I Love This Bit Sm In Deathly Hallows Bc They Were All So Sad And Yk Scared That Seeing Hermione Being

The image of ariana accusing albus of dragging another child to martyrdom is delightfully haunting. The apparitions from the stone are stranger and somehow more ghastly than ghosts; ghosts make a choice, often a shortsighted one, by which they are forever tormented. Btu they mind their own business. The stone was touched by death's own hand -- the stone's apparitions are meant to be a phantom of the dead person's actual soul, but here we have a child accusing her brother who's lived past a hundred. Is it just albus' guilt he is projecting onto the apparition or has ariana actually absorbed some of it for herself, being tethered to this world as an unwilling part of albus' plotting once again?

Something just occured to me!

So we see Dumbledore wearing the Gaunt ring all throughout HBP, right. And we know he put it on and got his hand all burnt because he was desperate to use the stone to see his sister and mother again.

So like, all throughout HBP, was Dumbledore just casually seeing his dead sister and mother all the time. He had the stone. He wore the ring, even after it wasn't a Horcrux anymore. Which if anything was a more dangerous move than just putting it away somewhere as Voldemort could've seen it in the memories of anyone's mind he read who had come into contact with Dumbledore and seen him wear the ring. So there's literally no reason to wear it unless he's still using the stone to see his mum and sister.

But also! The whole thing about the stone is that it calls you to your own death, right? And Dumbledore knows he's dying and that he doesn't have long left. So I just imagine every single interaction he has with Harry, Ariana is just standing at Harry's shoulder, staring at Dumbledore with big eyes, because here's another child that's going to be sacrificed by his actions.

And maybe when he drinks the drink of despair, that's who he's apologising to. Not the visions of the past, but the wraiths in the present, standing grey and ghostly by him as he pleads with them to understand that he's doing what needs to be done, even as Harry is nearly killed by the teeming dead in the cave.

Secrets of the Darkest Art: How to Make a Horcrux

So I saw many theories regarding how to make a Horcrux, but none of them really made perfect sense to me, so I decided to give it a crack myself as part of my mission to understand Lord Voldemort/Tom Marvolo Riddle (Which I think I did, big post coming about that at some point, this is but another piece of that puzzle of a man)

So this is my reverse engineering of a ritual to create Horcruxes based on book evidence, my knowledge of real-world alchemy, real-world ancient Greek cults and rituals and linguistic analysis.

How to reverse engineering a dark magical ritual:

The first thing, is to define what we knew fore certain:

The name: "Horcrux"

The creator is an Ancient Greek wizard named Harpo the Foul.

A death is required in the making.

A Horcrux holds a piece of the casters soul that anchors them to life so they won't die.

I'll actually start with the third point.

How to split a soul?

Both Dumbledore and Slughorn mention a death being required to tear your soul to make a Horcrux, and that never really sat right with me. It magically doesn't make sense and even the canon examples we have for Horcrux murders make this statment iffy.

We have seven examples of murders used to create Horcruxs (thanks to one Tom Riddle being dramatic):

The Diary - Myrtle Warren - killed by a basilisk. Sure, Tom freed the Basilisk, but it hardly seemed targeted at Myrtle specifically and you can argue he didn't actually kill her (more a manslaughter by negligence). He didn't cast the spell, so how come this tore his soul?

The Ring - his father (Tom Riddle Sr) - Avada Kadevra.

The Cup - Hepzibah Smith - she was poisoned by her house elf. Sure, the elf was under the imperious, but it wasn't a first-degree murder, and like with the Basilisk I find it hard to consider this the same as casting a killing curse. Magically those are very different things.

The Locket - Muggle Tramp - Avada Kadevra

The Diadem - Albanian Peasant - Avada Kadevra

Harry Potter - himself - backfired Avada Kadevra

Nagini - Bertha Jorkins - Avada Kadevra

Now, I used the term "magically different" or "magically make sense" what do I mean by that?

Well, besides the fact I'm going to make a full post about how I see magical theory in the Harry Potter Wizarding World, I'll say it takes a lot after occult philosophies from Alchemy that are very old, Slughorn mentions as much in book 6 and there are a few other references to it. I'm just gonna cover the basics required for this theory.

In Alchemy, everything (people, animals, plants and rocks) are built of three base components:

The Salt - the body - the physical form.

The Sulfur - the soul - the self that holds the divine flame.

The Murcury - the spirit - the life essence that binds the salt and sulfer together.

Now, in Alchemy, the main study is in purifying and combining these different aspects of material. Let's look at a herb, for an example:

If we want to retrieve its salt, we'll dry the herb completely using fire to leave behind a fine light grey ash that represents only the physical form.

If we wanted its mercury we'd distill all liquids from it until we get a purified, clear liquid which in the case of plants would be alcohol (it's why alcohol is referred to as "spirit").

And if we wanted its soul, we would take the remains from the distillation and drying process which would be a kind of oil.

(it can get more complicated with different materials, but this isn't a post about Alchemy)

Now, back to Horcruxs.

So, if we would want to split a soul, Alchemecly, how do we go about it?

Well, we don't. Not really. See a soul can't really be split, as every part of it, every bit of that oil from our random herb represents the entire soul. It's why something like a Horcrux could theoretically work in giving a full life to the diary the way we see in Chamber of Secrets.

Additionally, to work with any material in Alchemy, you are required to purify it first. It means that to get a piece of soul to bind to a diary, you need a pure soul.

Killing someone else won't sever your own soul from the spirit and the body, it's not how this works. Killing someone severs their spirit and therefore splits their body, spirit, and soul. Besides, an Ancient Greek man, like Herpo was, would hardly consider murder as vile as we do today. It wouldn't even cross his mind that any murder (even an indirect one) could harm one's own soul.

No, the only way to "split" a soul is to first sever it from life, disconnecting the bond between soul and body. Essentially, the only way to promise you immortality is to kill yourself.

I know it sounds a little confusing, but, essentially, once the soul is severed from the spirit and body you can split it. Think of the herbal oil, once you have the oil, separate from the rest of the plant parts, you can combine it with new ingredients. You can only work on a specific aspect once you severed it from the other two and as what binds all three together is spirit — life — the only way to do it for a human soul — is death.

But really, how?

