Latest Posts by cmoneman - Page 2

Can’t wait for the Dean fic! Can we as a collective acknowledge that Dean and Ginny got together very shortly after she dumped Michael. That means he must’ve been flirting with her while they were still together. Dean ‘steal your girl’ Thomas

Dean Thomas when he sees Ginny giving Michael Corner the time of day:

Dean has rizz it’s canon soooo I had to drop a sneak peek of him in action 👀

First DA meeting back after Christmas, he’d asked how her dad was doing. She’d let him know the good news in her typical Ginny way, quick joke, shut down need for further questions (‘he’s doing alright. Not dead, that’s the main thing. What’s a couple of snake bites between friends?’) But he’d wanted to keep her there, keep chatting before she drifted back over to the Ravenclaws, so had pressed it a bit, asked if they’d spent the holidays between Devon and St Mungo’s. Whenever he’d pictured wizard hospital, it’d been a bit like an episode of Casualty but with more owls, and when he’d pictured Devon it was the proper seaside, like when his primary school did that trip to Southampton and his mate Liam threw that crisp packet at a seagull. Of course, then his brain had conjured up Ginny on a beach, bikini, licking something. There’d been something extra daring about imagining it when she’d been right there, chatting to him, her boyfriend stood five yards away, chatting with all the other Ravenclaws who wouldn’t know a good laugh if it hit them round the face.

‘Oh, we weren’t in Devon in the end,’ she’d said. ‘We ended up staying in London.’

‘Really? D’you have family in London, or something?’ We could’ve met up, he’d thought. Imagined taking her - somewhere. Wherever people take girls — he’d have to ask one of his cousins. Maybe go central, or use that Christmas money from his auntie to take her to the cinema or the good chicken shop in Forest Gate, hold her hand on the bus. He’d glanced over at Michael, who’d started eyeing the two of them suspiciously from over by the crash dummy, and resisted the urge to wave.

‘It’s a bit complicated,’ she’d said. Her smile was apologetic, curving its way out of her bottom lip. He’d wanted to ask more but didn’t know how, and her tone sounded final, so he’d dropped it. It would be ages til he’d learn what that smile meant — all cover, hiding things he’d had no hope of ever asking about. ‘Sorry to be cryptic.’

‘Nah,’ he’d said. ‘Keeping it mysterious, I like it.’

Little glint in her eye, mischief. ‘Well, you know. A girl’s got to keep her secrets close to her chest.’

‘Good place for them.’ Alright. Doing it? Yeah? Ok, he’s doing it: ‘Maybe I could have a look sometime.’

For a second he’d really thought he’d fucked it. But a new smile had crept up her face, then, like she’s intrigued, impressed, by the sheer audacity of it.

‘Ginny.’ Of course, then Corner had shown up, face like thunder, come to claim what’s his. ‘We’re pairing up, Harry’s just said. Thomas, you get your own partner, yeah?’

🏆 The Triwizard Champions 🏆

I worked on this piece for a while, figuring out the designs, poses, uniforms, composition. It was really fun! I like that I added the decorative border at the last moment. It really pulls the whole thing together✨

I’m really interested in the other wizarding schools, like Beauxbatons and Durmstrang. I am still figuring out the uniforms.. I might do a sketch sheet on those soon. You’ll see :)

Which Champion’s your favourite?🌟 Personally, I really like Fleur, because she’s the first character I read about that shared my name. Nine-year-old me was very, very excited about that.

#fantastic horcrux meta

One thing I find really compelling about ronmort is that the horcrux which targets ron is the one most "maternal"-- tom's mother's locket, which you so cleverly pointed out was also the one which he erected a complicated defense for in a place that was meaningful to his childhood. Everything the locket says to Ron just feels so charged? Wym you've seen his heart and it's yours? Wym you've seen his dreams and his desires? The fact that Ron can hear the locket's heartbeat before anyone else... I don't know how to explain it except that the locket's antagonism of Ron feels almost intimate in a way. The shenanigans would be sexy. Not least because Ron can apparently do a passing imitation of parseltongue (hot).

that each of the trio destroys the horcrux which most connects to something fundamental about themselves is a detail which obsesses me.

the diary

harry - an orphan, desperate to meet someone else who can understand the strangeness and isolation of his experience; searching for the truth about himself, and what in his life is inherited, but unable to ever fully uncover it - destroys the diary, not only the sole horcrux which is an explicit link to lord voldemort's upbringing as an orphan in the muggle world, but also a metaphor for the state of orphanhood itself.

the diary is a quasi-palimpsest - an object which has to be written in; an object in which a layer of text is written and then overwritten by another; an object in which these layers of text can be stripped back until only the original layer remains only with extraordinary difficulty - just like the orphan's search for meaning, trying to decipher the layers of themselves which were inherited from their parents, but only ever being able to see these partially, with the text missing or corrupted.

voldemort's creation of the diary-horcrux is explicitly connected in canon to him coming to learn about himself, his parents, and his heritage - and, connected to this, to him refusing to sit with the grief of orphanhood, refusing to understand his parents as whole, complex people, and refusing to embrace his "real" identity [which, as the text understands it, is that of a half-blood named tom marvolo riddle] by creating a fake one [that of lord voldemort].

harry destroys it after rejecting voldemort's self-constructed view of his own exceptionality - "the greatest wizard in the world is albus dumbledore" - his refusal to acknowledge the complexities of lineage and orphanhood, and his refusal to embrace his muggle heritage - "my mother died to save me. my common, muggleborn mother". he does this using a tool directly connected to voldemort's rejection of all but his slytherin heritage - the basilisk's fang - in a location similarly connected to voldemort's rejection of his muggle blood - the chamber of secrets.

the cup

hermione - an outsider, whose place in the wizarding world is unstable - destroys the cup, one of the horcruxes to which voldemort has the least personal connection, but which he selected to hide his soul because of its historical significance, anchoring him to a millennium of wizarding history and culture he was otherwise brought up disconnected from.

voldemort's creation of the cup-horcrux comes at the end of a period of his life in which he is disadvantaged in wizarding society purely on the basis of his name and background. he rejects the ministry jobs which would have made him dependent for the rest of his life on slughorn's patronage - and, therefore, pressured him to do what slughorn wanted - and ends up, as he himself puts it, as "a poor shop assistant". hepzibah smith is a pureblood, who is also descended from one of hogwarts' founders - yet she doesn't make use of this superiority ["all sorts of powers it's supposed to possess too... i just keep it nice and safe in here..."], and she doesn't realise [and he can't prove to her and hope to keep his job] that voldemort is someone she should think of as her equal [or even superior]. she - as harry observes - essentially treats voldemort as doll she can play with, posing him with her treasures and pretending his glacial politeness is really repressed affection, she speaks to him like he's an idiot, and she evidently considers him to be her social inferior.

