Discovering ancient burial sites can often reveal fascinating insights into the lives of our distant ancestors. One such discovery is the 7000-6000-year-old burial of a young woman, estimated to be around 20 years old at the time of her death, and her newborn baby, found in Vedbaek, Denmark.
What makes this burial particularly intriguing is the presence of 200 red deer teeth placed by the woman's head, and the newborn being cradled in the wing of a swan with a flint knife placed at its hip. It is believed that the mother and child tragically died together during childbirth.
The exquisite details of this burial paint a vivid picture of the rituals and customs of our ancient forebears. The placement of the red deer teeth and the use of the swan's wing as a cradle suggest a reverence for nature and an appreciation for the beauty of the animal world.
This discovery is a testament to the incredible creativity and resourcefulness of our ancestors, and a reminder that even in the most challenging circumstances, they found ways to express their culture and beliefs. The Vedbaek burial serves as a poignant reminder of the profound connections between life and death, and the enduring legacy of our shared human history.
The Good, the Bad, the Ugly and the Chloe
Hey, chin up. I know the night just got darker. But it won’t last forever.
and a bonus maccready not swearing or trying not to
Get the elderly off the road
“I told you I don’t like strawberries!”
I can’t believe it was kept in the wraps for 2 weeks… but I’m a bit flabbergasted and still processing that Kentaro Miura has passed away.
It’s pretty easy to understate how big his influence is in art. Without him, we wouldn’t get Dark Souls and Bloodborne, and the animators and artists of Castlevania explicitly said he was in an influence in their work.
Miura, in my opinion, had one of the greatest eyes for detail and some STRONG, STRONG, STRONG visual imagery almost untouched by… well a lot of people really.
He pushed the visual imagery of fantasy and horror in new and exciting ways, and it’s a test to his timeless writing that we’re still invested in Berserk for decades.
RIP Mr. Miura.
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