Well, here comes the second thing we know about making Horcruxs — that dear Herpo was Ancient Greek.

In Ancient Greece they had multiple different religious cults, some of which were Chthonic cults. Cults that dedicated themselves to death or ditties and heroes associated with death and more importantly — rebirth.

Many of these cults were dedicated to figures like Orpheous, Dyonysus, Persephone, characters in mythology who are known for going through the underworld — through death — and coming back out. These cults were very secretive and not much is known about their practices, but some is.

What is known is that they had rituals were they reenacted a death and then rebirth (usually drinking wine — a water if life, was the representation of rebirth).

This created a very clear idea in my head — to split a soul, you'll have to ritualisticlly, magically kill yourself, severe a peice of your soul and then revive yourself with a water of life — a potion.

This potion is never mentioned, but I believe it exists due to these Chthonic cult rituals and how they were structured. Not only that, but the Greek underworld did have a river known for being incredibly painful to drink, literally made of fire, but being able to bring the dead back - The Phlegethon River.

Note: Lethe River Water (the river in the Greek Underworld that makes the drinker forget) is a canon ingredient in a Forgetfulness Potion.

So what is the dead body for?

Well, congratulations, you killed yourself to retrieve a sliver of your soul and revived yourself so you won't stay dead. You found an item you can keep secure to tie that sliver of soul, too. Now, how would you bind then? After all, the only thing meant to bind a human soul to a body is a human spirit - a human life... you get where I'm going with this.

This is why Tom didn't have to be the one to do the deed. As long as he had a recently deceased corpse to harvest the life from to use to bind his newly split soul and the item of his choice.

It explains why nothing was missing from the bodies. Myrtle and the Riddles were investigated by the Ministry of Magic. One would assume the aurors would've noticed if any corpse was missing a hand due to the killer eating it (as other Horcrux theories suggest).

Not only was nothing missing from the body, the soul was intact. Myrtle became a ghost after death, a ghost is quite literally, just the soul, no body, no spirit.

So the only thing that was taken from Tom's victims was their life, quite literally at that.

Is that all? Can we make a Horcrux now?

Not really. See, when analyzing spells in Harry Potter is their name.

Avada Kadevra - is a reference to an Aramaic healing spell "Abracadabra" pronounced in Aramaic as: "Avra Kadebra" and meaning "I will create as commanded". Merged with the Latin word "cadaver" meaning "corpse" to create -> "I will create dead bodies as commanded"

Or Wingardium Laviosa - is a cross of the English word "wing", the Latin word "arduus" (meaning "high, tall, lofty, steep, proudly elevated"), or "arduum" (meaning "steep place, the steep" and the Latin word "levo" (meaning to "raise, lift up"). So together the spell means -> "lift high up".

So, it's pretty clear spells, their names and incantations are very self-explanatory. So a Horcrux should be no different.

I've seen some attempts at translating the name Horcrux. Unfortunately, these attempts treated the name as Latin, modern Greek, or Old English. Herpo, was Ancient Greek, though, so I went and translated a few possible meanings from Ancient Greek (Classical Greek and Homeric Greek are what I looked at):

ὅρκος (orkus, pronounced "hor-kus") - an oath, the object by which one swears, bound by oath (still used in modern Greek).

κρόκες (crukes, pronounced "cru-kes") - saffron-colored (blood red in Greek), crocus flower. The crocus flower symbolizes both death (the saffron that is the spice) and rebirth (the golden crocus which brings renewal and joy) because Demeter wears them when Persephone returns from the underworld in myth.

So what we have is a spell called "binding oath of death and rebirth" which all around sounds fitting.

There might also be a "made in blood" tucked at the end due to the association of κρόκες with the color of blood.

But what does it matter?

Well, somewhat. As now with this name, I expect the binding between the spirit from the victim, the split soul, and the item would be done in a sort of oath - an orkus.

The association with blood gives us another hint. Blood is the part of the human body most representative of life. Therefore, in Alchemy, your blood is your spirit. So it'll make sense that your own blood would be used in the binding process or more correctly in the process of turning another person's spirit into your own. Making the thread to bind the body (item) and the soul piece your own. As it also refers to just a red firey color, it can indicate the Phlagatton potion I hypothesize should be part of the ritual due to how Chthonic rituals usually went, as the Phlagaton river is made of fire.

So we have a general idea on how to make a Horcrux. You need an item of your choice to bind your soul to. You need a life (spirit) harvested from a human that you transformed into being your own using your blood. And you need a piece of your own soul, which you get by killing yourself and then reviving yourself. And you finish it off by binding it all together with an oath.

But how could you make one accidentally?

So, everyone knows Voldemort succeeded in somehow making a Horcrux accidentally, something a lot of theories I saw don't account for. Becouse whatever process you need to go to to make a Horcrux, Voldemort went through all of it the night he died the first time and marked Harry.

All the steps for my method of making a Horcrux were met that night.

The item in qustion is baby Harry, nothing interesting there.

The soul sliver was split the way it always is — through death. Voldemort dies, killed by his own killing curse and that is what splits his soul.

The life or spirit that then binds his soul to Harry isn't Lily's spirit or James'; it's his own spirit that acts as a binder between Harry and Voldemort’s split soul. Because the spirit was already his, there was no need to transform it by blood.

Step-by-step guide to making Horcruxes:

I'm not going to actually give the full step-by-step least a budging dark lord is looking for this information. I do have notes about exact incantations and even the full recipe and instructions for the Phlagaton potion I'm going to mention. These instructions won't be here since they are more in the realm of speculation and headcanon. This is just the overview of the ritual based on canon information and the occult philosophy I mentioned above.

Step 1 - Life and Blood

Get access to a recently deceased human and extract their Mercury (Spirit or Life Essence).

Submerge the retrieved life essence with your own blood on a new moon (life and vitality). (7 drops of blood will probably do)

Step 2 - Water of Fire

To complete the cycle of death and rebirth you’ll need the Phlegeton Water potion to return you to life at the end of the cycle.

As you brew the potion, it must be brewed in a dark room, preferably underground to remind as much of the underworld as possible.