hermione destroys the cup after seven books in which the discrimination she faces on account of being muggleborn is explicit. obviously, she's the victim of violent bigotry - she's petrified, she's called a mudblood, she's the only one of the trio who also has to worry about the muggleborn registration commission - but she's also the victim of seemingly benign, genial bigotry too - the muggle world is treated as a quaint side-show, even by characters like the weasleys; she's praised for her intelligence by slughorn, but this intelligence is still considered in some way unusual for someone with muggle heritage. she gets spoken to by many wizards in ways which aren't far removed from the way hepzibah speaks to voldemort.

as a result, she - like voldemort - spends a lot of time trying to acquire enough knowledge of the wizarding world that she appears to be native to it [this is why she's so obsessed with hogwarts: a history]. but - unlike voldemort - she then embraces her heritage and refuses to hide it - "mudblood and proud of it!".

and - shortly after this - she destroys the cup, in a place - the chamber - and using a tool - the basilisk's fang - which are both directly connected to the bigotry she experienced, since they're part of slytherin's belief that people like her should be driven out of hogwarts and out of the magical world more broadly, and therefore send a big "fuck you" to voldemort's blood-supremacy.

the locket

and ron... whose greatest desire is to be recognised for his individual achievements, who has a complex and uneasy relationship with his place in his family [simultaneously longing to be something other than "one of the weasleys" and fiercely loyal to his parents and siblings], who is the only pureblood of the trio, whose childhood we hear the most about in canon, and whose childhood appears to have been happy...

destroys the locket, which is voldemort's only link to his mother, and the only horcrux for which he constructs an elaborate defence in a place meaningful to him from childhood.

we don't actually know who voldemort kills to create the locket-horcrux [jkr has said in interviews that it was a muggle tramp, although this contradicts dumbledore's statement in half-blood prince that voldemort created his horcruxes from murders which were significant to him], which is a neat metaphor for how little he knows about merope - since he doesn't know morfin's name, for example, we can assume he doesn't know hers; everything he ever tells harry about her is something he's invented [especially his belief that his parents' marriage was consensual, and that tom riddle sr. abandoned her because she was a witch].

the horcrux attempts to torture ron with his insecurities about being a mammy's boy who's always been afraid that he's a bit of a flop at the task - especially when compared to siblings like ginny, bill, and percy. and ron is so susceptible to it because voldemort is also an inherent mammy's boy [ronmort nation, rise up] who never got a chance to have a mam, and who responded to the grief this caused him by suppressing it, pretending it never existed, and convincing himself that the only viable thing to be is unique.

ron destroys it after he returns to the trio - having attempted to strike out on his own [the thing he's wanted since philosopher's stone, when he sees himself standing alone in the mirror of erised] - and accepts his place as part of a group. he does so using the sword of gryffindor, which again represents him embracing not being exceptional - his entire family have been in gryffindor, something he's shown to feel simultaneously proud of and uneasy with right from his first appearance.

“There is a plot, Harry Potter. A plot to make most terrible things happen at Hogwarts School of Witchcraft and Wizardry this year.”

By popular demand (😂) Best Trope Ever rec list is back for Part 2: “Jily from Snape’s POV” *everybody cheered*! (See Part 1 here)

change the prophecy by ninazenikcult

Severus overhears an intimate conversation between Lily and James at the end of Seventh Year that confirms his worst fear; that he has lost Lily Evans forever.

Eavesdropping by @sofargoneao3

Severus watches as Lily falls for James.

Slipping Away by @yallthemwitches

Snape didn't think his life could get much worse---until Lily was falling in love with James Potter right before his eyes. A compilation of 3 particular moments between 6th and 7th year.

Not a Bang, But a Whimper by yallofthemwitches

During their sixth year, Severus Snape goes out after curfew to give information to Lily that he thinks will bring them back together. Unfortunately, he finds her already with someone else. A companion piece to my other oneshot "Slipping Away" for Jily Week 2024, Day 7: Continuation Station

Legilimens by yallofthemwitches

Perhaps the real James was doing it on purpose--using memories of Lily to either drive him insane or to push away the real secrets that hid beyond. If it was true, he was succeeding on all accounts. During a duel, Snape attempts Legilimency on James. Canon compliant. Oneshot

Playing Dirty by yallofthemwitches (big thanks for feeding this trope!)

When Lily won against Potter during dueling practice, Snape couldn't think of a better way to finally rekindle their friendship. But Potter was a sore loser and Lily seemed far too willing to entertain him.

Rumor Has It by @tedwardremus

Severus doesn't believe the rumors that Lily finally agreed to go out with James Potter.

inevitability by peachiekeens

The snotty one tried to trip him on the way out, and Lily stamped on his foot hard enough to elicit a gasp as they emerged into the corridor. “That’s what Gryffindors are like, Lily.” Severus said matter-of-factly as the door closed behind them. Lily nodded, but her eyes were far away. Severus had a sinking feeling in his chest. They didn’t talk about the sorting again. OR The development of James and Lily's relationship, as seen through Severus Snape's eyes.

Secrets of the Darkest Art: How to Make a Horcrux

So I saw many theories regarding how to make a Horcrux, but none of them really made perfect sense to me, so I decided to give it a crack myself as part of my mission to understand Lord Voldemort/Tom Marvolo Riddle (Which I think I did, big post coming about that at some point, this is but another piece of that puzzle of a man)

So this is my reverse engineering of a ritual to create Horcruxes based on book evidence, my knowledge of real-world alchemy, real-world ancient Greek cults and rituals and linguistic analysis.

How to reverse engineering a dark magical ritual:

The first thing, is to define what we knew fore certain:

The name: "Horcrux"

The creator is an Ancient Greek wizard named Harpo the Foul.

A death is required in the making.

A Horcrux holds a piece of the casters soul that anchors them to life so they won't die.

I'll actually start with the third point.

How to split a soul?

Both Dumbledore and Slughorn mention a death being required to tear your soul to make a Horcrux, and that never really sat right with me. It magically doesn't make sense and even the canon examples we have for Horcrux murders make this statment iffy.

