hate how it's for the better but i'm just so sad over it
i know a body check when i see one
— Sylvia Plath, "The Bell Jar"
(creds will be added in a hot sec! my bad y'all ;p)
Feeling very much like excellent fun til’ you get to know her
i love when a character is a ghost but in a tragic way instead of a scary way. i love when a character has been dead from the beginning but is still holding on to stay in the narrative. i love when a character could choose to resent the living but ends up loving them instead. i love when a character drives the story but isn’t quite there enough to be at the center of it. i love when the ghosts are the protectors instead of the ones causing the harm. i love when a character is at the heart of the story because depending on where you began it, no matter how you told it, the story is about the ghost who struggled to keep their humanity
i love it when a piece of media is like: is there anything more painful than knowing your sibling? is there anything more tragic than knowing they are the only person who will ever share the same experience as you? they were the only constant in your life. they were there since birth and now, no matter how they betray you, you will still love them. you will always feel the need to protect them even if you can no longer bring yourself to talk to them. will anyone else be able to understand? will anybody be able to love you and hate you and fear you the same way a sibling loves you and hates you and fears you? no, probably not
She's been many places with men of many faces First, they're off to the races and she's laughing drawing aces But none of it is changing that the chariot is waiting Hearts are hers for the breaking There's escape in escaping
você genuinamente foi uma das pessoas mais idiotas que eu já conheci e não é surpresa nenhuma seus amigos terem se afastado
reacting to things with Logan/Shiv's 'uhum' us addicting af
20s | she/her | just a sideblog to use as diary quero viver pra sempre e também morrer amanhã
165 posts