Whew! This Set Took A Lot Of Tweaking, But I Really Love How They Came Out! 🤩 This Is Another 10 Generation

please please please please reblog if you’re a writer and have at some point felt like your writing is getting worse. I need to know if I’m the only one who’s struggling with these thoughts

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

"Kill them with kindness" CORRECT!!!

big fan of 'i'd find you in every universe'. BIGGER fan of 'there are maybe five universes where we find each other and in four of them it ends badly i think we're some kind of anomaly i think every law of everything points towards this being the death of us. but we could try to save it anyway.' THATS the good shit.

this is the only thing i have been thinking about

and you know what?

i am going to die

So I just went with my buddy while he got a rib tattoo, and they hurt like a lot, so he’s over there grimacing and being a huge manbaby so I just reach over and grab his hand so he can squeeze it because I’m a good person who helps others

And he’s clinging to my hand like it’s a life preserver and I’m being me and talking about nonsense like Grimace from the McDonalds commercials and how R2D2 is always ready to throw hands, and whatever, and the artist keeps glancing over at me and I’m like do your tattoo bro I’ve got my buddy handled

But then I realize he’s like, looking over because he can’t tell if he’s seeing something or not, and I glance down and I see my rainbow scalemail bracelet, and how I’m talking to my buddy all fondly and I’m like stroking his arm like he’s a wounded animal, and right as it clicks in my head the tattoo artist asks in his most nonchalant voice possible, like intentionally bland, I’m just talking about the weather haha what do you mean voice:

“So, are you guys close?”

And my gay ass is over to the side internally screaming because yeah, I am gay, but like this is just me being a good bro and my buddy is COMPLETELY OBLVIOUS TO WHAT IS HAPPENING BECAUSE HE’S A GARBAGE STRAIGHT PERSON AND HE SAYS

“Yeah of course, that’s why I asked him to come”

SO NOW THE TATTOO ARTIST THINKS HE’S RIGHT AND HE HAS A GAY COUPLE GETTING A TATTOO AND MY BUDDY HAS NO IDEA AND I’M AWKWARDLY SITTING HERE LIKE SHOULD I STOP HOLDING HIS HAND??? SHOULD I CORRECT THIS TATTOO ARTIST??? SHOULD I LET MY BUDDY KNOW??? MY GAY ASS DOESN’T KNOW HOW TO HANDLE BEING INCORRECTLY ACCUSED OF BEING GAY, WHAT DO YOU DO

So that tattoo artist is like “Cool man, that’s great. Good for you.”

So then my buddy is like can I get some water, and the guy comes back with one bottle of water and my buddy takes a drink and then hands it to me, and I’m like obviously he has to lay down and needs me to hold his water so I just hold it in my hand, but turns out he was offering me water, so he turns to me and is like Colton, drink some water, and I take a drink and my garbage lizard brain is like “You’re drink sharing in front of the tattoo artist, now he KNOWS he’s right”

So we’re talking about tattoos with the artist and I mention that I’m getting a tattoo in September and my buddy is like “Yeah I’m gonna go and hold HIS hand for that one haha” and the tattoo artist FUCKING SAYS “I mean, I should hope so”

I MEAN, I SHOULD HOPE SO

I MEAN, I SHOULD HOPE SO

AND NO ONE ACTUALLY BROUGHT IT UP. I KNEW WHAT THE TATTOO ARTIST WAS THINKING BUT DIDN’T SAY ANYTHING TO CORRECT HIM. NOW WHEN MY BUDDY GOES BACK AND GETS HIS NEXT TATTOO IN THE FUTURE AND I’M NOT THERE HE’S GOING TO GO “OH WHERE’S YOUR BOYFRIEND”

just got so unnecessarily upset because randos on letterboxd didn’t like Happy Feet.

He hates the rain :(

Skin✨