oh it's so over
i want to get a master's degree i want to take a cake decorating class i want to dance i want to sing i want to write and remember how to think i want to swim i want to be free
to the person in the bell jar...
Sylvia Plath, from ‘The Unabridged Journals Of Sylvia Plath’ / Vilhelm Hammershøi / Nicole Krauss, from ‘The History of Love’ / Ramon Casas / Joy Harjo, from ‘Speaking Tree’ / D S (saatchiart) / Fyodor Dostoevsky, from ‘The Idiot’ / Aleardo Terzi / Sylvia Plath, from ‘The Bell Jar’
buy me a coffee
lmao
and the story of us looks a lot like a tragedy now 🎶
i love when a character is a ghost but in a tragic way instead of a scary way. i love when a character has been dead from the beginning but is still holding on to stay in the narrative. i love when a character could choose to resent the living but ends up loving them instead. i love when a character drives the story but isn’t quite there enough to be at the center of it. i love when the ghosts are the protectors instead of the ones causing the harm. i love when a character is at the heart of the story because depending on where you began it, no matter how you told it, the story is about the ghost who struggled to keep their humanity
i hate missing people like... wtf
i didn't even know you a year ago
que PORRA de conexão é essa vsf
20s | she/her | just a sideblog to use as diary quero viver pra sempre e também morrer amanhã
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