We have seven examples of murders used to create Horcruxs (thanks to one Tom Riddle being dramatic):

The Diary - Myrtle Warren - killed by a basilisk. Sure, Tom freed the Basilisk, but it hardly seemed targeted at Myrtle specifically and you can argue he didn't actually kill her (more a manslaughter by negligence). He didn't cast the spell, so how come this tore his soul?

The Ring - his father (Tom Riddle Sr) - Avada Kadevra.

The Cup - Hepzibah Smith - she was poisoned by her house elf. Sure, the elf was under the imperious, but it wasn't a first-degree murder, and like with the Basilisk I find it hard to consider this the same as casting a killing curse. Magically those are very different things.

The Locket - Muggle Tramp - Avada Kadevra

The Diadem - Albanian Peasant - Avada Kadevra

Harry Potter - himself - backfired Avada Kadevra

Nagini - Bertha Jorkins - Avada Kadevra

Now, I used the term "magically different" or "magically make sense" what do I mean by that?

Well, besides the fact I'm going to make a full post about how I see magical theory in the Harry Potter Wizarding World, I'll say it takes a lot after occult philosophies from Alchemy that are very old, Slughorn mentions as much in book 6 and there are a few other references to it. I'm just gonna cover the basics required for this theory.

In Alchemy, everything (people, animals, plants and rocks) are built of three base components:

The Salt - the body - the physical form.

The Sulfur - the soul - the self that holds the divine flame.

The Murcury - the spirit - the life essence that binds the salt and sulfer together.

Now, in Alchemy, the main study is in purifying and combining these different aspects of material. Let's look at a herb, for an example:

If we want to retrieve its salt, we'll dry the herb completely using fire to leave behind a fine light grey ash that represents only the physical form.

If we wanted its mercury we'd distill all liquids from it until we get a purified, clear liquid which in the case of plants would be alcohol (it's why alcohol is referred to as "spirit").

And if we wanted its soul, we would take the remains from the distillation and drying process which would be a kind of oil.

(it can get more complicated with different materials, but this isn't a post about Alchemy)

Now, back to Horcruxs.

So, if we would want to split a soul, Alchemecly, how do we go about it?

Well, we don't. Not really. See a soul can't really be split, as every part of it, every bit of that oil from our random herb represents the entire soul. It's why something like a Horcrux could theoretically work in giving a full life to the diary the way we see in Chamber of Secrets.

Additionally, to work with any material in Alchemy, you are required to purify it first. It means that to get a piece of soul to bind to a diary, you need a pure soul.

Killing someone else won't sever your own soul from the spirit and the body, it's not how this works. Killing someone severs their spirit and therefore splits their body, spirit, and soul. Besides, an Ancient Greek man, like Herpo was, would hardly consider murder as vile as we do today. It wouldn't even cross his mind that any murder (even an indirect one) could harm one's own soul.

No, the only way to "split" a soul is to first sever it from life, disconnecting the bond between soul and body. Essentially, the only way to promise you immortality is to kill yourself.

I know it sounds a little confusing, but, essentially, once the soul is severed from the spirit and body you can split it. Think of the herbal oil, once you have the oil, separate from the rest of the plant parts, you can combine it with new ingredients. You can only work on a specific aspect once you severed it from the other two and as what binds all three together is spirit — life — the only way to do it for a human soul — is death.

But really, how?

Well, here comes the second thing we know about making Horcruxs — that dear Herpo was Ancient Greek.

In Ancient Greece they had multiple different religious cults, some of which were Chthonic cults. Cults that dedicated themselves to death or ditties and heroes associated with death and more importantly — rebirth.

Many of these cults were dedicated to figures like Orpheous, Dyonysus, Persephone, characters in mythology who are known for going through the underworld — through death — and coming back out. These cults were very secretive and not much is known about their practices, but some is.

What is known is that they had rituals were they reenacted a death and then rebirth (usually drinking wine — a water if life, was the representation of rebirth).

This created a very clear idea in my head — to split a soul, you'll have to ritualisticlly, magically kill yourself, severe a peice of your soul and then revive yourself with a water of life — a potion.

This potion is never mentioned, but I believe it exists due to these Chthonic cult rituals and how they were structured. Not only that, but the Greek underworld did have a river known for being incredibly painful to drink, literally made of fire, but being able to bring the dead back - The Phlegethon River.

Note: Lethe River Water (the river in the Greek Underworld that makes the drinker forget) is a canon ingredient in a Forgetfulness Potion.

So what is the dead body for?

Well, congratulations, you killed yourself to retrieve a sliver of your soul and revived yourself so you won't stay dead. You found an item you can keep secure to tie that sliver of soul, too. Now, how would you bind then? After all, the only thing meant to bind a human soul to a body is a human spirit - a human life... you get where I'm going with this.

This is why Tom didn't have to be the one to do the deed. As long as he had a recently deceased corpse to harvest the life from to use to bind his newly split soul and the item of his choice.

It explains why nothing was missing from the bodies. Myrtle and the Riddles were investigated by the Ministry of Magic. One would assume the aurors would've noticed if any corpse was missing a hand due to the killer eating it (as other Horcrux theories suggest).

Not only was nothing missing from the body, the soul was intact. Myrtle became a ghost after death, a ghost is quite literally, just the soul, no body, no spirit.

So the only thing that was taken from Tom's victims was their life, quite literally at that.

Is that all? Can we make a Horcrux now?

Not really. See, when analyzing spells in Harry Potter is their name.

Avada Kadevra - is a reference to an Aramaic healing spell "Abracadabra" pronounced in Aramaic as: "Avra Kadebra" and meaning "I will create as commanded". Merged with the Latin word "cadaver" meaning "corpse" to create -> "I will create dead bodies as commanded"

Or Wingardium Laviosa - is a cross of the English word "wing", the Latin word "arduus" (meaning "high, tall, lofty, steep, proudly elevated"), or "arduum" (meaning "steep place, the steep" and the Latin word "levo" (meaning to "raise, lift up"). So together the spell means -> "lift high up".

So, it's pretty clear spells, their names and incantations are very self-explanatory. So a Horcrux should be no different.

I've seen some attempts at translating the name Horcrux. Unfortunately, these attempts treated the name as Latin, modern Greek, or Old English. Herpo, was Ancient Greek, though, so I went and translated a few possible meanings from Ancient Greek (Classical Greek and Homeric Greek are what I looked at):

ὅρκος (orkus, pronounced "hor-kus") - an oath, the object by which one swears, bound by oath (still used in modern Greek).

