I’m Crying 😭😭 He Trusts Them So Fucking Much

Screaming crying and throwing up

anthony lockwood + the hand slide

Kuroko no Basket will always have a special place in my heart, and this is one of the reasons why:

Her. Aida Riko. Everything about her makes KnB the best sports anime to me.

No, 'cuz the fact that this beloved sports anime made the coach of the main team a woman - a 17 year old girl at that - made a huge difference in the show for me. It's such a pleasure to watch Riko have just as much passion for the game as the team, for her to be such a key character in an otherwise widely male-dominated anime genre.

She makes sure to push the team to improve, doing everything in her power to make make them go past their limits (the roofrop ceremony, breaking Hyuuga's figurines, getting Mitobe to block Kagami etc), she always makes sure to get their spirits up, even if it doesn't always work out (getting them to go eat steaks, the lemon with honey slices), and she does what's best for them, even when they don't like it (pulling Kiyoshi from the Kirisaki Daiichi game, subbing the first year duo out, putting Furihata against Akashi).

Like, she's such a smart and relatable and real character??? The fact that she also gets her romance with Hyuuga, but is done so organically, and they're such good friends?? The fact that they rely on each other as coach and captain?? The fact that they founded the club together?? Plus, she is still able to have a deep friendship with Kiyoshi with no romantic tension or friction between the three of them?? It shouldn't be this refreshing to see a female character like this, but it is, which is what makes Riko so amazing.

And she's not the only one.

Momoi is also such a great female character that you rarely see in these shows. Yes, she's the feminine manager of an enemy team, but she's just as much part of the Generation of Miracles friend group as the others are, despite not being a player. The fact that she gathers information about their opponents and comes up with strategies to highlight her team's strengths and shut down the enemies is incredible. She also has a crush on the main character that is obviously unrequited, yet it's handled so gracefully?? She is who she is despite her feelings for Kuroko, and I love that for her, because instead of following Kuroko to Seirin, she chose to stay with Aomine. Her loyalty to her childhood friend is so strong and so pure that she never gave up hope that Aomine would find his love for basketball again. That he'd smile again– that she'd get her old friends back.

Truly amazing.

And an honorary mention goes to another female character whom I wanted to see more of:

"Kagami was written by a woman," yes, because Alex Garcia made Kagami, bitch. That's her son you're talking about. Alex being the one who taught Kagami basketball is so badass of her. She's Mother.

Let's hear if for the female characters of Kuroko no Basket!!! The rest of the sports anime world could never!!!

Ok I just finished rewatching The Rundown Job and so far I have -

The most ridiculously peacocking display of competence porn. What do you mean "'sup Eliot." What do you mean "who needs luck". Where is your damn shame? Where is hundred more episodes of just like this? 10/10 worth every watch.

'I've got a hacker *enter bf*, and a thief *enter gf*'

Only Parker noticing 'too many cops'. It's such a cool detail throughout the show how observant she is just offhandedly, unlike Eliot who observes actively.

Parker pretending to promptly fall asleep as soon as they're in the truck, only to have the handcuffs off in seconds.

"What do they say about me? I hope they gave me a cool nickname." I'll bet all the kudos on my most popular fic that he hacks into his own pentagon file regularly to make up his own nickname.

"Hell your girlfriend's already out of the cuffs" *Parker smiling and sliding them off* AND IT'S DIRECTED NOT TO HARDISON, HER EXPLICITLY STATED BOYFRIEND, BUT AT ELIOT, THEIR BOYFRIEND.

Putting Hardison in those glasses. Those damn glasses. I need a glass of water jfc it's hot in here

'For better or worse, we change together'. Aaaaaand that's on wedding vows.

"I'll drive." "Hold on." "Exactly." "No, I mean hold on. (Our gf is a former gateway car driver)". "Oh. Oh you mean. Yeah."

The hand on the wrist and eye contact and saying 'I'm not afraid. I got the best thief and the smartest guy I know chasing this guy'

HAND ON THE BACK OF THE NECK AND PULLING CLOSER 'HEY LISTEN TO ME YOU'RE THE SMARTEST GUY I'VE EVER KNOWN HARDISON I NEED THAT BRAIN TO GET ME TO HIM. GET ME TO HIM'. Screaming crying frothing at the mouth et cetera et cetera

Figuring out the job TOGETHER

This is Hardison. Hardison likes his personal space. These are Parker and Eliot. Parker and Eliot also like Hardison's personal space.

