Bunnie-the-pooh - Why Are You Here I Dont Post Lmao

remember .io games? that was 8 years ago

the US is directly bombing syria, iraq (x, x, x, x) and yemen simultaneously tonight (very early hours of 03.02.24) while, of course, continuing to proudly fund israel’s ongoing genocide in ghazzah. they’re saying that this is the only the beginning of their operations in iraq and syria. meanwhile, israel is increasingly targeting rafah, having just martyred 11 palestinians there in one airstrike alone. as a reminder, rafah is essentially the southern most area in ghazzah and is where israel told palestinians to flee to, calling it a ‘safe zone’. this is all happening the same day israel announced it is preparing for a ground invasion in rafah. allah reham kare

Vash and Femininity: Trigun Stampede and its Themes of Bodily Autonomy, Exploitation, and Vague Gender Fuckery

alright sit the fuck down. we're gonna talk about THEMES

I was on Twitter- terrible idea usually, but a couple people I follow made some tweets that got me thinking about Trigun's overall themes, and here we are. So let's talk about some themes in Tristamp! And I'll take a couple looks at Trimax as well, just for fun :3

Let's look at how the showrunners utilize gender roles and exploitation of feminine characters to show how unhealthy Knives' obsession with his ideal of Vash is, and how horrific his exploitation of Vash and the Plants is.

Vash, from the beginning of Tristamp, is someone who cares about people's choices. When people kill others in front of him, he reiterates that whether someone lives or dies is not another person's choice to make. This is something he learned from Rem (a prominent female figure in his life). He refuses to kill people because that is not his choice to make. To kill someone is the ultimate removal of their bodily autonomy. They can no longer make any choices at all; they're dead.

Vash is also someone who has almost no choice in what path his life takes. He's constantly dragged around by outside forces, namely situations that are caused by Knives (which we'll get into later). Vash doesn't make things happen, things happen to Vash. The majority of events that occur are not his fault. He's pushed and pulled in a thousand different directions. His entire life is completely out of his control.

This can be seen as early on in his life as the Fall, something he had no control over and had no idea he even had a part in. Even later, in the ship with Luida and Brad, after he's been rescued from the desert, he's kept in handcuffs right up until he's shown to be of use to them and the Plant on their ship. After that, he could theoretically say "no, I don't want to go to other ships and heal their plants," but he doesn't. He's Vash. He's helpful and nurturing at his core, and these people have done so much for him just by letting him stay, so he'll do whatever they ask, no question.

This carries over into his adulthood. At Jeneora Rock, he goes to look at their Plant at one simple request, doesn't protest when he's dragged into a duel-- he doesn't take initiative unless someone's life is immediately at stake. He lets people tell him what to do and lets himself get dragged around by the wrist. He doesn't even pretend to have control over his life like Trimax Vash does, which I mean. Fair. Why pretend to have a grip on your existence when it's impossible to do anything without a gun pointed at your head?

Vash is a very passive character. He's nurturing, kind, gentle- he's a guy that fits a lot of very typical feminine character stereotypes. If you wrote this same story but made him a woman, I wouldn't bat an eye (but I would definitely be looking at it a lot more critically, what with the amount of stereotypically nurturing/motherly female characters in media already.)

This contrasts directly with Knives. He makes a decision and carries through no matter what stands in his way. He takes initiative. If Vash is a passive character, Knives is an active character. Wherever he goes, he leaves a lasting imprint. He makes shit happen! If outside forces make things happen to him, he'll go out of his way to make sure that particular force doesn't affect him again.

These two tweets I saw are what got me thinking about this originally. I just feel like here's a good place to put them as a segue into talking about episode 11.

Episode 11 is where a lot of this feminine imagery really just. Explodes in your face. IT'S RIGHT THERE. You can't dance around it if you try. And it kind of reaches a peak when the connection reaches 100%, the gate opens, and. well. THIS happens to the Plants.

Plants, in both Trimax and Tristamp, are almost always typically feminine-looking. Knives and Vash are the only two who are male or even masculine at all. Knives, as the most masculine out of all of them, is the one trying to take charge, and mould the world as he sees fit, to a degree that is detrimental to both him and everyone else. And Vash-- passive, feminine, kind and nurturing, whose Angel Arm in the manga always sprouts decidedly feminine-looking Plant parts-- is the one being exploited for Knives' plans. It's no mistake that they made the giant plant formation at the end of ep 11 look like a giant woman that almost resembles Rem.

Vash wants people to make their own choices and keep their autonomy when it comes to their bodies and lives. Knives is the exact opposite. He wants all Plants to become independent and he uses Vash to achieve that goal, without asking what Vash wants or even knowing what the Plants themselves would prefer. He exploits Vash for the soul purpose of trying to make these Plants have Independent Plant babies. He's completely incapable of seeing that his choices are not for the greater good! He thinks he's saving them, but none of his actions are for the good of anyone but himself. He’s just violating them for his own gain.