κρόκες (crukes, pronounced "cru-kes") - saffron-colored (blood red in Greek), crocus flower. The crocus flower symbolizes both death (the saffron that is the spice) and rebirth (the golden crocus which brings renewal and joy) because Demeter wears them when Persephone returns from the underworld in myth.

So what we have is a spell called "binding oath of death and rebirth" which all around sounds fitting.

There might also be a "made in blood" tucked at the end due to the association of κρόκες with the color of blood.

But what does it matter?

Well, somewhat. As now with this name, I expect the binding between the spirit from the victim, the split soul, and the item would be done in a sort of oath - an orkus.

The association with blood gives us another hint. Blood is the part of the human body most representative of life. Therefore, in Alchemy, your blood is your spirit. So it'll make sense that your own blood would be used in the binding process or more correctly in the process of turning another person's spirit into your own. Making the thread to bind the body (item) and the soul piece your own. As it also refers to just a red firey color, it can indicate the Phlagatton potion I hypothesize should be part of the ritual due to how Chthonic rituals usually went, as the Phlagaton river is made of fire.

So we have a general idea on how to make a Horcrux. You need an item of your choice to bind your soul to. You need a life (spirit) harvested from a human that you transformed into being your own using your blood. And you need a piece of your own soul, which you get by killing yourself and then reviving yourself. And you finish it off by binding it all together with an oath.

But how could you make one accidentally?

So, everyone knows Voldemort succeeded in somehow making a Horcrux accidentally, something a lot of theories I saw don't account for. Becouse whatever process you need to go to to make a Horcrux, Voldemort went through all of it the night he died the first time and marked Harry.

All the steps for my method of making a Horcrux were met that night.

The item in qustion is baby Harry, nothing interesting there.

The soul sliver was split the way it always is — through death. Voldemort dies, killed by his own killing curse and that is what splits his soul.

The life or spirit that then binds his soul to Harry isn't Lily's spirit or James'; it's his own spirit that acts as a binder between Harry and Voldemort’s split soul. Because the spirit was already his, there was no need to transform it by blood.

Step-by-step guide to making Horcruxes:

I'm not going to actually give the full step-by-step least a budging dark lord is looking for this information. I do have notes about exact incantations and even the full recipe and instructions for the Phlagaton potion I'm going to mention. These instructions won't be here since they are more in the realm of speculation and headcanon. This is just the overview of the ritual based on canon information and the occult philosophy I mentioned above.

Step 1 - Life and Blood

Get access to a recently deceased human and extract their Mercury (Spirit or Life Essence).

Submerge the retrieved life essence with your own blood on a new moon (life and vitality). (7 drops of blood will probably do)

Step 2 - Water of Fire

To complete the cycle of death and rebirth you’ll need the Phlegeton Water potion to return you to life at the end of the cycle.

As you brew the potion, it must be brewed in a dark room, preferably underground to remind as much of the underworld as possible.

While brewing the potion one must be in the mindset of the Phlegeton, must be willing to go through agony to achieve eternal life and imbue these thoughts in their potion. (In alchemy, when working, it is believed you imbue your work with your thoughts during the Alchemical process. As an Alchemical process affects both the material being worked and the Alchemist themselves)

Likley Ingrediants:

Saffron spice

Golden crocus flower juice

Pomegranate juice

Step 3 - The Ritual Preparation

Set up your space so none of the components may escape the ritual space and so the ritual will not be interfered with.

Make sure the spirit you retrieved is within reach.

Make sure the item you desire will hold the Horcrux will be within reach as well.

Coax the spirit into the item and prepare it to tie your soul to the next step.

Step 4 - Death and Rebirth

To create a thread of your soul to tie to the ritual, you must die figuratively. Go through death to return stronger from the underworld.

Once you feel like death has reached you and your soul is separated you should heal your soul and finish the cycle, bringing you out of death and back to life by drinking the Phlegeton potion.

After the pain subsides you will feel healthier than before, stronger than before, and you’ll have an additional thread of sulfur (soul) in your chest to be pulled out and placed into the Horcrux.

The split-off soul should, on its own, try to search for life and a body to be bound to. If it doesn't, coax it out yourself and bind it to the Horcrux with the spirit you made in step 1.

Step 5 - Oath of Life

The connection between the body (the item), soul, and spirit is still unstable, if most likely strong enough to hold.

Swear the oath of life to finalise the bound between you, the Horcrux, and the soul thread together to ward off death.

I'll end with this note I made regarding Horcruxes when I started working on this theory:

I don't know what all goes into the process of making a Horcrux but I don't believe a person who truly likes themselves and doesn't want to inflict pain on themselves could make a Horcrux. Tearing up your soul is an act of arrogance above nature, sure, thinking you deserve to change the laws of the world and be the exception is part of it, but it's also an act of self-hatred. You need to hate yourself enough to be willing to kill yourself, hurt yourself, and tear yourself up in the most unnatural ways — hence why so few can do so, let alone more than once.

And Tom Riddle does seem to have that exact mix of arrogance, spite, and low self-esteem that would allow it.

Harry Potter is Really Magically Powerful

So, in continuation to this post, and my desire to show some love to Harry James Potter, this post is dedicated to showing how magically powerful Harry actually is in the books — which is insanely powerful. Harry doesn't think of himself as a great wizard, but he is — definitely powerful enough to be Voldemort's equal (and Dumbledore's for that matter).

Under the cut are some quotes from the books that prove this.

Accidental Magic

Let's start with Harry's childhood accidental magic. Tom was considered prodigious for being able to steal things with magic and make animals obey him intentionally. Neville, as a late bloomer, bounced when thrown, which is the bare minimum of childhood accidental magic young witches and wizards should be doing.

Now he came to think about it…every odd thing that had ever made his aunt and uncle furious with him had happened when he, Harry, had been upset or angry…chased by Dudley’s gang, he had somehow found himself out of their reach…dreading going to school with that ridiculous haircut, he’d managed to make it grow back…and the very last time Dudley had hit him, hadn’t he got his revenge, without even realizing he was doing it? Hadn’t he set a boa constrictor on him?

(Philosopher's Stone, page 44)

Harry has:

Apparated out of Dudley's reach when in danger to get away - advanced magic only allowed to practice from the age of 16!

Growing back all his hair from not liking the bad haircut.

