Bruce: If I don’t make it out of this…
Selina: Bruce, if you die and I live, I’m killing everyone here and then myself
Bruce:
Bruce: okay ❤️ yay ❤️
Superman trying to defend Robin until Batman gave him The Look.
there's nothing sexier than a character who has been thoroughly changed by what they've endured
I'm replaying the first Outlast and Its DLC and I live for the boys notes, Also the difference in their personalities is so funny to me
Miles: I'm a professional but I'm also stuck in hell so go fuck yourself
Waylon: I miss my wife and this might suck but that wont stop me from being articulate
imagine being the guy ocelot tortures to death but before you die you have to watch him get fucked by big boss right in front of you without getting a fucking room
You ever think about how the Epic of Gilgamesh is one of the oldest stories we still remember, even incomplete, and it may be a deconstruction? The implications? Gilgamesh citing other stories, some of which we’ve lost, as to why he won’t accept Ishtar’s proposal. The whole concept of ‘this is Gilgamesh, he’s unbelievably arrogant and handsome and strong and he’s two-thirds god and a king– and now we’re gonna explore why he’s a complete asshole and his subjects dislike him, and how for all his greatness he too is just a human with very human faults and fears, and how he had to walk a VERY rocky road to become an ACTUALLY wise and benevolent king.’
Just like. One of the lessons of my theatre classes that always stuck with me is that every play is a point in an ongoing conversation about dozens of different things, and I think that applies to other mediums of art as well. You see enough of a specific trope or argument made, you make your own response by deconstructing or subverting or reconstructing or defying that trope. If the Epic of Gilgamesh was a counterargument, how many original arguments as stories existed, until someone went ‘you may all have a point. But listen to this.’
I’m familiar with a few other Mesopotamian myths that may have been earlier, fragmented as they are, but it just makes me feel So Many Things to consider if the Epic was a deconstruction and how that implies prior existing works– conversation!– and how long humans have just. Told stories. How many of those works we’ve lost were counterarguments? How long back does it go? Probably to the beginning, but man. To just someday die and look down at the world and see the conversation of humanity in its entirety… what I wouldn’t give…
this art meme
this couldve happened if they ended up doing that dc x tf crossover
"Speedsters are boring, they're useless they just run fast."
Wrong! Jay Garrick can make sonic bombs by just hitting his helmet at the right frequency. Barry Allen can disassemble and reassemble himself molecule by molecule at will. Wally West can freeze a person in time by removing their potential kinetic energy. Bart Allen can trap entities between molecules. Eobard Thawne can age someone to dust with a touch. Literally any of them can throw a grain of sand with enough force to go through any armor you care to imagine. Speedster abilities are not only endlessly creative, they're horrifyingly OP.
Now seems as good a time as any to remind everyone that all of the original fifteen Oz books are public domain and up for free online.
The Wonderful Wizard of Oz
The Marvelous Land of Oz
Ozma of Oz
Dorothy & The Wizard in Oz
The Road to Oz
The Emerald City of Oz
The Patchwork Girl of Oz
Little Wizard Stories of Oz
Tik-Tok of Oz
The Scarecrow of Oz
Rinkitink in Oz
The Lost Princess of Oz
The Tin Woodman of Oz
The Magic of Oz
Glinda of Oz
Happy reading!