Cosmonautgalinaofficial - To Infinity

“I love you. Infinitely and inexpressibly. I’ve woken up in the middle of the night and here I am writing this. My love, my happiness.” –  Vladimir Nabokov, from a letter to Vera (January 19, 1925), featured in “Letters To Vera” by Vladimir Nabokov (Russian, 1899-1977)

Medical mask and dark sunglasses are big plaguecore vibes. Like no you’re not allowed see my face bitch. I am healthy and ominous

Gymnocalycium stenopleurum

“My harp session turned into a Disney movie”

(Source)

What's the beef between engineers and physicists and even mathematicians.

Why physicists mock mathematicians: Because playing 51 dimensional chess against your own brain seems silly to us when there's a whole cosmos to explore.

Why mathematicians mock physicists: The universe can only be understood because some nerd spent the time playing 51 dimensional chess and in the process they created some useful stuff for the physicists to steal and abuse the hell out of.

Why everyone mocks the engineers: π=e=3 is an abomination before God and those pencil pushing dorks make more money than us so we feel the need to vindicate our $75000 student debt.

Garrison Keillor, Supper

The Boston Athenæum, Massachusetts, United States,

The Boston Athenaeum is one of the oldest independent libraries in the United States. It is also one of a number of membership libraries, for which patrons pay a yearly subscription fee to use Athenæum services. 

The institution was founded in 1807 by the Anthology Club of Boston, 

Architects: Edward Clarke Cabot, Bigelow & Wadsworth,

inbal dror bridal fall ‘19

Lois Weaver and Peggy Shaw in Belle Reprieve, 1990.

Shaw and Weaver take on Tennessee Williams’ “Streetcar Named Desire” and the mythic proportions of Stanley and Blanche. Both steamy and hysterical, Belle Reprieve looks at gay and lesbian sex in the 1940’s and both honors Williams and turns him on his head. Written and performed by Peggy Shaw and Lois Weaver of Split Britches and Bette Bourne and Paul Shaw of Bloolips.

Footage of the play in its entirety is available here.