Disappearing the glass of the Boa Constrictor case and leashing it

not even when he’d had to take a school report home to the Dursleys saying that he’d somehow turned his teacher’s wig blue.

(Philosopher's Stone, page 84)

4. Turning his teacher's hair blue.

We see Harry is capable of aparation, transfiguration, and various charms at a level that is considered prodigious. Harry was incredibly advanced as a child according to his feats of magic before even knowing magic was real. And while he wasn't as intentional as Tom, he was aware enough to know odd things happened when he was "furious or upset" that the odd things responded to him.

Intuitive Casting

I wrote later in this post about this, but I do want to write a whole essay about how magic works in the Wizarding world, but like, really in short, emotion and intention matter in magic. A lot.

And we see Harry make use of this fact to great effect. Using spells with intention to change the way they behave and they work for him because of how magically prodigious he is.

Harry raised his own wand. “Protego!” Snape staggered; his wand flew upward, away from Harry — and suddenly Harry’s mind was teeming with memories that were not his — a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner. . . . A greasy-haired teenager sat alone in a dark bedroom, pointing his wand at the ceiling, shooting down flies. . . . A girl was laughing as a scrawny boy tried to mount a bucking broomstick — “ENOUGH!” Harry felt as though he had been pushed hard in the chest; he took several staggering steps backward, hit some of the shelves covering Snape’s walls and heard something crack. Snape was shaking slightly, very white in the face.

(Order of the Phoenix, page 591)

This is from the last of Harry's and Snape's Occlumancy lessons. What's interesting here is that from Snape's words, it seems the protego spell isn't supposed to work like that. Harry is magically powerful enough to make protego (shield charm) to defend him from Legilamancy, turn the Legilamancy onto Snape and disarm Snape.

No wonder Snape is shocked, it really isn't supposed to work. Unless you're Harry Potter, that is.

He did say in their first lesson the rules of magic don't seem to apply to Harry.

“Reparo!” hissed Snape, and the jar sealed itself once more. “Well, Potter . . . that was certainly an improvement. . . .” Panting slightly, Snape straightened the Pensieve in which he had again stored some of his thoughts before starting the lesson, almost as though checking that they were still there. “I don’t remember telling you to use a Shield Charm . . . but there is no doubt that it was effective. . . .”

(Order of the Phoenix, page 591)

What I marked here is the fact in all their occlumancy lessons, even the first, Snape always placed a few memories in the pensive. He chose memories he didn't want Harry to see and place them there.

Okay... so why is that a big deal?

Snape repeatedly belittles Harry's magical skills, and yet, he fears Harry would turn the Legilemancy connection back on him. Legilemancy as Snape explained is no easy skill:

“Only Muggles talk of ‘mind reading.’ The mind is not a book, to be opened at will and examined at leisure. Thoughts are not etched on the inside of skulls, to be perused by any invader. The mind is a complex and many-layered thing, Potter . . . or at least, most minds are. . . .” He smirked. “It is true, however, that those who have mastered Legilimency are able, under certain conditions, to delve into the minds of their victims and to interpret their findings correctly...”

(Order of the Phoenix, pages 350-351)

As such, he doesn't expect Harry to be capable of it. But that’s a lie. He clearly thinks Harry is skilled enough to be a threat in this situation. That Harry just might be able to turn this around and glimpse his own memories, which is no easy feat.

And Snape is many things, but stupid isn't one of them. If he thinks Harry is uniquely magically prodigious to be capable of this, then Harry probably is. Especially considering how much Snape hates Harry and how much he'd rather think he's stupid, useless, and unskilled.

“SHE KILLED SIRIUS!” bellowed Harry. “SHE KILLED HIM — I’LL KILL HER!” And he was off, scrambling up the stone benches. People were shouting behind him but he did not care. The hem of Bellatrix’s robes whipped out of sight ahead and they were back in the room where the brains were swimming. . . . She aimed a curse over her shoulder. The tank rose into the air and tipped. Harry was deluged in the foul-smelling potion within. The brains slipped and slid over him and began spinning their long, colored tentacles, but he shouted, “Wingardium Leviosa!” and they flew into the air away from him. Slipping and sliding he ran on toward the door.

(Order of the Phoenix, page 809)

Okay, so can we talk about this Levitation Charm? Please?

Like, get this, he uses Wingardium Leviosa, like a shield charm that sends multiple magical projectiles away from him. This isn't how this charm works, but it is if you're Harry Potter. (again, this is that intention use I mentioned)

The point is, that Harry is magically powerful enough to bend the way spells are meant to work to fit his will and situation.

And when Voldemort possesses him at the end of the fight in Order of the Phoenix:

He was gone from the hall, he was locked in the coils of a creature with red eyes, so tightly bound that Harry did not know where his body ended and the creature’s began. They were fused together, bound by pain, and there was no escape — And when the creature spoke, it used Harry’s mouth, so that in his agony he felt his jaw move. . . . “Kill me now, Dumbledore. . . .” Blinded and dying, every part of him screaming for release, Harry felt the creature use him again. . . . “If death is nothing, Dumbledore, kill the boy. . . .” Let the pain stop, thought Harry. Let him kill us. . . . End it, Dumbledore. . . . Death is nothing compared to this. . . . And I’ll see Sirius again. . . . And as Harry’s heart filled with emotion, the creature’s coils loosened, the pain was gone, Harry was lying facedown on the floor, his glasses gone, shivering as though he lay upon ice, not wood. . . .

(Order of the Phoenix, page 816)

Harry kicks Voldemort out.

As I mentioned, I have a a whole theory I'm drafting about magical theory and how magic works in the Wizarding World, but emotion as Harry describes in this scene is part of it. Emotion drives childhood accidental magic. Emotion is required to cast the Patronus charm and any of the unforgivable. Because of how emotion is tied to magic in this world, this instance is Harry's magic kicking Voldemort in his full power out of his mind.

Which is an impressive feat of magic.

Advanced Charmwork

“Oh — yeah —” said Harry, quickly forcing his thoughts back to that first broom ride. “Expecto patrono — no, patronum — sorry — expecto patronum, expecto patronum —” Something whooshed suddenly out of the end of his wand; it looked like a wisp of silvery gas. “Did you see that?” said Harry excitedly. “Something happened!”

(Prisoner of Azkaban, page 238)

This is the first time Harry cast a Patronus Charm. On his very first try of this complex charm, most adult wizards fail at — he succeeds. It isn't a perfect casting. His happy memory isn't happy enough, but the problem isn't Harry's skill.