While brewing the potion one must be in the mindset of the Phlegeton, must be willing to go through agony to achieve eternal life and imbue these thoughts in their potion. (In alchemy, when working, it is believed you imbue your work with your thoughts during the Alchemical process. As an Alchemical process affects both the material being worked and the Alchemist themselves)

Likley Ingrediants:

Saffron spice

Golden crocus flower juice

Pomegranate juice

Step 3 - The Ritual Preparation

Set up your space so none of the components may escape the ritual space and so the ritual will not be interfered with.

Make sure the spirit you retrieved is within reach.

Make sure the item you desire will hold the Horcrux will be within reach as well.

Coax the spirit into the item and prepare it to tie your soul to the next step.

Step 4 - Death and Rebirth

To create a thread of your soul to tie to the ritual, you must die figuratively. Go through death to return stronger from the underworld.

Once you feel like death has reached you and your soul is separated you should heal your soul and finish the cycle, bringing you out of death and back to life by drinking the Phlegeton potion.

After the pain subsides you will feel healthier than before, stronger than before, and you’ll have an additional thread of sulfur (soul) in your chest to be pulled out and placed into the Horcrux.

The split-off soul should, on its own, try to search for life and a body to be bound to. If it doesn't, coax it out yourself and bind it to the Horcrux with the spirit you made in step 1.

Step 5 - Oath of Life

The connection between the body (the item), soul, and spirit is still unstable, if most likely strong enough to hold.

Swear the oath of life to finalise the bound between you, the Horcrux, and the soul thread together to ward off death.

I'll end with this note I made regarding Horcruxes when I started working on this theory:

I don't know what all goes into the process of making a Horcrux but I don't believe a person who truly likes themselves and doesn't want to inflict pain on themselves could make a Horcrux. Tearing up your soul is an act of arrogance above nature, sure, thinking you deserve to change the laws of the world and be the exception is part of it, but it's also an act of self-hatred. You need to hate yourself enough to be willing to kill yourself, hurt yourself, and tear yourself up in the most unnatural ways — hence why so few can do so, let alone more than once.

And Tom Riddle does seem to have that exact mix of arrogance, spite, and low self-esteem that would allow it.

I think Remus was a tiny bit inlove with Lily.

It was safer for him to have cruches on unavailable ppl. That's why he was so surprised when Tonks fell in love with him and was able to reciprocate his feelings. In his mind, she was too young, free and vivacious to notice him.

(I'm not a wolfstar believer in Canon)

Ooh I think it is totally in character for him to pick safe crushes he never thought would like him back

What a shame Tonks actually reciprocated lol

thinking about how in gof, sirius says “ever since i found out snape was teaching here, i’ve wondered why dumbledore hired him” and goes onto explain how snape was famous for the dark arts at school and part of a slytherin gang that all turned out to be death eaters (who we later find out were attacking students with dark magic). so he’s one of the only people to immediately be like “why the fuck is dumbledore letting snape teach children”. then says that as far he knows snape was never even accused of being a death eater but many of them were never caught. but when ron keeps insisting that snape must be a death eater, sirius disagrees and reasons it out, because he doesn’t think it makes sense based on the facts, and also because: “there’s still the fact that dumbledore trusts snape, and i know dumbledore trusts where a lot of other people wouldn’t, but i just can’t see him letting snape teach at hogwarts if he’d ever worked for voldemort.” (so even while questioning dumbles, sirius clearly still has way too much faith in him. which makes everything in ootp extra infuriating). anyways, sirius was willing to give snape the benefit of the doubt on being a death eater, like, he’s perfectly capable of being rational about snape and not jumping to conclusions despite his hatred of him!

and then at the end of gof he finds out that snape WAS in fact a death eater, and sirius has no proof or reason to believe that snape has actually changed, all he has to work off of is that Dumbledore Trusts Snape, even though all sirius knows is that snape literally tried to hand him (and remus) to the fucking dementors and outed remus, and witnessed snape going unhinged at his godson and two other teenagers in the same scene.

and now he has to work alongside snape knowing that he apparently paid no consequences for his death eater past, wasn’t even so much as accused of being one (not unlike lucius malfoy and karkaroff and the others who did deals with the ministry and clearly haven’t changed their ways, who sirius shows bitterness towards in gof) while sirius was branded as one by the ministry and the whole wizarding world and unjustly imprisoned for it for 12 years without even getting a trial.

and snape is constantly taunting him about the fact that he can’t leave the house and help the order because of the world STILL thinking that sirius is a death eater and murderer because of that very same unjust imprisonment that the fascist hate group snape joined directly fucking caused, and snape the actual former death eater is able to do these things and live freely because he got away with it all. and he might complain about it but sirius still puts up with all of that for months along with all the other shit he has to deal with in ootp.

then he’s told that snape has to teach harry occlumency, and makes sure to sit with harry rather than letting snape talk to him alone, and is apparently the ONLY one to question this clearly terrible stupid ass decision and ask why dumbledore can’t teach him instead. yeah sirius starts off with a petty comment or two but harry even looks to sirius to intervene on his behalf, and sirius does. sirius calmly and firmly warns snape not to use occlumency lessons to give harry a hard time, to which snape responds by insulting not only his fifteen year old godson but his dead best friend, that voldemort, who snape WORKED FOR, literally murdered, to sirius’s face. OF COURSE SIRIUS IS GONNA LOSE IT. ANYONE WOULD. and the first thing sirius says is “i don’t care if dumbledore thinks you’ve reformed, i know better” and refers to snape being lucius malfoy’s lapdog bc he knows they were fellow death eater buddies at hogwarts and during the war, like wow i wonder why sirius would have doubts about snape’s loyalties, especially after what he just said??!? this is not an example of sirius’s supposed ~crazy uncontrollable temper~, any normal person would want to throw down at something like that, personally i think sirius showed an impressive amount of self control for managing to wait that long to try to hex snape. AND he makes sure to give harry the mirrors specifically so harry can contact him if snape treats him badly, because that’s all sirius can do at that point when he’s powerless and his input is being completely ignored.

anyways it’s truly a tragedy that sirius never even got to find out that snape was the death eater who told voldemort about the prophecy, i think sirius deserved to know and go completely unhinged at snape!!! as was his right!!!!!

