The Scientists - Swampland
every day at dusk when the sun fades my mind returns to the everglades a place alive with green mangroves and vine shotguns and snakes, alligator wine. nobody knows so they never think to visit where the atmosphere's so thick that you could kiss it I've never seen copper heads darting from their graves a once mighty oak’s red roots… in decay
In my heart there's a place called swampland nine parts water - one part sand...
Toys, 1914, Oleksandr Bogomazov
Size: 71x71 in Medium: oil on canvas
Amélie | dir. Jean-Pierre Jeunet | 2001
DoP: Bruno Delbonnel
Masaki Kobayashi’s career coincides with the so-called Golden Age of Japanese cinema in the 1950s and 1960s. Despite the fact that some of his films such as the war trilogy Ningen no jōken (The Human Condition, 1959-1961) and Seppuku (Harakiri, 1962) had won international critical acclaim, the centenary of his birth in February 2016 passed almost unnoticed in the Western media. Kobayashi has been largely forgotten by the average Japanese filmgoer, and outside Japan interest in his work is much lower than it is for the films of his contemporaries, such as Akira Kurosawa...
Amélie (2001) | dir. Jean-Pierre Jeunet
DoP: Bruno Delbonnel
SONG of the DAY _ Nightclubbing - Iggy Pop - from “The Idiot” (1977)
Nightclubbing, we’re nightclubbing We’re what’s happening Nightclubbing, we’re nightclubbing We’re an ice machine We see people, brand new people They’re something to see Nightclubbing, we’re nightclubbing Oh isn’t it wild? Nightclubbing, we’re nightclubbing We’re walking through town Nightclubbing, we’re nightclubbing We walk like a ghost We learn dances, brand new dances Like the nuclear bomb When we’re nightclubbing, bright-white clubbing Oh isn’t it wild
Killing Them Softly - Cannes 2012
Sympathy for Mr. Vengeance (2002), Park Chan-Wook