- C. Essington

Prof: You have to write this essay about more than one text, bring the works in discussion with one another.

Me, setting up three books across from one another at a mini dinner table: I got it I got it shhh...

Me, after pouring them all glasses of wine and setting out a nice cheese selection: Talk to each other, guys.

my lungs, tonight, are fruit- baskets for the wind. I take the peaches right out of the blue-clear blows, and get to the pit; that’s my face going raw.

the breeze-burn is just the rise of blood to the skin, all that red running up to get to the windows of cheeks and pounding cell-sized fists at the border between gale and girl; that’s what I meant by a peach.

                                   - C. Essington

I work for this publication — it’s a really wonderful experience and the product it creates brings a set of lungs to many important voices! Please consider sending in yours. 

Submissions are open until July 18th for our third issue! We want your poetry prose and art. We want your stories. 

The Paper Just Said a Boy Left, The Obit Did Not Specify Homicide or Suicide.

the blue house catches on fire and passes it on like a secret, making lips out of wind, whispering its neighbor to charcoal.

in the basement of the house that heard and caught, a boy is already lighting something of his own and signing it off in kerosene as if that clear,  chemical wash of to-be light is exactly what letters are made of.

he goes up to his bedroom on the third floor to wait for the rise. the ceiling caves in as the carpet starts to fester with heat. the room is biting down, rafters and floorboards chew in towards heartbeats. the boy forgets his name, tries to say it to himself, but without air to inhale, the sounds he keeps his brain in feels too see-through to say.

he stands up, waiting, his biology screams. he manages to squeeze out a sentence, one sentence to himself once he figures that two fires are at work. it’s a little question, and it happens over and over running over tongue it until it smokes, like a match that goes too black to light. he asks: “which one, which one, which one?”

                                - C. Essington 

The Paper Just Said a Boy Left, The Obit Did Not Specify Homicide or Suicide.

the blue house catches on fire and passes it on like a secret, making lips out of wind, whispering its neighbor to charcoal.

in the basement of the house that heard and caught, a boy is already lighting something of his own and signing it off in kerosene as if that clear,  chemical wash of to-be light is exactly what letters are made of.

he goes up to his bedroom on the third floor to wait for the rise. the ceiling caves in as the carpet starts to fester with heat. the room is biting down, rafters and floorboards chew in towards heartbeats. the boy forgets his name, tries to say it to himself, but without air to inhale, the sounds he keeps his brain in feels too see-through to say.

he stands up, waiting, his biology screams. he manages to squeeze out a sentence, one sentence to himself once he figures that two fires are at work. it’s a little question, and it happens over and over running over tongue it until it smokes, like a match that goes too black to light. he asks: “which one, which one, which one?”

                                - C. Essington 

my lungs, tonight, are fruit- baskets for the wind. I take the peaches right out of the blue-clear blows, and get to the pit; that’s my face going raw.

the breeze-burn is just the rise of blood to the skin, all that red running up to get to the windows of cheeks and pounding cell-sized fists at the border between gale and girl; that’s what I meant by a peach.

                                   - C. Essington

tiny painting for a small day/

it’s not sunday but it felt like one because

work is sloww

The Desk Lamp as an MRI

waking up mid-self, she saw the window snarl with a girl in its teeth, skin and hair and eye-contact caked between the panes. it was her size, though grey and smeared, but not her girl.

afraid the light would hear, she kept her mouth half-closed in the shape of a cut, the depth of slick and coming rain. behind the window’s molars, the winter woods, white and black and curdled with the night: undrinkable.

beyond her body, in the shape of her chest, birches rose and fell like breathing. they kept tempo with her lungs but took in more air than she could ever court behind her throat.

the tree transposed behind her left eye hefts a knotted burl into her head, a whorl of bark, a way of stopping, a tumor in the brain, exactly her type of cold.

she diagnoses in the dark, in her mind of snowbank and its thoughts, unmigrated birds, that she wings over her dimmed out cells, those fallen branches, ribbed as though with veins.

she traces lengths of skin. the glass has a purl of flesh dressed up like the early morning and the storm that never came. waking up mid-self, she saw the window snarl it was her size, though grey and smeared, but not her girl.

                                                 - C. Essington

the first anatomically realistic drawing of a human heart meant that someone had to stop  living  and then, before they were set in the ground or burnt to ash for a sort of kept loss, someone else had to raise a hand, softly, and say

                                                                                          “wait.”

- c. essington 

hello- i just wanted to say your writing has inspired me greatly- the way you string words together is truly beautiful- like a spiderweb- so delicate and whimsical yet meticulous and wondrous. I have yet to share my work with those outside my immediate family, but you inspire me to shout my words from the tops of mountains and into the clouds, even if all i ever hear back is the echo of my own voice. your work embeds deep emotions from within and reminds me that writing can affect people deeply

Hello there, thank you for your readership and kindness, I’m so glad I can move something in you. And of course, put your words where you feel comfortable, but if you do ever decide to post or publish, let me know and I’ll be happy to read anything. Also, sidenote, sounds like you might like Walt Whitman, you should check the fella out if you haven’t already.