By popular demand (😂) Best Trope Ever rec list is back for Part 2: “Jily from Snape’s POV” *everybody cheered*! (See Part 1 here)

change the prophecy by ninazenikcult

Severus overhears an intimate conversation between Lily and James at the end of Seventh Year that confirms his worst fear; that he has lost Lily Evans forever.

Eavesdropping by @sofargoneao3

Severus watches as Lily falls for James.

Slipping Away by @yallthemwitches

Snape didn't think his life could get much worse---until Lily was falling in love with James Potter right before his eyes. A compilation of 3 particular moments between 6th and 7th year.

Not a Bang, But a Whimper by yallofthemwitches

During their sixth year, Severus Snape goes out after curfew to give information to Lily that he thinks will bring them back together. Unfortunately, he finds her already with someone else. A companion piece to my other oneshot "Slipping Away" for Jily Week 2024, Day 7: Continuation Station

Legilimens by yallofthemwitches

Perhaps the real James was doing it on purpose--using memories of Lily to either drive him insane or to push away the real secrets that hid beyond. If it was true, he was succeeding on all accounts. During a duel, Snape attempts Legilimency on James. Canon compliant. Oneshot

Playing Dirty by yallofthemwitches (big thanks for feeding this trope!)

When Lily won against Potter during dueling practice, Snape couldn't think of a better way to finally rekindle their friendship. But Potter was a sore loser and Lily seemed far too willing to entertain him.

Rumor Has It by @tedwardremus

Severus doesn't believe the rumors that Lily finally agreed to go out with James Potter.

inevitability by peachiekeens

The snotty one tried to trip him on the way out, and Lily stamped on his foot hard enough to elicit a gasp as they emerged into the corridor. “That’s what Gryffindors are like, Lily.” Severus said matter-of-factly as the door closed behind them. Lily nodded, but her eyes were far away. Severus had a sinking feeling in his chest. They didn’t talk about the sorting again. OR The development of James and Lily's relationship, as seen through Severus Snape's eyes.

#fantastic horcrux meta

One thing I find really compelling about ronmort is that the horcrux which targets ron is the one most "maternal"-- tom's mother's locket, which you so cleverly pointed out was also the one which he erected a complicated defense for in a place that was meaningful to his childhood. Everything the locket says to Ron just feels so charged? Wym you've seen his heart and it's yours? Wym you've seen his dreams and his desires? The fact that Ron can hear the locket's heartbeat before anyone else... I don't know how to explain it except that the locket's antagonism of Ron feels almost intimate in a way. The shenanigans would be sexy. Not least because Ron can apparently do a passing imitation of parseltongue (hot).

that each of the trio destroys the horcrux which most connects to something fundamental about themselves is a detail which obsesses me.

the diary

harry - an orphan, desperate to meet someone else who can understand the strangeness and isolation of his experience; searching for the truth about himself, and what in his life is inherited, but unable to ever fully uncover it - destroys the diary, not only the sole horcrux which is an explicit link to lord voldemort's upbringing as an orphan in the muggle world, but also a metaphor for the state of orphanhood itself.

the diary is a quasi-palimpsest - an object which has to be written in; an object in which a layer of text is written and then overwritten by another; an object in which these layers of text can be stripped back until only the original layer remains only with extraordinary difficulty - just like the orphan's search for meaning, trying to decipher the layers of themselves which were inherited from their parents, but only ever being able to see these partially, with the text missing or corrupted.

voldemort's creation of the diary-horcrux is explicitly connected in canon to him coming to learn about himself, his parents, and his heritage - and, connected to this, to him refusing to sit with the grief of orphanhood, refusing to understand his parents as whole, complex people, and refusing to embrace his "real" identity [which, as the text understands it, is that of a half-blood named tom marvolo riddle] by creating a fake one [that of lord voldemort].

harry destroys it after rejecting voldemort's self-constructed view of his own exceptionality - "the greatest wizard in the world is albus dumbledore" - his refusal to acknowledge the complexities of lineage and orphanhood, and his refusal to embrace his muggle heritage - "my mother died to save me. my common, muggleborn mother". he does this using a tool directly connected to voldemort's rejection of all but his slytherin heritage - the basilisk's fang - in a location similarly connected to voldemort's rejection of his muggle blood - the chamber of secrets.

the cup

hermione - an outsider, whose place in the wizarding world is unstable - destroys the cup, one of the horcruxes to which voldemort has the least personal connection, but which he selected to hide his soul because of its historical significance, anchoring him to a millennium of wizarding history and culture he was otherwise brought up disconnected from.

voldemort's creation of the cup-horcrux comes at the end of a period of his life in which he is disadvantaged in wizarding society purely on the basis of his name and background. he rejects the ministry jobs which would have made him dependent for the rest of his life on slughorn's patronage - and, therefore, pressured him to do what slughorn wanted - and ends up, as he himself puts it, as "a poor shop assistant". hepzibah smith is a pureblood, who is also descended from one of hogwarts' founders - yet she doesn't make use of this superiority ["all sorts of powers it's supposed to possess too... i just keep it nice and safe in here..."], and she doesn't realise [and he can't prove to her and hope to keep his job] that voldemort is someone she should think of as her equal [or even superior]. she - as harry observes - essentially treats voldemort as doll she can play with, posing him with her treasures and pretending his glacial politeness is really repressed affection, she speaks to him like he's an idiot, and she evidently considers him to be her social inferior.

hermione destroys the cup after seven books in which the discrimination she faces on account of being muggleborn is explicit. obviously, she's the victim of violent bigotry - she's petrified, she's called a mudblood, she's the only one of the trio who also has to worry about the muggleborn registration commission - but she's also the victim of seemingly benign, genial bigotry too - the muggle world is treated as a quaint side-show, even by characters like the weasleys; she's praised for her intelligence by slughorn, but this intelligence is still considered in some way unusual for someone with muggle heritage. she gets spoken to by many wizards in ways which aren't far removed from the way hepzibah speaks to voldemort.

as a result, she - like voldemort - spends a lot of time trying to acquire enough knowledge of the wizarding world that she appears to be native to it [this is why she's so obsessed with hogwarts: a history]. but - unlike voldemort - she then embraces her heritage and refuses to hide it - "mudblood and proud of it!".