The fact he succeeded in casting it at all with how crap his life has been up to this point is a testament to his magical talent.

Hatred rose in Harry such as he had never known before. He flung himself out from behind the fountain and bellowed “Crucio!” Bellatrix screamed. The spell had knocked her off her feet, but she did not writhe and shriek with pain as Neville had — she was already on her feet again, breathless, no longer laughing.

(Order of the Phoenix, page 810)

Harry, at age fifteen, casts the Cruciatus Curse for the first time. An advanced piece of dark magic that is tricky to cast. Sure, it wasn't the best cast Crucio, but it did work.

It did land.

It worked enough for Bellatrix to stop laughing and start taking Harry seriously.

Harry raised the hawthorn wand beneath the cloak, pointed it at the old goblin, and whispered, for the first time in his life, “Imperio!” A curious sensation shot down Harry’s arm, a feeling of tingling, warmth that seemed to flow from his mind, down the sinews and veins connecting him to the wand and the curse it had just cast.

(Deathly Hollows, page 452)

Like with the Cruciatus Curse, Harry succeeds in the Imperius curse on his first try (and the second try that happens immediately after). In general, Harry learns to cast most spells (even the advanced ones) incredibly quickly — like, on his first try. That's insane!

As Amycus spun around, Harry shouted, “Crucio!” The Death Eater was lifted off his feet. He writhed through the air like a drowning man, thrashing and howling in pain, and then, with a crunch and a shattering of glass, he smashed into the front of a bookcase and crumpled, insensible, to the floor. “I see what Bellatrix meant,” said Harry, the blood thundering through his brain, “you need to really mean it.”

(Deathly Hollows, page 502)

And he gets better over time, both with the Cruciatus Curse, as we see here and his fully corporeal Patronus which is considered an unbelievable feat for a fifteen-year-old:

“Your Patronus had a clearly defined form? I mean to say, it was more than vapor or smoke?” “Yes,” said Harry, feeling both impatient and slightly desperate, “it’s a stag, it’s always a stag.” “Always?” boomed Madam Bones. “You have produced a Patronus before now?” “Yes,” said Harry, “I’ve been doing it for over a year —” “And you are fifteen years old?” “Yes, and —” “You learned this at school?” “Yes, Professor Lupin taught me in my third year, because of the —” “Impressive,” said Madam Bones, staring down at him, “a true Patronus at that age . . . very impressive indeed.”

(Order of the Phoenix, page 141)

I agree Madam Bones, Harry is impressive and is Voldemort's equal magically. Harry isn't just Expelliarmos. he's clever and talented and very magically capable with every spell he tries his hand in.

tom riddle is a yapper. he loves his monologues and dramatics.

draco malfoy is a yapper. he, too, loves the sound of his voice and dramatics.

ron weasley has no qualms about being loud and seen. he grew up in a large household, fighting to be heard over his siblings.

harry potter grew up in a cupboard, friendless except for the spiders, and learned to subdue and suppress and submit at the dursleys. he isn’t loud, he isn’t boisterous, he isn’t talkative, he doesn’t like socialising, he keeps his opinions in his head and his feelings buried inside, he has very few close friends, he doesn’t reveal his worries and struggles easily, he dislikes showing his pain and weakness, and he sure doesn’t give up his secrets and personal details freely, sometimes not even to ron and hermione.

this is what canon harry’s like—very quiet and an introvert, someone who speaks when spoken to or has cause to broadcast his voice, and someone who’d rather blend into the walls than draw unnecessary attention to himself.

here’s your not so gentle reminder harry’s not piteously pathetic at potions. here’s a refresher:

fifth year, he sat for his owls and scored an exceeds expectations. not an acceptable, or poor, or dreadful, or troll (an ee in owls most probably equals a >75 in gsce o’s during the 90s)

he didn’t duplicate hermione, shrink her, and sneak her into the exam hall to pluck answers off her brain. he didn’t scribble a cheat sheet a la fa mulan on his arm

fifth year he has yet to clap eyes on the half-blood prince’s notes

as always, he didn’t feel confident about his answers/abilities, but he bloody exceeded expectations

he got into newts potions, a class of only twelve students

so harry got an ee, ron got an ee, maybe everyone else got an oustanding. or maybe only half a dozen got outstanding, and the rest exceeds expectations.

it still means the entirety of hufflepuff sixth years aren’t promising potioneers except ernie macmillan. poor boy probably tutors the others in the common room. all of the slytherin sixth years, excluding four, are absolutely worse off than harry and ron at potions. ravenclaw sixth years are shamefully inadequate at potions too, aside from four students.

harry’s not a marvel at potions. he doesn’t enjoy potions. but he’s good at potions, he’s capable enough. he isn’t blowing up cauldrons every month, that’s seamus. he can differentiate the ingredients. he knows how to cut, dice, chop, and stir. the spirit of sixteen year old severus snape didn’t possess him via the pages to help him brew his elixirs and essences in slughorn’s class. harry deciphered snape’s spidery, crammed annotations and executed them perfectly.

i’m bloody tired of these rancid ‘harry sucks so bad at potions except when he’s got the prince or hermione’s help’ takes.

Canon Sirius through quotes

Part 2. Intelligence and recklessness. Sirius Black (and James Potter, with a bit of Remus and Peter too)

Or who is the smartest of the Marauders?

Sirius and James are described multiple times as exceptionally intelligent. They didn’t need help from Remus or Lily to pass their exams. James didn’t envy Sirius for being ahead academically, and Sirius didn’t ask Remus for help. They could handle everything on their own.

For example, McGonagall rarely gives praise without good reason. Here are her words about James (often unfairly depicted as less intelligent than Sirius or Remus) and Sirius:

‘Precisely,’ said Professor McGonagall. ‘Black and Potter. Ringleaders of their little gang. Both very bright, of course – exceptionally bright, in fact – but I don’t think we’ve ever had such a pair of troublemakers –’

Being "exceptionally bright" is an extremely high praise for intellectual ability from McGonagall.

As for Peter, she speaks rather average of him:

‘Pettigrew... that fat little boy who was always tagging around after them at Hogwarts?’ said Madam Rosmerta. ‘Hero-worshipped Black and Potter,’ said Professor McGonagall. ‘Never quite in their league, talent-wise. I was often rather sharp with him. You can imagine how I – how I regret that now...’ She sounded as though she had a sudden head cold.

