Being young enough for Minecraft but too old for Fortnite
Being alive for 9/11 but not remembering it at all cuz you were like 2
Seeing reruns of 90s shows when you were really little but being to young to really remember them
Feeling betrayed by Butch Hartman
Listening to the bops of ~2009-2012 in middle school gym class
Growing up through the transition from clunky PCs for nerds and flip phones to smartphones and sleek and easy laptops
Pictochat
Being called a millenial by baby boomers and Gen Z by millenials
You fucking seahorse.
What show is this it looks good
there’s a lot of slapstick comedy in ed edd n eddy, and i think everything comes down to the fact that these characters have no concept of personal space. none. it just doesn’t exist. they’re constantly roughhousing and manhandling each other but they’re also constantly clinging to each other and won’t stop doing shit like this so it all loops back around in the end, really
like i’ve never seen so much of this in a cartoon. they will not stop holding each other. eddy just crawls all over people like a spider. incredible
Happy 50th Anniversary and Friday the 13th, Scooby Doo! Thank you for 50 years of mystery- We wouldn’t be the same without you and Mystery Incorporated.
1 reblog equals love and happiness for Heinz.
♠️these boys ace!♠️
Bear vibing in a river ⊂( ̄(エ) ̄)⊃
22 YEARS AGO ON DECEMBER 18, 1998 - DREAMWORKS ANIMATION RELEASED “THE PRINCE OF EGYPT”
Because DreamWorks was concerned about theological accuracy, they decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help the film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.
The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.
Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.
THE PRINCE OF EGYPT (1998)
Baby-Doll Batman: The Animated Series