and - shortly after this - she destroys the cup, in a place - the chamber - and using a tool - the basilisk's fang - which are both directly connected to the bigotry she experienced, since they're part of slytherin's belief that people like her should be driven out of hogwarts and out of the magical world more broadly, and therefore send a big "fuck you" to voldemort's blood-supremacy.

the locket

and ron... whose greatest desire is to be recognised for his individual achievements, who has a complex and uneasy relationship with his place in his family [simultaneously longing to be something other than "one of the weasleys" and fiercely loyal to his parents and siblings], who is the only pureblood of the trio, whose childhood we hear the most about in canon, and whose childhood appears to have been happy...

destroys the locket, which is voldemort's only link to his mother, and the only horcrux for which he constructs an elaborate defence in a place meaningful to him from childhood.

we don't actually know who voldemort kills to create the locket-horcrux [jkr has said in interviews that it was a muggle tramp, although this contradicts dumbledore's statement in half-blood prince that voldemort created his horcruxes from murders which were significant to him], which is a neat metaphor for how little he knows about merope - since he doesn't know morfin's name, for example, we can assume he doesn't know hers; everything he ever tells harry about her is something he's invented [especially his belief that his parents' marriage was consensual, and that tom riddle sr. abandoned her because she was a witch].

the horcrux attempts to torture ron with his insecurities about being a mammy's boy who's always been afraid that he's a bit of a flop at the task - especially when compared to siblings like ginny, bill, and percy. and ron is so susceptible to it because voldemort is also an inherent mammy's boy [ronmort nation, rise up] who never got a chance to have a mam, and who responded to the grief this caused him by suppressing it, pretending it never existed, and convincing himself that the only viable thing to be is unique.

ron destroys it after he returns to the trio - having attempted to strike out on his own [the thing he's wanted since philosopher's stone, when he sees himself standing alone in the mirror of erised] - and accepts his place as part of a group. he does so using the sword of gryffindor, which again represents him embracing not being exceptional - his entire family have been in gryffindor, something he's shown to feel simultaneously proud of and uneasy with right from his first appearance.

221115 RM’s Instagram Stories

Image 1 Translation:

Things I know Kang Ik-joong

The sky is light green just before a storm When I am lost coming out of the subway, I should go the opposite way of where I think I should go The best smell is the smell of a pencil board you just bought at a stationary store in front of the school The compliments you hear at a young age stay with you for a long time The ratio of garlic chives to pork when making dumplings is two to one No matter how much of a rush you’re in, you should not run in front of someone who is physically unwell Stars in the night sky are not Christmas decorations Stage fright occurs when I try to show a greater side of myself You do not hear farts on an airplane Rich people are good at straightening out their cash Good ideas come out of morning showers People who are impatient always get the bill first  Anything under the sky is psychology Opportunities come around again There aren’t a lot of things that you really need

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Image 2 Translation: It will come true  Kang Ik-joong

It comes true when you draw it in your heart It will come true when you draw it on a paper It comes true when you are full  It will come true when you share it first  It comes true when you are diligent  It will come true when you are relaxed from time to time  It comes true when the water in your heart is calm  It will come true when the you see yourself in that water  Above all, it will come true when you love  Even if it’s a nameless wild flower Even if it’s a wind that passes by Also It will come true when you look at the moon

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I'm in love, your honor

8 for Quidditch is for Losers <3

Did any real people or events inspire any part of Quidditch is for Losers?

One time, when my daughter was young and I was sleep-deprived, I watched her play in a mirror. She was delighted. She gazed at her hands, flipped them back and forth. She giggled at the way her fingers wriggled. She made faces, laughed, danced around, played hide-and-seek. She marveled at the way her legs moved, running in place. She was enchanted with her own being. She looked at herself and loved what she saw, not because of comparison or achievement – just because being alive and being her was marvelous. That’s where Ginny is at the beginning of QifL: Ginny loves being Ginny. She has no doubt, no fear, there’s nothing self-conscious about her. She has goals and dreams - it never occurs to her those might be out of reach. Sure, she’s failed before. But failure’s not the finish, it’s just a mile marker in a race she’s only halfway through. “Anything’s possible if you’ve got enough nerve” isn’t a motto yet, because life hasn’t put a condition on “possible.” At this point, she’s more “anything’s possible…duh." As we get older, we lose that sense of marvel, sense of self-as-miracle. We start to believe there’s something wrong with us. And that’s pretty much the story: Ginny’s purest self, Ginny’s fall, Ginny’s fear, and Ginny’s slow climb back to “Anything’s possible.”

Hi! First off. I love your blog and how you write about James and Sirius they are✨everything✨

But, I was wondering what your views and opinions are on each of their individual relationships with Remus and Peter.

Firstly thank you! It’s my mission to put more j/s out into the world so I’m glad my particular brand of it resonates with other enjoyers <3 I love this question but unfortunately various deadlines and then me just being a messy, inconcise writer have delayed it to the two months mark 💀 so hopefully you’re still interested & it was worth the wait! I’ve edited it to death and it’s still this long so buckle in & multiple apologies 

~

The little that we do know of James and Remus’ friendship gives the impression of a really genuine, nurturing, trusting one, and helps to bridge that gap between the arrogant bully we see in SWM and the good guy Sirius and Remus tell us that James becomes later. James supported Remus financially post-Hogwarts, became an Animagus for him, and then there’s the “furry little problem” comment that Remus bursts out laughing at and looks “slightly more cheerful” at the memory of. 

I think that one line says a lot about James and Remus and establishes a shared sense of humour. It’s a very “raised by older parents” thing of James to say, it’s weirdly gentle and tactful from someone who doesn’t show that in any of the memories we see of him but it’s also quite light and optimistic about Remus’ “little problem” as something they can solve together. James, like Remus, probably spent a lot of his childhood with his parents so I think they’d both have had quiet evenings in by the Wireless with biscuits and hot chocolate before bed and homemade jumpers and grandad slippers so despite James being very loud and Remus not knowing how to really interact with other kids despite wanting to, they would ‘get’ each other on a home life level that would bridge the difference in wealth and with the werewolf thing.