Moreover, Peter "was always hopeless at duelling," according to McGonagall. This means that over 7 years, Peter failed to impress McGonagall with his academic achievements. As the head of his house, she was aware of all his grades. Perhaps he was just an average student, but then it's unclear why McGonagall was "often rather sharp with him." She doesn't seem like the type to be sharp over trivial matters.

Slughorn:

‘Well, anyway, he (Sirius) was a big pal of your father’s at school. The whole Black family had been in my house, but Sirius ended up in Gryffindor! Shame – he was a talented boy. I got his brother Regulus when he came along, but I’d have liked the set.’

While Lupin’s words might be biased, he often speaks quite judiciously about people around him, thus:

"Look, Harry, what you’ve got to understand is that your father and Sirius were the best in the school at whatever they did – everyone thought they were the height of cool – if they sometimes got a bit carried away –"

He confirms that Sirius and James were the best at everything in school. Meaning academically first of all, because school is primarily about studying.

"It took them the best part of three years to work out how to do it. Your father and Sirius here were the cleverest students in the school, and lucky they were, because the Animagus transformation can go horribly wrong – one reason the Ministry keeps a close watch on those attempting to do it."

And a bit more praise from Lupin towards Sirius and James' giftedness. They were both gifted – Sirius and James.

Even Dumbledore acknowledges:

‘Sirius told me all about how they became Animagi last night,’ said Dumbledore, smiling. ‘An extraordinary achievement – not least, keeping it quiet from me.’

So, not only did they become Animagi (Peter wasn’t much help, according to Lupin), created the Marauder's Map, which contained very unusual magic (they, of course, all created the Map together, but based on the description above, I can assume that the main magical component of the map was the responsibility of James and Sirius), excelled in their studies, created a magical FaceTime – an artefact for communication among themselves, they also managed to keep a lot from the school's headmaster and other teachers. Intelligence plus cunning.

Sirius and James' reaction to others' "stupidity":

‘How thick are you, Wormtail?’ said James impatiently. ‘You run round with a werewolf once a month –’ 

‘Keep your voice down,’ implored Lupin. 

‘Well, I thought that paper was a piece of cake,’ he heard Sirius say. ‘I’ll be surprised if I don’t get “Outstanding” on it at least.’ 

‘Me too,’ said James.

Here, I don’t want to dwell on their rudeness, but rather on the reaction itself. Often Lupin is seen studying more than anyone (I too like to see him buried in books), but perhaps Lupin simply needed to study more to pass his exams. He buried himself in textbooks not because he was the smartest, but because it was necessary for him. Remus is clearly not dumb; he became a professor at Hogwarts, he’s also described as intelligent in the canon, but things came much easier to James and Sirius, and they were well aware of how smart they were. Hence their reaction. When a teenager is confident in their superiority, and their intellect is often validated by external factors (grades, teachers' praise), such a reaction from James and Sirius, considering their personalities, is quite expected for their still maturing characters.

‘We’ve still got Transfiguration, if you’re bored you could test me. Here...’ and he (Lupin) held out his book.

But Sirius snorted. ‘I don’t need to look at that rubbish, I know it all.’

Sirius' reaction is unequivocal. He doesn’t need to read anything like Lupin, memorising paragraphs. To him, it’s all "rubbish" that he already knows. Sirius likely had a very good long-term memory.

Sirius' memory and attention to detail even after 12 years in Azkaban are also quite remarkable.

"Congratulations on getting past the Horntail, whoever put your name in that Goblet shouldn’t be feeling too happy right now! I was going to suggest a Conjunctivitis curse, as a dragon’s eyes are its weakest point –"

‘That’s what Krum did!’ Hermione whispered.

Clearly, during his 12 years in Azkaban, he didn’t need this knowledge. It’s unlikely he ever used this knowledge in practice. But he remembered it, ready to mention it right away, not having peeked in any books. Even Hermione didn’t know.

‘My God,’ said Lupin softly, staring from Scabbers to the picture in the paper and back again.

‘His front paw...’

‘What about it?’ said Ron defiantly.

‘He’s got a toe missing,’ said Black.

And this is about his attentiveness. To notice that a rat is missing a toe from a small photograph while sitting in Azkaban… I wouldn’t have noticed even without Azkaban.

As for adult Sirius, the fourth book shows many of Sirius' reasonable assumptions that eventually are confirmed. What people mistake for stupidity is his recklessness, as well as his willingness to die for those he loves, to protect them at any cost. His recklessness is usually related to this.

‘The Ministry’s forced through another decree, which means we’re not allowed to have Quidditch teams –’

‘Or secret Defence Against the Dark Arts groups?’ said Sirius. There was a short pause.

‘How did you know about that?’ Harry demanded.

‘You want to choose your meeting places more carefully,’ said Sirius, grinning even more broadly.

‘The Hog’s Head, I ask you.’

‘Well, it was better than the Three Broomsticks!’ said Hermione defensively. ‘That’s always packed with people –’

‘Which means you’d have been harder to overhear,’ said Sirius. ‘You’ve got a lot to learn, Hermione.’

Hermione is very smart, but Sirius immediately explains their tactical mistake. But it still sounds somewhat condescending.

‘But, Sirius, this is taking an awful risk –’ Hermione began.

‘You sound like Molly,’ said Sirius. ‘This was the only way I could come up with answering Harry’s letter without resorting to a code – and codes are breakable.’

It might seem reckless, but he's right, codes can be cracked. And he really wanted to reply to his godson – it's more about his inability to refuse the only living person he loves now and his desire to protect him.

Sirius repeatedly makes correct deductions in the fourth book, here are a couple of examples, but generally, the fourth book is full of rational remarks, assumptions, and overall, he's ready to provide Harry with information, especially in the fifth book, when Harry is having the toughest time and most people simply refuse to tell him anything.

‘Yeah, and Dumbledore said it happened whenever Voldemort was feeling a powerful emotion,’ said Harry, ignoring, as usual, Ron and Hermione’s winces. ‘So maybe he was just, I dunno, really angry or something the night I had that detention.’

‘Well, now he’s back it’s bound to hurt more often,’ said Sirius.

‘So you don’t think it had anything to do with Umbridge touching me when I was in detention with her?’ Harry asked.

‘I doubt it,’ said Sirius. ‘I know her by reputation and I’m sure she’s no Death Eater –’

‘Now, I’ve been keeping an eye on the Daily Prophet, Harry –’

‘You and the rest of the world,’ said Harry bitterly.