The eyes on each other's lips during unlocking doors and saying thank you

'Kiss for luck?' the sequel: love boogaloo

HACKING THE MF CAR HORN WITH AN SOS THROUGH A MOBILE PHONE

"BOOM MY BOY THAT'S WHAT I'M TALKING ABOUT!!!" first of all that's his boy so jot that down

Also side note this episode shows the fascinating way Hardison uses his brain and I wish we saw more of it because it's fascinating how he derives what he does from the few bits of data he gathers

"He's on the train!" "Yeah well so am I." "When you pick him out of the crowd-" "No. I'm ON the train! 🙄 Never mind..."

Two good ole boys behind the wheel 🎶 chasing the target and their gf in a million dollar car 🎵 two good ole boys-

*Hanging by her fingertips from a running train roof almost mashed into pulp by signage" WOOOOOO HOOOOO

The way Parker picks him out, not by using thief sense, but mastermind sense that he's immune -> got vaccinated -> pain in the arm. Brilliant way to pick someone out from a crowd while not raising panic

Keeping him talking till she takes the briefcase that he HANDCUFFED to himself right under his nose. How? Well, she's Parker.

"I kept one diamond. Sorry." I love her

Finally "kiss for luck" the trilogy comes to an end

*casually endangers self* "Fire is the only thing that kills it right?"

"Don't do that to me, I can't lose you. Do you understand? I can't lose you. Don't scare me like that. I can't-"

Eliot Spencer: *Barks 'Alright!' at the guy touching him to literally patch up his bullet wound.* Also Eliot Spencer: *ditches crutches so he can lean on his girlfriend and boyfriend*

"I work with them now." Would you like to stay for dinner? "Honor among thieves? Something like that." WOULD YOU LIKE TO STAY FOREVER??!!!

"I don't do hospital." "I told you, he takes getting shot very lightly." Uh huh, you know what I smell? LOVE. In the air! Might be some blood from those bullet wounds too ig.

What a show.

Caspian and co were like "gosh this duel idea is great and all, but how the heck are we gonna get Miraz, whos army is like three times bigger, to agree to it??"

And the Pevensies were all like: "No yeah we'll just send this little shit right here, he can provoke anyone into doing anything, trust us"

While Edmund so-you-bravely-refuse-to-fight-a-swordsman-half-your-age Pevensie just raised an eyebrow, grinning.

He has such a soft spot for kids

So I think Gabe's portrayal was really intelligently done in the show and I'm pretty dismayed at the negative reactions. I'd argue that TV needs more portrayals of abusers that seem harmless and victims that make efforts to advocate for their own agency because that is what abuse often looks like in the real world. Yes, sometimes abuse is as in your face as with Gabe's introduction in the book version (which the show was still pretty true to, I'll discuss that below) and the other portrayals we've seen on TV, abusers being explicitly threatening or violent, victims cowering and showing visible distress, all that usual, tropey stuff. However, I think more education is needed on all the ways abuse is subtle, because this misunderstanding and this view of abuse as this black and white thing is often the reason so few victims get help, so many abusers get away with it and so many of the people around the victim and abuser, at best, are surprised when the find out what's really been happening, and at worst, defend the abuser because they're so harmless, nice, upstanding, pick your adjective and there's no way they're capable of that.

Source: https://www.domesticshelters.org/articles/identifying-abuse/the-silent-ways-abusers-control

I feel like a lot of the fandom has already fallen into this trap somewhat. Gabe from the TV show is too nonthreatening, bumbling, pathetic, silly, idiotic, nowhere near scary enough to warrant getting petrified by Medusa's head. He doesn't look like an ABUSER. And yet we're confronted with so many markers of abuse in that scene.

