The function of the image, as Gogol said, is to express life itself, not ideas or arguments about life. It does not signify life or symbolise it, but embodies it, expressing its uniqueness.
Andrei Tarkovsky, from “The Film Image,” Sculpting in Time, trans. Kitty Hunter-Blair (University of Texas Press, 1987)
Hansel and Gretel (2007) | dir. Pil-sung Yim | South Korea
Shim Eun-Kyung & Jin Ji-Hee
Three equally adorable photos of Kenneth Branagh directing his adaptation of Shakespeare’s “Much Ado About Nothing,” 1993.
Hansel and Gretel (2007) | dir. Pil-sung Yim | South Korea
This is the secret of the stars, I tell myself. In the end, we are alone. No matter how close you seem, no one else can touch you.
Beth Revis, Across the Universe (via books-n-quotes)
The Empress of China (2014–2015)
Only God Forgives is a journey into hell. It’s an unpleasant, uncomfortable, terrifying, surreal, macabre, haunting, eerie and beautiful exploration of brutality and violence. Nicolas Winding Refn’s latest film isn’t just bereft of sympathetic characters, it doesn’t even feature any characters who lend themselves to empathy or recognisability. Ryan Gosling’s Julian is so introverted and withdrawn that it’s often difficult to determine the difference between reality and his surreal dream sequences.
Then again, given Refn suggests the man is living in his own private hell, perhaps there’s not too much difference any way...
Alfredo Müller (1869-1939) - La fuga (Series of the Arlecchinate) - 1918-1920