Habibi (2011) dir. Susan Youssef
Habibi, a story of forbidden love, is a fiction feature set in Gaza. Two students in the West Bank are forced to return home to Gaza, where their love defies tradition. To reach his lover, Qays grafittis poetry across town. Habibi is a modern re-telling of the famous ancient Sufi parable Majnun Layla. The full Arabic title is ‘Habibi Rasak Kharban,’ which translates as “Darling, something’s wrong with your head.” — from the Palestine Film Institute
the US is directly bombing syria, iraq (x, x, x, x) and yemen simultaneously tonight (very early hours of 03.02.24) while, of course, continuing to proudly fund israel’s ongoing genocide in ghazzah. they’re saying that this is the only the beginning of their operations in iraq and syria. meanwhile, israel is increasingly targeting rafah, having just martyred 11 palestinians there in one airstrike alone. as a reminder, rafah is essentially the southern most area in ghazzah and is where israel told palestinians to flee to, calling it a ‘safe zone’. this is all happening the same day israel announced it is preparing for a ground invasion in rafah. allah reham kare
have you heard about the 30,000 stolen books from palestinian homes in 1948? sounds a whole lot like an attempt to suppress and wipe out palestinian culture.
quite literally everything was stolen from palestinians in 1948, including the jewelry they wore as they were ethnically cleansed from their homes and the clothes they had packed. it was a concentrated strategy of looting, murder and theft where the spoils of land, businesses and personal wealth were then officially divided by israeli leaders and nationalized by the Jewish National Fund.
suppressing and wiping out palestinian culture was already necessary for the establishment of israel—ilan pappe calls it "memoricide" of the nakba, but it's actually an on-going memoricide that happens when zionists tell you that palestinians were "arab colonizers" or that they were trying to kill jews because they hated being their neighbors or that the nakba was caused by a "declaration of war" or that israelis fought a "war of independence" or that it was a land without a people for a people without a land or that the streets had no names or that there's no such thing as palestinians etc etc
this was no limited to 1948 either, it also happened during the invasion of lebanon in 1982:
and it's happening in gaza today as municipalities and hospital records are being systematically targeted, bombed and destroyed
alright sit the fuck down. we're gonna talk about THEMES
I was on Twitter- terrible idea usually, but a couple people I follow made some tweets that got me thinking about Trigun's overall themes, and here we are. So let's talk about some themes in Tristamp! And I'll take a couple looks at Trimax as well, just for fun :3
Let's look at how the showrunners utilize gender roles and exploitation of feminine characters to show how unhealthy Knives' obsession with his ideal of Vash is, and how horrific his exploitation of Vash and the Plants is.
Vash, from the beginning of Tristamp, is someone who cares about people's choices. When people kill others in front of him, he reiterates that whether someone lives or dies is not another person's choice to make. This is something he learned from Rem (a prominent female figure in his life). He refuses to kill people because that is not his choice to make. To kill someone is the ultimate removal of their bodily autonomy. They can no longer make any choices at all; they're dead.
Vash is also someone who has almost no choice in what path his life takes. He's constantly dragged around by outside forces, namely situations that are caused by Knives (which we'll get into later). Vash doesn't make things happen, things happen to Vash. The majority of events that occur are not his fault. He's pushed and pulled in a thousand different directions. His entire life is completely out of his control.
This can be seen as early on in his life as the Fall, something he had no control over and had no idea he even had a part in. Even later, in the ship with Luida and Brad, after he's been rescued from the desert, he's kept in handcuffs right up until he's shown to be of use to them and the Plant on their ship. After that, he could theoretically say "no, I don't want to go to other ships and heal their plants," but he doesn't. He's Vash. He's helpful and nurturing at his core, and these people have done so much for him just by letting him stay, so he'll do whatever they ask, no question.
This carries over into his adulthood. At Jeneora Rock, he goes to look at their Plant at one simple request, doesn't protest when he's dragged into a duel-- he doesn't take initiative unless someone's life is immediately at stake. He lets people tell him what to do and lets himself get dragged around by the wrist. He doesn't even pretend to have control over his life like Trimax Vash does, which I mean. Fair. Why pretend to have a grip on your existence when it's impossible to do anything without a gun pointed at your head?
Vash is a very passive character. He's nurturing, kind, gentle- he's a guy that fits a lot of very typical feminine character stereotypes. If you wrote this same story but made him a woman, I wouldn't bat an eye (but I would definitely be looking at it a lot more critically, what with the amount of stereotypically nurturing/motherly female characters in media already.)
This contrasts directly with Knives. He makes a decision and carries through no matter what stands in his way. He takes initiative. If Vash is a passive character, Knives is an active character. Wherever he goes, he leaves a lasting imprint. He makes shit happen! If outside forces make things happen to him, he'll go out of his way to make sure that particular force doesn't affect him again.
These two tweets I saw are what got me thinking about this originally. I just feel like here's a good place to put them as a segue into talking about episode 11.
Episode 11 is where a lot of this feminine imagery really just. Explodes in your face. IT'S RIGHT THERE. You can't dance around it if you try. And it kind of reaches a peak when the connection reaches 100%, the gate opens, and. well. THIS happens to the Plants.
