoting him as a great hero was always weird. At the time of my first read through, I wrote it off as maybe Japan doesn't take this approach to Napoleon and the Revolution. One person's tyrant is another's hero, you know? But more and more I think Horikoshi has been debunking Great Man Theory with his manga. First off the premise of Great Man is usual that the Great Man is born, that his Greatness is congenital. That there's a natural aptitude for greatness, like superior intellect, etc. BNHA is absolutely refuting that, has from the first page. In fact the characters who get into the trap of believing they are born "anything" are shown to be trapped or not in a good way (see Redestro, or see Tomura and Keigo believing they are born to destroy/have dirty wings respectively). So much of who Deku has become is supposed to change this idea of biological predisposition to greatness.

Even Dabi, who has struggled against the circumstances of his birth, falls into the trap of believing some people are born with everything and are born to everything, essentially internalizing the worst of his father's own beliefs.

The story isn't kind to people who give us this rhetoric - that depending on others is wrong, or weakness. It's why Deku had his arc, after all.

Which brings us to my second point - the story isn't the triumph of individuals against evil. It's about people coming together. That's why Ochako and Keigo had their moments of realization in 323-325.

It's not about one person. It's about people.

Lastly, and this is conjecture, but there's a curiosity to the Great Man theory from a cultural standpoint. Now each culture has its Great Man to some extent. I've spoken about how All For One is likely trying to emulate Oda Nobunaga with his Demon Lord talk. But the emphasis on individual actions over collective ones, the commercialization of heroism, and the idea of competition breeding innovations/results are distinctively Western Capitalist ones. And in...a clumsy way, I think Horikoshi has been hinting at this being part of his own criticism.

Did you ever notice how the Japanese anime has them say "Hero/Hiro"? It's an imported word. Japanese has other words that mean hero, like yusha or eiyu, which have different meanings that all relate to the English hero as either a brave person (yusha) or a person of greatness/importance (eiyu). Why then use hiro, a foreign word as the title for this career?

Because the hero system is canonically imported. And so perhaps are the ideals it brought with it.

I'm very fond of the way Yoco Akiyama (Hori's assistant and the mangaka of Team Up) draws Hawks, especially the painterly style (she seems to really like drawing him). Her Keigo comes off as smaller, more compact, very much seems like he'd be a student if not for the facial hair. He's got a cherubic face, more so than Hori's and there's a cute slyness to it. Horikoshi's Hawks's eyes are a bit over the place with the shape changing but she tends to accentuate them being angular (triangles more than anything) and likes elongating them to be narrower. Manga-wise, he also has lashes when she draws him though they blend into his eyemarks and look like an extra point. Her drawing of him "japanese-style" (as Japanese twitter users pointed out) with a ho-oh is really beautiful too. He just comes off both youthful and mischievous when she draws him.

She really likes drawing his feathers too.

Though there are others that are a bit more pensive and somber, though, again, framed by his wings.

You can find her twitter and all her gorgeous promos for the show here.

girls in their 20s with no driver's license, the saga

Chapter 245 - Rise to Action