using non-human limbs to show a character’s expression is fantastic— fur bristling to show anger, big elf ears drooping to show sadness, tails swishing to show joy— but using non-human limbs as the only way to show a character’s expression is even better. a calm, stoic facade, their anger betrayed only by bristling fur. insisting they’re fine, but their ears are drooping. pretending they don’t care for hugs, but their tail is swishing madly.
New Letterboxd list.
So I am a really big fan of animal point-of-view fiction (or xenofiction as it's sometimes called), but I can't help feeling that the genre has so much wasted potential, and writers in this genre have fallen into so much laziness. Animal stories have been a part of human culture since pretty much the beginning of time, and the more you read of these old animal fables and tales, you realise how clever and unique a lot of these stories were. And even more recently, we've had stories such as Jungle Book, Call Of The Wild, Animal Farm.But it seems since the release of Watership Down in, that the animal fiction genre has fallen into a sort of generic mould that every story has to follow. Don't get me wrong, I ADORE wds and I've read it so many times that the pages are falling out of my copy, but I've lost count of how many books I've seen that have the same "animals live in a tribal society with their own language, culture, and religion have to escape the clutches of The Evil Humans" narrative. While there are a few recent books that don't follow this exact mould (Felidae for example) the genre has seemed so stagnant for the past 50 years or so. And one thing that bothers me about these kinds of stories is how easily they fall into these really disturbing ideas. (I don't know if "ecofascit" is the appropriate term here, but it sounds very similar) They just all seem to drone on and on about "all the humans are evil and cruel and destructive and only the animals and untouched nature are pure bla bla bla" in such an embarrassingly misanthropic way. I read Garry Kilworth's Hunters Moon (the one about foxes) last year, and I could take none of the plot seriously because the writer couldn't go a single chapter without having a laughable Humans Bad rant. I don't know. Animal stories have meant so much to global human culture throughout history, and it makes me slightly sad to see the genre become stagnant and unoriginal over the past few decades.
(and I'd love to hear any book recommendations if you have any)
something i think about a lot is what if alien species have less biodiversity on their planets. like if they’ve got maybe 20, 25 species of bugs, total. so they come to earth and they’re like “whoa.” or they’ll like be like walking down the street and they’re like “ok what’s that” pointing at a st bernard and you’re like “oh that’s a dog” and they’re like “whoa, neat, i’ve heard about dogs.”
and you walk for a while longer and then they point at a yorkie and they’re like “what’s that?” and you kind of have to be like “…that. that’s also a dog.” and they’re like “wait, really?” and you’re like “yeah.” and it takes them a while to absorb this but then you just keep walking.
and like you’re going for a while and somebody’s walking their bull terrier and you’re like trying to walk faster hoping your alien friend doesn’t see but no dice they’re like WHAT THE FUCK IS THAT and you’re like “that. that is a dog” and they let out an anguished wail
and like every time after that they see a weird four legged creature they’re like “that BETTER not be a goddamn dog” and half the time you gotta wince and be like “actually,”
I bet octopuses think bones are horrific. I bet all their cosmic horror stories involve rigid-limbs and hinged joints.
@bananaruntz i think what sucks the most about it with xenofiction in particular is that when you have characters that are simultaneously nonhuman and anthropomorphic, it creates this issue where you're forced to accept any misogyny at face value and assume that it's just scientific accuracy, because nature CAN be notoriously unfair. it can't be denied that the females of many species get the shorter end of the stick, but way too many xenofiction authors seem to operate on the idea that this is innately true for the entire animal kingdom when it's just not. even if you are writing about a species where male animals generally dominate the hierarchy, that still shouldn't preclude you from being able to write well-rounded female characters, especially ones that aren't bound by suspiciously human misogynistic tropes.
xenofiction presents so so so many fascinating opportunities to really examine things like sexism and identity and biological determinism but it feels like no one has properly taken advantage of that yet. i am being so fucking serious when i say that xenofiction desperately needs a queer, trans, feminist upheaval.
We need more games where you play as animals.
Regular animals.
Cyborg animals.
Alien animals.
I don’t care. Just more animals please.
You know how must animals don’t look that different when they are infants to adults? Yeah, that. But then we get to animals such as insects and frogs. As you may (or may not) know, bugs start out as these worm-like things called larvae and when there’re adults, they become what we know them as. Same with frogs, but instead of being worm-like, they start as the fish-like tadpoles. What if the aliens we encounter work just like that? What if they start out as puffballs, worm-like, or something else and become a humanoid or something. And when we show them out young, they might be surprised (Assuming all life on their planet works that way).
So a xeno and a human male where in a bar talking about their species and looking at each other‘s photos.
Human: “And that’s my niece, Holly.”
Xeno: “She’s pretty small for an adult.” “Never knew your kind can get so small.”
Human: “No, no, no, she’s still a baby.”
Xeno: “Really?”
Human: “Yes.”
Xeno: “Well, that’s interesting, I thought your kids looked way different.” “Just look at my kids.”
The xeno then showed a picture of two light green, round, fluffy orb-like cretures with no showed facial features.
Xeno: “These two are my children, aren’t they cute?”
The human then looks surprised.
Human: “Ah… I guess…” “Can’t believe your kind looks like that.”
Xeno: “I’m just as surprised as you are.” “Now can I show you more of ‘em?”
Human: “Sure, why not…?”
(Yeah, I know the “Xeno and human talking and stuff” part isn’t the best example of writing, but hey, I tried. Please give me feedback so I can improve.)
As someone who grew up with and loved and adored The Land Before Time (1988) and experienced quite a few of its sequels, too, it's amazing how similar the Ice Age series became to it as well - meaning sequels wise. Though in my opinion, Ice Age (2002) is leaps and bounds better than Land Before Time (1988) though I do deeply love BOTH of their original movies.
Both The Land Before Time and Ice Age (2002)'s original movies are gritty and dark, with a sense of "realism" grounding their events with migrations underpinning the journeys of the original narratives and with a greater xenofictional factor since in IA1, the Ice Age megafauna are treated like majestic creatures who growl and rumble (see Manny and Diego mostly) like they might've done so and with the threat of humans being a major conflict factor within IA1 itself with Manny's choice to return baby Roshan despite the knowledge that in doing so, the child has a chance to become a hunter one day.
However, just like its predecessor The Land Before Time, when it came for Ice Age to get continuations, the realistic underpinnings of IA1 were thrown out the window as its series went Lighter and Softer, just like Land Before Time before it.
And yes, in one of The Land Before Time's many direct-to-DVD/VHS sequels, aliens and an asteroid and end of the world themes (like Ice Age's much reviled IA5) become major plot points!
The Land Before Time sequel where Littlefoot reunites with his father involves Longnecks pushing back the sky to save everyone (because of a solar eclipse which was treated in-universe as an "end of the world" event) and the Stone of Cold Fire teased alien dinosaurs. .-. It was around those sequels that I put away keeping up with the TLBT sequels though when I was young I enjoyed them and it saddens me the Ice Age sequels followed the same route.
My hopes for the Ice Age sequels, even as a young (12/13 year old) child was that they'd buck the trend and remain dark and xenofictional and not devolve into silly Lighter and Softer-ness and Dense and Wackier plots like The Land Before Time did years before. In short, the Ice Age sequels deserved better - they deserved to not basically become a modern, theatrically-released "Land Before Time" sequels-redux!
I bet octopuses think bones are horrific. I bet all their cosmic horror stories involve rigid-limbs and hinged joints.