Something I cooked up thanks to a conversation with a friend: the love child of a flip flop and a sneaker
To simplify, if you sheild yourself/your child from things and don't teach/learn how to recompose at things that distress/upset you, you/your child will never be prepared for bad events in reality and get folded like a lawn chair when tragedy strikes.
I didn't feel it was appropriate for me to add to that last post but it's related so - Please, for the love of God, learn to manage your own emotional responses to media on your own.
Maybe it's because I started reading horror at a young age, but I learned pretty quickly that if a book is too heavy or graphic or whatever for you, it's alright to recognise those feelings, and either stop reading it entirely, or take a break. Do something that helps you calm down. Re-engage with comfort media. Give your pets a lil kiss.
It's not a moral failing on the author for a book to upset you. It's not a moral failing for you to be upset. It's just a fact of life we all have to learn to cope with.
can u make her internet famous
i know for a FACT in the ultrakill universe they were posting cute propaganda videos of v1. like the goddamn boston dynamics dog. on ultrafacebook there's videos of it captioned like "aww cute silly robot does a cute heckin dance!!" and then there's one guy in the comments like "The robot runs on blood. Human blood. It runs on literal human blood. Oh my god why does it run on blood" with 50 dislikes. and then like five months later v1 is just out on the street eating people
I love deepnest's aesthetic and enemy design however despise visiting it in game - this is a background for a silly little thingy I'm working on!
limbus company is a wild game. you play as a nonbinary amnesiac who got their head cut off and responded by replacing it with a flaming wall clock, whose second job is to (ineffectually, at first) be the manager of a group of people on a bus and whose first job is to revive and heal them anytime anything happens, which is all the time. your party is comprised of a dour scientist who has a habit of speaking in poetry, a mysterious white haired genius implied to be in a constant mental discord call with different versions of herself across multiple universes, an autistic woman who named her shoes after a fictional horse and turns into an ancient and powerful vampire if they're ever taken off, a swordswoman who speaks a third of her mind in acronyms and loves to murder people "artistically", an autistic frenchman built like a fridge who refuses to be a person unless ordered to, a long haired rich pretty boy who accidentally pisses people off with his sheltered behavior half the time and pretends to be dumber than he is to purposefully annoy people the other half, a british thug whose entire plot could have been solved by just spitting it out and also turned into a wolf monster for a bit, a ginger who got bored of her office job and decided to get on a boat and hunt whales about it, a russian gambler whose mental health and self image are rapidly deteriorating while she is also getting progressively worse at hiding it, a young man who is really in over his head while also being very good at killing people who also is weirdly good at translating the earlier mentioned swordswoman's acronyms, a kiss-ass former military woman who would probably kill everyone else in the party if she thought she could get away with it, and a german former-soldier who got a mutant bug arm and intense ptsd and depression. there's also the all powerful guide who tells you where to go who is legally not allowed to be too helpful and is also perpetually sick of your shit, and the strange girl who drives the bus you all ride in without a license or a lick of training. also the bus looks like a train. add onto the fact that most of the characters and their backstories are references to classic literature, and you have what is possibly the world's MOST dysfunctional dnd party.
we love this fucking game.
Never underestimate the power of subtle body language to help those around you without causing a scene.
I use “stepping in front of insensitive/nosey assholes to block their view of a person they’re starring at” a lot. No words exchanged. Just getting between them (sometimes while starring back at them if they’re being extra weird) and they always seem to either realize what they’re doing or be jolted out of it. Either way it has never ended in a confrontation, just silent looks.
A kinda weird use of body language happened some time ago while I was standing at a bus stop near a train station. Right next to me stood a very short woman who I guessed to be from India based on her looks and dress, and around us were nothing but men. I’m very standard height for a Scandinavian woman so I’ve never felt short or tall in any group, but she looked tiny next to all these men packed tightly around us. I’m not sure why but I felt like she was uncomfortable with all these men towering over her and for some reason my response to that was to subtly change my stance so my front faced her a bit more. Not full on, but the way most friends stand next to each other, while still looking away from her. I don’t know why I thought that would be comforting to her because it could just as easily have come off as threatening, but after a few seconds she moved a bit closer to me. And then a bit closer. And then slightly closer. All without anyone else in the group moving. We stood like that until the bus arrived and then we went to separate seats.
So never be afraid to silently signal to strangers that you’re on their side or that they can fuck right off. People tend to respond better to that than words in my experience unless they’re already looking for a fight.