‘– and, reading between the lines of that Skeeter woman’s article last month, Moody was attacked the night before he started at Hogwarts. Yes, I know she says it was another false alarm,’ Sirius said hastily, seeing Harry about to speak, ‘but I don’t think so, somehow. I think someone tried to stop him getting to Hogwarts. I think someone knew their job would be a lot more difficult with him around. And no one’s going to look into it too closely, Mad-Eye’s heard intruders a bit too often. But that doesn’t mean he can’t still spot the real thing. Moody was the best Auror the Ministry ever had.’

And much more.

For Harry in the fourth and fifth books, Sirius became the one who supported him and provided information, and all his attempts to break through to Harry, risking being caught – this is an expression of love and desire to help his godson. It's precisely in such moments that his recklessness is revealed – when he wants to help.

Moreover Sirius often gives Harry good advice, there is just one example:

‘Don’t lose your temper,’ said Sirius abruptly. ‘Be polite and stick to the facts.’

‘Good luck,’ said Lupin.

‘I’m sure it will be fine.’ ‘And if it’s not,’ said Sirius grimly, ‘I’ll see to Amelia Bones for you...’

Here's the interweaving of Sirius' rationality and recklessness. He knows the right way. But he himself is ready to throw himself into the line of fire. He never gave Harry impulsive advice. But when it comes to himself or when someone needs protecting, Sirius has a different standard of normalcy.

In conclusion, throughout the series, Sirius makes a number of insightful remarks, and his intelligence and giftedness are exceptionally highly regarded by Dumbledore, McGonagall, and Lupin. I wouldn’t attribute his pathological desire to help those he loves to stupidity. Furthermore, adult Sirius shows recklessness mainly when it concerns his own safety and life — he doesn't cherish his own life if it means the well-being of someone he loves, thus he readily throws himself into danger.

Sirius was a brave, clever and energetic man, and such men are not usually content to sit at home in hiding while they believe others to be in danger. (Dumbledore)

The image of ariana accusing albus of dragging another child to martyrdom is delightfully haunting. The apparitions from the stone are stranger and somehow more ghastly than ghosts; ghosts make a choice, often a shortsighted one, by which they are forever tormented. Btu they mind their own business. The stone was touched by death's own hand -- the stone's apparitions are meant to be a phantom of the dead person's actual soul, but here we have a child accusing her brother who's lived past a hundred. Is it just albus' guilt he is projecting onto the apparition or has ariana actually absorbed some of it for herself, being tethered to this world as an unwilling part of albus' plotting once again?

Something just occured to me!

So we see Dumbledore wearing the Gaunt ring all throughout HBP, right. And we know he put it on and got his hand all burnt because he was desperate to use the stone to see his sister and mother again.

So like, all throughout HBP, was Dumbledore just casually seeing his dead sister and mother all the time. He had the stone. He wore the ring, even after it wasn't a Horcrux anymore. Which if anything was a more dangerous move than just putting it away somewhere as Voldemort could've seen it in the memories of anyone's mind he read who had come into contact with Dumbledore and seen him wear the ring. So there's literally no reason to wear it unless he's still using the stone to see his mum and sister.

But also! The whole thing about the stone is that it calls you to your own death, right? And Dumbledore knows he's dying and that he doesn't have long left. So I just imagine every single interaction he has with Harry, Ariana is just standing at Harry's shoulder, staring at Dumbledore with big eyes, because here's another child that's going to be sacrificed by his actions.

And maybe when he drinks the drink of despair, that's who he's apologising to. Not the visions of the past, but the wraiths in the present, standing grey and ghostly by him as he pleads with them to understand that he's doing what needs to be done, even as Harry is nearly killed by the teeming dead in the cave.

"this female character is underdeveloped" TO YOU. I can read subtext and I know all about her backstory and her rich inner life. also she told me personally

Arguing that James Potter’s death meant nothing is such a fundamental misunderstanding of the narrative that it makes me wonder if people have even read the books.

This is a man who ran headfirst toward his death in a desperate attempt to give his wife and son a chance to escape. A selfless, brave act of love that stands in contrast with Voldemort's personal war against death and Snape's desperate plea to bargain for the life of Lily while not caring if her husband or child dies.

James isn’t just a character who dies early, off-page, before the main character is introduced—he becomes a specter who haunts the entire story.

James’s absence profoundly shapes Harry’s journey as he struggles to define himself. His sense of masculinity and self-worth is deeply tied to the father he never knew but constantly strives to emulate. Sirius and Remus, broken by their shared loss, are mere shadows of their former selves, their lives forever marked by James’s death. Even Voldemort acknowledges James with a twisted form of respect when he taunts Harry in the graveyard.

To say James’s death means nothing disregards the emotional heart of the series. Harry’s story is fundamentally about grief—his desperate longing to connect with the family stolen from him, and his eventual journey toward acceptance. It’s about learning to live fully in the face of loss, choosing life over despair, and understanding death not as an enemy but as an inevitable companion.

James’s death isn’t meaningless—it’s pivotal. It echoes throughout the series.

James’s death means everything.

ah well, people can be a bit stupid about their pets.

- hagrid

221115 RM’s Instagram Stories

Image 1 Translation:

Things I know Kang Ik-joong

The sky is light green just before a storm When I am lost coming out of the subway, I should go the opposite way of where I think I should go The best smell is the smell of a pencil board you just bought at a stationary store in front of the school The compliments you hear at a young age stay with you for a long time The ratio of garlic chives to pork when making dumplings is two to one No matter how much of a rush you’re in, you should not run in front of someone who is physically unwell Stars in the night sky are not Christmas decorations Stage fright occurs when I try to show a greater side of myself You do not hear farts on an airplane Rich people are good at straightening out their cash Good ideas come out of morning showers People who are impatient always get the bill first  Anything under the sky is psychology Opportunities come around again There aren’t a lot of things that you really need

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Image 2 Translation: It will come true  Kang Ik-joong

It comes true when you draw it in your heart It will come true when you draw it on a paper It comes true when you are full  It will come true when you share it first  It comes true when you are diligent  It will come true when you are relaxed from time to time  It comes true when the water in your heart is calm  It will come true when the you see yourself in that water  Above all, it will come true when you love  Even if it’s a nameless wild flower Even if it’s a wind that passes by Also It will come true when you look at the moon

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