Gabe is harmless…

And yet he's verbally abusive to outsiders. The guy that leaves as Percy is arriving has experienced an interaction with Gabe that warrants Percy apologizing for Gabe's actions only for him to apologize back because he gets to leave, Percy doesn't. He's concerned. Sure, Gabe is fat shaming and yelling about eating fruit at the moment. The absurdity of the topic doesn't make it any less inappropriate or abusive btw, because its about the abuser having any excuse to display their dominance and power over you even if the subject matter is batshit. Ever see cases where one person in the relationship (usually a man) will police the other's clothing (usually a woman) because it's too revealing, too tacky, too whatever. That's abuse.

Gabe is harmless…

And yet he's verbally abusive towards Percy. He sarcastically greets him with the cruel nickname "genius" and immediately picks a fight with him. Percy refuses to engage because he knows, from experience, what being goaded looks like. Wrap your head around that. Kids older than him are out there having catfights and making stupid "your mom" jokes, but this infant has so much experience facing conflict, he already knows what steps to take to steer away from that kind of drama and stay in safe territory. He only engages a bit when he hears about Gabe answering Sally's phone. Anyone who's answered a friend or partner's phone before will probably consider Percy's anger and indignation a little bratty and unwarranted. The issue here is that Gabe is someone who ignores boundaries. The issue isn't that he answered Sally's phone, the issue is that he very likely did it without permission. Based on Percy and Sally's reactions (Percy is angry, Sally is resigned), he's someone who's regularly done stuff like look through Sally's phone or purse without her permission. Percy makes it clear that this is not okay, and he gets dismissed. Gabe just answers "whatever's ringin'" and Percy is made to look like the one overreacting. This is what abusers do. They're never in the wrong. And then, the cherry on top of the blue icing, he blames the victim. "What're we doing Percy, every time." Gabe's the one who picked the fight, but by the end of it, Percy's the one being blamed. This is so commonplace and anyone who's been through this knows how maddening it can be. This is such a short interaction but they pack so much into it.

Gabe is harmless…

And yet we find Sally sitting outside in the rain on the balcony, as if she's trying to ground herself after a traumatic experience. As if she's trying to bring herself into the present and not dissociate because when Percy arrives she needs to be there for him. She can deal with the Gabe stuff AFTER Percy is safe. I'll get more into Sally's interaction with Gabe in Part 2 because a lot of people were confused by the fact that she was so firm with him. There's an explanation, I promise.

A lot of people also expressed concern that we wouldn't see Gabe's truly monstrous side before he gets petrified but from what I can see, the shows been making great use of flashbacks and exposition, so I'm pretty sure this will be addressed. Percy and Sally are the heroes. It would be counterintuitive for the show to establish that and then not give them a blatant cause for turning Gabe into stone.

Disclaimer: contains major spoilers from House of Earth and Blood and House of Sky and Breath.

I've seen a lot of praise for the Netflix Lockwood and co. adaptation. I haven't read the books, enjoyed the show. Lots of people already said a lot of positive things about this series concerning plot, characters, and so on that I largely agree with

You know what hasn't really been talked about?

How BRIGHT and WELL LIT everything is. Like, this show mostly happens at night, with characters running around with torches to see anything, because their job has to be done during the night.

But I can still SEE EVERYTHING.

I noticed that in the graveyard scenes especially. The sky is pitch black, we know it's the middle of the night. But the grass in green and I can SEE IT.

Love them for not going down the path of GOT, DC, and so many more. Of saying "well, it's the middle of the night, so nobody can see anything, and neither can the audience".

Instead they went "we told our audience it's the middle of the night, we're showing it to them, but we're also giving them the opportunity to see what actually happens on screen".

Amazing.

guys can we just sit back and really take in the fact that lockwood & co was so good as a show, that everywhere we look, there are new people in the fandom actively going out and purchasing the books to read them? including myself, who didn't know of the books until the show released because i live under a literary rock.

but like, the show was good enough and compelling enough that it drew us all in and we wanted more, and we have it. we have the books. we can read them. and we want to. can we bask in that? can we appreciate this? this amazing. this so cool. idk i just find this so neat, you know? there's plenty of media that releases, based off books, and people don't go out and read the source material. but... it feels different with this one. and i love that.

Leverage (2008–2012) & Leverage: Redemption (2021–) x DOCTOR WHO