Plants, in both Trimax and Tristamp, are almost always typically feminine-looking. Knives and Vash are the only two who are male or even masculine at all. Knives, as the most masculine out of all of them, is the one trying to take charge, and mould the world as he sees fit, to a degree that is detrimental to both him and everyone else. And Vash-- passive, feminine, kind and nurturing, whose Angel Arm in the manga always sprouts decidedly feminine-looking Plant parts-- is the one being exploited for Knives' plans. It's no mistake that they made the giant plant formation at the end of ep 11 look like a giant woman that almost resembles Rem.
Vash wants people to make their own choices and keep their autonomy when it comes to their bodies and lives. Knives is the exact opposite. He wants all Plants to become independent and he uses Vash to achieve that goal, without asking what Vash wants or even knowing what the Plants themselves would prefer. He exploits Vash for the soul purpose of trying to make these Plants have Independent Plant babies. He's completely incapable of seeing that his choices are not for the greater good! He thinks he's saving them, but none of his actions are for the good of anyone but himself. He’s just violating them for his own gain.
They're really leaning into gender roles for these guys, but in a way that screams "HEY, LOOK AT THIS! ISN'T IT FUCKED UP? LOOK AT HOW FUCKED UP THAT IS. LOOK AT THIS, AND BE UNCOMFORTABLE, AND KNOW THAT IT IS FUCKED UP."
Because it is! It's so extremely fucked up. They're using this imagery and these roles, something that makes most of us intrinsically uncomfortable, to drive home how unhealthy Knives relationship with his ideal of Vash is. That's the point. We're supposed to be uncomfortable with this.
Now of course there's some nuance to it. Like, you could see Knives as somewhat of a feminine and/or queer-coded figure as well, ESPECIALLY if you look at some of his panels in the manga, which could in turn lead to themes about infighting and control within marginalized communities, but that might be something for another post. :3
And there's definitely different ways you could take this! Vash, with all this feminine imagery, could be either transfem or transmasc coded, depending on what way you'd rather see it, which could lead into themes of how people outside the norm constantly face a lack of bodily autonomy and are exploited for purposes outside their boundaries. We could also look at Wolfwood and his lack of choice over joining the Eye of Michael and becoming the Punisher, and how masculine men (particularly men of colour) are often forced into violent roles against their will. If we look at Trimax, the exact same could be said for Livio/Razlo and people with disorders such as DID/OSDD.
There are many different ways you could spin these themes, some of which I don't feel personally qualified to discuss. If anyone who is qualified to talk about Wolfwood or Livio/Razlo or even other characters related to these themes, then god PLEASE add onto this post or make a post and tag me or something. I would love to read it!
Anyway, in conclusion: Vash is a feminine figure constantly taken advantage of and exploited and and he's so incredibly trans/nonbinary-coded that it drives me insane. Thank you
This is a masterpost of places to throw your money at to support Palestine. I'm gonna try and keep this updated as much as I can.
*** Please note, donating does not mean you should stop boosting Palestinian voices. Spreading awareness is JUST AS IMPORTANT as sending money since misinformation is one of the Zionist movement's most dangerous tools. ***
(Last Updated: 21-05-2022)
Palestine Children's Relief Fund
In addition, follow the PCRF on twitter (@/thePCRF) as they regularly post about opportunities to donate to support Palestine.
UNRWA
United Palestinian Appeal
Palestinian Youth Movement
Islamic Relief USA
Help Fund Life Changing Surgeries in Palestine
Scholarship for Palestinian Medics
Direct Appeal To Alaqsa Attacks: Al Makassed Hospital
Educate the Women of Palestine
Urgent Relief for Al-Aqsa
BDS Movement
Decolonize Palestine (Patreon)
*** If you have any additional recognized and trustworthy places to donate, please either reply or send me an ask or DM and I will update this list! ***
In addition, Palestinians (both in Palestine and diaspora) can feel free to leave your paypals / ko-fi's / cashapps / venmo.... whichever you want in the replies.
hey netizens! i'm not sure how many people are aware, but youtube's been slowly rolling out a new anti-adblock policy that can't be bypassed with the usual software like uBlock Origin and Pi-Hole out of the gate
BUT, if you're a uBlock Origin user (or use an adblocker with a similar cosmetics modifier), you can add these commands in the uBlock dashboard (under My Filters) to get rid of it!
youtube.com##+js(set, yt.config_.openPopupConfig.supportedPopups.adBlockMessageViewModel, false) youtube.com##+js(set, Object.prototype.adBlocksFound, 0) youtube.com##+js(set, ytplayer.config.args.raw_player_response.adPlacements, []) youtube.com##+js(set, Object.prototype.hasAllowedInstreamAd, true)
reblog to help keep the internet less annoying and to tell corporations that try shit like this to go fuck themselves <3
remember .io games? that was 8 years ago
Laptops are always so much more Fucked than phones in my experience. A laptop is like a beautiful horse that wants nothing more than to break all of its legs. A decently solid android phone will act normal
" Men in Gaza do cry.
When they lose their homes that they spend their
whole lives building, they cry
When they see their dreams and hopes getting destroyed, they cry.
When they realise how scary and uncertain their future is, they cry.
And because they are human beings, full of feelings and emotions, they cry."
This is an excerpt from a 35-year-old Palestinian's account of life in Gaza under siege.
Ziad has been writing for the Guardian about the realities of the Israeli bombardment, as he, his sister and their pets, flee their home in Gaza City in the hope of survival.
You can read his diary entries in full via the link:
@el-shab-hussein @huzni @palipunk