I think that James makes Remus feel more normal and his brand of carefree, casual, cocksure acceptance would make him Remus’ main source of support in terms of friends. The time that Remus knows James (meeting him in first year to James’ death) directly correlates with the happiest, most stable time in his life. When James dies he has lost all of his friends and James’ financial support so James is a literal stabilising force in his life, so James would have been Remus’ go-to when he wanted to talk serious werewolf stuff. I see James plopping down next to Remus on his bed being like “talk to me, I’m listening” and Remus finding it easy to open up that way. They’d be familiar enough to have little in-jokes that are just the two of them whereas I think Remus and Sirius wouldn’t have that closeness. (Not a j/s post but I also like to think of Remus just giving James this wry eye-contact re:Sirius like ‘lol u got it bad’ and James being all ???!!! back at him).

OTOH I see Sirius and Remus’ friendship as more distant and a friendship of two halves. On the one hand there’s a consistent mutual respect.  Remus includes Sirius in his praise of him - “your father and Sirius were the best in the school at whatever they did” - and Sirius evidently regards Remus more highly than Peter because he engages and jokes with him in SWM which shows a shared sense of humour. I think Sirius would respect Remus’ magical abilities as being close to his and James’ in the same way that he doesn’t respect Peter for his lack of relative magical ability. I think a lot of their discussions would about wizarding politics and the technical possibilities of magic so they’d probably get on quite well with the Marauder’s Map project (but also lol at Sirius being like “Remus, just let me do it, I know what I’m doing and I’m quicker” and taking over and Remus going all mutinous). However, Sirius also rebuffs Remus’ attempts to engage in SWM, showing an element of impatience and a sense of tension, instability and misunderstanding to their friendship (more on this in a separate post bc this one is Long).

A big thing for me that inhibits me from reading Sirius and Remus as particularly close is the mutual distrust and suspicion of the other as a traitor. I have always thought that this was a gradual thing that built up over years. To suspect a friend of ten years of being a spy is huge so I think the prank intensified and maybe accelerated it but it wasn’t the origin of the breakdown in trust. Notably it was a spy in the Order, not a spy just out of the Marauders, yet both Sirius and Remus suspected each other out of everyone else. I think that the tension would be unspoken but mutually felt and it would come from fundamental differences like their different backgrounds, and on Remus’ end a resentment of Sirius’ freedom to be reckless and impulsive and get nothing more than a detention for it when Remus being reckless could lead to dangerous consequnces (even though that didn’t really stop him being reckless on several occasions). 

I also feel like Sirius would have a more clinical, less tactful, though still very supportive, approach to Remus’ lycanthropy and he’d discuss werewolf issues from an intellectual/social/political perspective rather than really engaging with Remus’ experience (at least until he actually sees him transform) which might seem dismissive to Remus. I also think that Remus would question Sirius’ support because of the Black family’s reputation, enough so that when the prank happens that background suspicion would be vindicated. It’s said a lot that Sirius would never have sent Snape to the Shack if it was James who were the werewolf, and that’s an important distinction between James and Sirius’ close relationship & Sirius and Remus’ more neutral and separated friendship.

At the same time there must be genuine friendship there somewhere because they reunite very easily in the Shrieking Shack, hugging like brothers and calling each other “old friend” and they sense/assume capability to kill Peter and the desire for revenge in each other which suggests that they know each other well. I do think that a lot of that comes from the adrenaline of the situation, and that the combination of relief, familiarity, nostalgia, revenge, desperation, grief, etc, would heighten that joy at being reunited. I think that they experience those emotions alongside each other rather than because of each other, routed through James and their experience of knowing and losing him rather than an especial attachment to each other specifically, though. Their joint venture of avenging James positions him as a central touchstone in their friendship. When Harry goes to them for reassurance after SWM, they’re both just remembering James and Sirius’ acknowledgement of Remus is all about separating him from himself and James. The main thing they have in common is James, imo. The discovery of Peter as the traitor removes the main internal conflict of their friendship, as well as external conflicts (i.e. impending war, Harry’s chaotic life) superceding any personality differences or annoyances. 

Convenience also plays a big part in their post-PoA friendship. They’re a mutually beneficial, easily accessible source of familiarity and nostalgia for each other, a parallel reminder of James and their youth when they were both happier. Things like “lie low at Lupin’s” and Remus living at Grimmauld Place are measures of convenience rather than closeness when scrutinised. Grimmauld Place is Order HQ and Remus is single and unemployed, obviously he’s going to choose to be around people and have free food and shelter (plus Tonks is there a lot). Before that Sirius that lives in a cave eating rats even though he probably could live with Remus because at this point it’s not widely known that he’s an Animagus but he doesn’t. (Would Remus even want him there?)

It doesn’t seem like they’re in touch at all until then either? Dangerous, etc etc, but these are supposedly the kids who snuck around school as animals undetected for years and one of them has escaped Azkaban so it would have been feasible to be in contact if they’d wanted to. It’s also significant to me that Sirius didn’t leave Remus anything in his will despite him struggling financially (vs James actively helping Remus out) and Remus is like..fine after he dies. It’s understandable because they were separated for longer than they initially knew each other. They were obviously friends, but different and more distant in comparison to their individual friendships with James. It all culminates for me in a friendship that is based on a shared youth, on the memory of freedom, on love for a mutual friend, on existing in the same place at the same time, on mutual respect for magical ability, on curiosity for the constraints of magic, on holding the same values but still being fundamentally different people.

I don’t think that the Marauders were a particularly equal group anyway but with Peter specifically I think it was more an illusion of equality and inclusion that James and Sirius think is ‘enough’ for Peter but that Peter finds it lacking. James and Sirius definitely don’t view him as equal with Remus, but they also spare him from the kind of bullying we see Snape get, despite Snape being more capable and logically worthy of their respect (were he not interested in dark magic or ugly, I guess).

I think that James and Peter’s friendship was the most mutually transactional. Peter’s inclusion in the group was social security for him first and foremost and James’ ego also got stroked a lot from having Peter around. James would pat himself on the back for being friends with someone like Peter lmao. All we see of James and Peter’s dynamic is James saying to Peter: “How thick are you, Wormtail?” and Peter openly adoring James when he plays with the Snitch and James lapping it up. Despite the derision and harshness, Peter actively feeds James’ ego, which isn’t a sustainable dynamic for a genuine friendship and it clearly irritates Sirius. I think that’s more Peter performing a role for his own continued benefit rather than him being stupid enough to not notice that James is being a dick though.

