Ok So Shipper Goggles Time But Can We Talk About The Framing Of The Scene Just Before Cara And Din Go

ok so shipper goggles time but can we talk about the framing of the scene just before Cara and Din go to fight the raiders in Chapter 4? Where Din is talking to Omera 

See how Cara walks between them? Now It could be tin hats but hear me out! The FRAMING IS SO SIGNIFICANT! Here is Din staring at the option of a peaceful and quiet life of sitting around and watching kids and right in the middle walks a literal representation of a life of excitement! It isn’t an interruption by the CHILD! The child would represent where he is now. They are separated by CARA! A brand new person in his life that instantly got his attention by being just as good as, if not better than but that might be my bias of being totally in love with her fork, him and pulling him deeper into a that life of adventure and danger! Which is amazing for representing Din’s struggle in this episode between the lives he could want just thematically. Now hear me out as a shipper.

Even when we see Cara actively ENCOURAGING Din to settle down with Omera she is always visually in the way. No the Child CARA! The child could have been used. He’s always used as an interruption. Instead we see a lot of fighting side by side and some sort of positive tension build ever scene with Din and Cara. We also see most scenes with Din and Omera interspersed or somehow interrupted with Cara. SO THE POSITION THAT OMERA WANTS TO HAVE IS INTERRUPTED BY CARA! CARA IS IN THE WAY! 

Here I posit: From the beginning we are visually being told that Cara will keep the Mandalorian from falling in love or settling down. Why? Here is my hypothesis: BECAUSE HE’S FUCKING IN LOVE WITH HER! Prove me Wrong!!! but not really cause this is just for fun and i kinda like this ship