really crazy how much i’ve imagined this fic. like it’s soooooo imagined you wouldn’t even believe. not writing it though
*taps mic*
It's always been a shit way to write a book. Slamming through fifty thousand words in a month leads to burnout and a garbage draft you'll spend more time unfucking than if you'd actually just paced yourself.
I'm proposing Novel Outline November
Start with your idea on November 1st.
Write something for your novel every day. The only unacceptable amount is 0.
Attempt to complete the plot in 50K words. Stick with that as a limiting factor so you focus on what's most important to your story.
When it's done it's done! Everyone is a winner!
You will
Develop good writing habits
Challenge yourself to write long form
Create a base that can be expanded into commercial fiction (70-100K) or genre fiction (100-110K)
Happy writing!
Central to the film is a reclamation of the Orpheus myth, a version of which the three young women read aloud together one night. Sophie registers distress at Orpheus’s fatal, selfish incompetence in looking back at Eurydice when he was told not to, and Marianne suggests he may have done it on purpose, preferring to lose the woman and savor, instead, the romance of his grief, making not “the lover’s choice, but the poet’s.” But it’s Héloïse who removes, for once, the fixation on Orpheus, his failings, and his loss. What if, she says to Marianne with an edge of defiance, it was Eurydice herself who chose art over staying together, who rather than leave the underworld with Orpheus, stopped and called out “Turn around,” preferring to remain down there and be preserved in poetry. A kind of freedom and a kind of permanence, rather than, as eighteenth-century marriage looks to be, an unwilling exchange of one for the other. — In Portrait of a Lady on Fire, Love is a Work of Art
Dear, sweet, Littlefoot, do you remember the way to the Great Valley? I guess so. But why do I have to know if you’re going to be with me? I’ll be with you. Even if you can’t see me. What do you mean I can’t see you? I can always see you.
The Land Before Time(1988) dir. Don Bluth
Remember kids, it’s not a coincidence George Orwell’s Animal Farm constantly shows up on banned book lists.
"All animals are equal, but some animals are more equal than others"
they "toned down the misogyny" w Sokka but then made Katara into a passive child™️ when she is notoriously head strong and just as stubborn as Sokka and a Mom™️ to them all. me thinks the misogyny just got rebranded
𓆝 𓆟 𓆞
post/artist