The combination of Peter’s capabilities being underestimated by his friends and James’ sense of duty and love towards his friends would foster a lowkey mentor/pupil, big brother/little brother dynamic but it would boost James’ ego while treating Peter as less intelligent than he actually was. I’m sure Peter benefited from it (Animagus transformations) but I can see James playing into it more heavily than necessary. However James and Peter are the two with the most typical childhoods and upbringings, so I think it would be an easy casual one-on-one dynamic, they’d have a lot of common experiences, a lot of the same reference points that Remus missed out on and Sirius’ family didn’t approve of that would make them feel close but they’re just opposite ends of the spectrum in terms of confidence, wit, popularity that beyond that I don’t think they’d have a lot in common except their shared high opinion of James (!) and there would be a lot of James talking at Peter and Peter agreeing. I don’t think Peter would be that into Quidditch beyond maybe the glory of it and James overlooks this with Sirius and understands why Remus isn’t into it but with Peter he’s like how what why ?? 

Ultimately unequal but I think James has that ability to make you feel like you’re the only person in the world when it’s a one-on-one thing and that would be something that Peter would strive for all the time but never quite get. I definitely think that James thinks he loves Wormtail but whether he actually does or treats him like he does is an entirely different thing.

With Sirius, we only see him treat Peter with contempt and I don’t think it’s oversimplification to accept this basically at surface level. I don’t think Sirius ever really respected Peter and generally regarded him as weak. Even Sirius’ irritation at James showing off with the Snitch is diverted through Peter in a way designed to humiliate Peter and relieve James of responsibility and to distance James from Sirius' reproach whilst giving Peter the full force of it and I think that shows how disposable and irrelevant he was to Sirius. (It’s not that far off some of the comments he makes about Snape and Kreacher.) 

This is a relationship Sirius would have had to work really hard at. Peter is the friend he is always irritated at and is mentally like "god just go away just fuck off". Sometimes he'd be like "aw he's not that bad I should be easier on him" but he mostly never is. Sirius likes Peter most as a rat, unironically, because for Sirius that’s probably when he sees the most potential in Peter. The way Peter works so hard to please James (and James’ acceptance of his attention) would irritate Sirius. Sirius loves James and makes a lot of allowances for him but he would find Peter’s sucking up degrading and embarrassing and think less of him for it, like “I like James more than you but you don’t see me pissing myself over him”. 

Peter I think was scared of Sirius, because of Sirius just being openly hostile but also because of his family. Peter would suck up to Sirius in the same way he did James but it doesn’t work on Sirius and Peter is like “well idk how to act then” so he’s constantly trying to find ways to get Sirius to like him and falling short so eventually he plays into Sirius’ underestimation of him (very successfully, clearly). I think Sirius’ whole “nobody would suspect him because he’s so stupid” sentiment grew in hindsight but existed somewhat at the time of choosing Peter as Secret Keeper. Sirius would never knowingly do something that he thought would even slightly risk James' safety so I completely believe that he trusted Peter and believed in a vague mutual understanding of friendship despite his lack of patience and respect for him. 

(Sorry this is SO FUCKING LONG, esp the Sirius & Remus bit bc I always feel I have to justify that one more, plus there’s way more in-text stuff for them. Once again ty for the ask! <3 Loved answering it, hate myself for being inarticulate but oh well)

Yeah, I've always had the headcanon that Romilda covered for Ginny this way -- we know she's clever, cunning and then got sorted into Gryffindor. I also always imagined Snape easily leaning into the story with half-remembered James-hatred. I mean, the kindling was already set by ol' Rita Skeeter back in GoF, wasn't it? I like how everyone here piles on to corroborate, painting a picture of Harry as an absolute slag.

I've always wanted to write a scene of mutual agreement and support (friendship is a strong word) between Ginny and Romilda Vane, so here's around 1600 words of something that might have happened during Year 7.

*****

They wait until after dinner to round on her.

Ginny is mildly surprised; she'd guessed they would question her as soon as she got off the train, but perhaps they thought that Snape's speech—not the Headmaster's, she'd never consider him so—might terrify her enough to make her betray everything she has ever believed on. If so, they were very mistaken; seeing Snape in the middle of the staff table, with Death Eaters by his side, only infused her Gryffindor spirit.

"Weasley," calls Alecto Carrow. She has a mind to pretend to ignore her, but the mass of students climbing the stairs seems to freeze with that call, and Ginny has no choice but to answer it, all eyes on her as she walks to Alecto Carrow.

"Yes, Professor." She puts as much spite in that word as she can. Neville and Luna suddenly materialize next to her, and Ginny almost wishes they would stay away, as if there is any protection to be found this year.

Alecto looks her up and down. "That's it?" Her voice is mocking. "That's Potter's girlfriend?"

By her side, Crabble and Goyle nod; their gazes are not as unappreciative as Alecto's. With a shudder, Ginny thinks she will favour disdain any day.

"I thought Potter had better taste."

She buries her nails into her palm. Don't answer, she tells herself, and tries to keep a look of disinterest.

"Where is your boyfriend?"

Her rehearsed answer comes in a bored tone. "I would know if I had any." It feels more than ever that everyone is staring at her.

Alecto doesn't seem convinced, nor do her cronies.

"They were dating," says Goyle, in a whisper that everyone can hear. "Everyone saw it, they were snogging all around the place."

"It's what happens when you are dating someone," snaps Ginny. "We've broken up." She hesitates for a tiny beat. "He dumped me."

This time her rehearsed line doesn't sound credible, despite being the truth. Everyone's gaze seems to burn, evaluating her answer, and, for a moment, Ginny waits for someone to question this, to raise the absurdity of her words: they were in love. As Goyle had noted, anyone could see how they felt about each other; Harry had been beaming the whole time they were together, all those few weeks of sunshine and happiness and hope. Harry wouldn't just dump her—

And then Alecto Carrow laughs.

"I guess Potter already got what he was after, then?" She mocks. "Blood traitors aren't a good value if..."

"Perhaps the girl is lying," another voice pops in, and Ginny turns to see Amycus Carrow joining his sister. His gaze upon her makes Ginny shiver; she remembers all too well duelling him. "Perhaps she knows more than she's letting on—"

"I wouldn't think so," Luna says, her voice as dreaming as ever. "If she knew, she wouldn't be here."

"Harry always kept his secrets," Neville adds, crossing his arms.

Amycus and Alecto share a look before Amycus takes a step forward.

"I will be the judge of that. If we have Potter's precious girlfriend—"

"I am not even his girlfriend anymore!"

It doesn't seem to matter, though. Terror floods her, not so much for herself; there isn't anything that she can share with them, but if somehow Harry finds out that they've got her—their breakup will be for nothing—he is too stupid and too noble to do something reckless—

Amycus grabs her arm; Ginny dives her hand into her pocket, but before she can take out her wand, many things happen. Professor McGonagall appears, Neville points his wand at Amycus, and Romilda Vane laughs nervously.

"Please," she says. "Weasley was his girlfriend, so what?”

That makes everyone draw their eyes to her. Romilda tosses her hair out of her face, seemingly enjoying the attention, but Ginny can see a thin layer of sweat breaking through the girl's careful makeup.

"Harry was always smiling at me, flirting unashamedly, even when he was dating her. I wasn’t the only one either. Everyone knew he wasn't good business. A ladies' man, that one."

Ginny blinks; she is not alone. The year before, when Harry was at the height of his popularity at Hogwarts, everyone's favourite Chosen One, he had drawn many eyes. Ginny had found it bothersome, but she could understand what everyone was seeing: that gorgeous young man with messy dark hair and green eyes, tall and fit, with the added benefit of seeming oblivious to his own charm, almost shy. It had been endearing.

That also was one of the reasons why, when Harry and Ginny started dating, everyone wanted to talk about it. It had been huge news for Hogwarts' standard.

There was no way anyone would believe that Romilda was telling the truth.

"Potter never had any other girlfriend," Crabbe mumbles.

Romilda laughs derisively. "I wasn't his girlfriend, haven't you heard what I just said? He just liked to flirt." She nudges her friend. "Do you remember, Lisa? I told you Harry never took his eyes off me."

Lisa looks terrified, but she nods. "Yes," she confirms in a small voice. "And you—you shared chocolate once."

"Harry dated Cho," someone from the Ravenclaw crowd says, and there's a murmur of agreement.

"I went with Harry to a Christmas party last year," notes Luna. She skips the part where they went as friends.

"I think I saw him snogging a girl behind the greenhouses," Hannah Abbott says.

At her side, a boy nods. "I saw something in the library once."

People start adding comments, their voices mingling in a cacophony. The weirdest part is that Ginny knows no one is lying; people are telling about the times they saw Harry with a girl — only she was this girl, this only girl, but no one specifies that.

"Quiet, quiet!" Alecto sounds annoyed. She looks at Crabbe and Goyle. "Is this true?"

They shrug, lost.

"I saw Potter with Chang at Madam Puddifoot's," Pansy Parkinson confirms, distasteful. "And he went with Loony Lovegood to Slughorn's party."

"That would be Professor Slughorn, Miss Parkinson," chides Professor McGonagall, taking a definite step ahead and placing herself between the Carrows and Ginny. She raises her arm and, almost without a second glance, lowers Neville's still extended arm. "I do not see why a student's romantic life is under scrutiny at this hour of the night, especially a student who is not even here at the moment, but the others have class tomorrow morning."

"This is more important than classes," Amycus spats.

"I remind you this is still a school," Professor McGonagall says coldly.

Amycus' answer is cut by a bored voice. "What is this?" Snape walks, easily opening his way between the students gathered at the door.

"We are trying to interrogate the Weasley girl," Alecto says. "To find out the whereabouts of Potter. She was his girlfriend."

Snape rolls his eyes. "You heard the others. Potter was a lover-boy; that is not surprising considering how his father behaved with his fans." He regards Ginny coldly. "Weasley is not special. I doubted Potter ever shared anything more than a snog with her."

There's an underlying truth in his words that stung her, but before she can react, Snape is already addressing Professor McGonagall.

"Take your students to bed, Minerva. It would not be advisable to be out of the bed at this hour."

Professor McGonagall, who had been frowning at Snape as if trying to figure out something, bristles; there's nothing but repulse in her eyes as she nods.

"Of course, Severus." She turns to Ginny and the others. "Go to the Common Room, now."

And she casts a warning glance at Ginny, who runs to meddle between the other Gryffindor students climbing up the stairs. Her heart doesn't stop beating painfully until she enters the Common Room, and only then she looks back; the Carrows aren't in sight. She doubts this is the last time they will try to question her, but for now, she can breathe easily and give Neville a feeble smile when he looks at her.

"We will watch your back," he whispers.

"It will be fine," she says, with a confidence she doesn't feel. Nothing about her experience at Hogwarts so far gives her any faith that things will turn out well.

And then she catches a mop of black hair.

"Romilda," she calls. Romilda pauses on her way to the stairs.

"Yeah?"

Ginny waits until they are alone to whisper: "Thank you."

Romilda nods. There’s a moment of silence, during which Romilda eyes the stairs as if considering fleeing the scene before she asks: "Did he really break up with you?"

Ginny gulps. "Yeah."

"Oh, I thought—"

"No, it was true."

She waits for some remark; Romilda was truly determined to get Harry the year before, and she had pestered Ginny when she was dating Harry.

"He never actually flirted with me," Romilda says in a rushed whisper. "And you were special to him, I—I spent a lot of time watching him and trying to get his attention, but he never glanced at me... because he was too busy ogling at you."

Warmth spreads inside Ginny; she cannot help her smile. "Harry didn't ogle."

"Yes, all the time. He had it hard for you. Still has, I'd bet." Romilda smiles awkwardly. "Not very womanizer of him."

Ginny's eyes wide. "About that—if anyone finds out that you were exaggerating—"

"I'll talk to my friends. No one is going to say anything."

"I know. I trust you." They look at each other; it suddenly occurs to Ginny that Romilda has no idea, not really, of what could happen if anyone suspects her lie. Romilda never faced a Death Eater. Ginny hopes she never does. "It will be fine."

It's the same thing she told Neville before, but now there's a promise in her voice.

Romilda nods one last time. "Night, Ginny."

"Night, Romilda."