They're really leaning into gender roles for these guys, but in a way that screams "HEY, LOOK AT THIS! ISN'T IT FUCKED UP? LOOK AT HOW FUCKED UP THAT IS. LOOK AT THIS, AND BE UNCOMFORTABLE, AND KNOW THAT IT IS FUCKED UP."

Because it is! It's so extremely fucked up. They're using this imagery and these roles, something that makes most of us intrinsically uncomfortable, to drive home how unhealthy Knives relationship with his ideal of Vash is. That's the point. We're supposed to be uncomfortable with this.

Now of course there's some nuance to it. Like, you could see Knives as somewhat of a feminine and/or queer-coded figure as well, ESPECIALLY if you look at some of his panels in the manga, which could in turn lead to themes about infighting and control within marginalized communities, but that might be something for another post. :3

And there's definitely different ways you could take this! Vash, with all this feminine imagery, could be either transfem or transmasc coded, depending on what way you'd rather see it, which could lead into themes of how people outside the norm constantly face a lack of bodily autonomy and are exploited for purposes outside their boundaries. We could also look at Wolfwood and his lack of choice over joining the Eye of Michael and becoming the Punisher, and how masculine men (particularly men of colour) are often forced into violent roles against their will. If we look at Trimax, the exact same could be said for Livio/Razlo and people with disorders such as DID/OSDD.

There are many different ways you could spin these themes, some of which I don't feel personally qualified to discuss. If anyone who is qualified to talk about Wolfwood or Livio/Razlo or even other characters related to these themes, then god PLEASE add onto this post or make a post and tag me or something. I would love to read it!

Anyway, in conclusion: Vash is a feminine figure constantly taken advantage of and exploited and and he's so incredibly trans/nonbinary-coded that it drives me insane. Thank you

the 3.5mm headphone jack was the wound through which light entered your phone it was a little cave for angels to live in inside your phone and big tech got rid of it cause theyre scared of God the wrong way

Please consider spending time to learn more about Afro-Palestinian experiences and living under occupation while Black and Palestinian, along with Afro-Palestinian resistance efforts throughout the years. Here are some valuable articles and resources:

Articles:

In the heart of the Old City, generations of Afro-Palestinians persevere in the face of occupation by Mousa Qous

Putting the pieces together: Fragments of oral history in exile by Samah Fadil

‘Afro-Palestinians’ forge a unique identity in Israel by Isma'il Kushkush

The Africans of Jerusalem by Mousa Qous

The History Of Afro-Palestinians, Past And Present by Fayida Jailler

African-Palestinian community’s deep roots in liberation struggle by Electronic Intifada

Remembering Fatima Bernawi: Historic Palestinian fighter and liberated prisoner (1939-2022) on Samidoun

Fatima Barnawi, founder of Palestinian Women's Police and veteran prisoner, dies at 83 by Middle East Eye

On Fatima Bernawi, Women's Struggle, and Black-Palestinian Solidarity by Elom Tettey-Tamaklo

Afro Palestine: the African Diaspora in Palestine (not an article but a quick video summary of Afro-Palestinian history)

Note: highly recommend checking out Mousa Qous, the founder of the African Community Society, for his writings above all!

African Community Society of Jerusalem:

Their website— organization centered around the Afro-Palestinian community in Jerusalem.

General info about the group

ACS's instagram to learn more about Afro-Palestinian history.

Here is a write-up about the African Community Society, their impact within Palestinian society, and Afro-Palestinian history in Jerusalem specifically. Highly recommend taking the time to read this if you can.

Please take the time to watch this Documentary by Stephen Graham about former Israeli prisoner Ali Jiddah where he takes the viewer on a tour throughout Jerusalem and describes the unique struggles the Afro-Palestinian community face. He is quite a friendly guy and very funny:

it was for hagar

I never understood why God would tell Abraham to sacrifice Isaac. It always seemed cruel - but isn’t God supposed to be a loving father and a just ruler? How could telling a righteous man to kill his own child be fair? 

And then you go back and read the story. Abraham, a righteous follower of God, had failed. He and Sarah couldn’t tolerate the presence of their slave Hagar since Isaac had been born. They hated her child Ishmael. (Abraham’s child too, remember. Just as much as Isaac was.) Abraham gave Hagar a death sentence - he sent her out into the desert with her son and left her to die there. To die of thirst, of heat, of exhaustion, of hunger, of fear. 

Yet God saw Hagar. A slave, a foreigner, a mother to an illegitimate child, an imposter - those were human words for her. God looked down and said My Daughter, My Beloved, You Brave and Selfless Mother - I see you. He overturned the sentence Abraham had set and not only provided water to save the lives of Hagar and Ishmael but whispered the same promise in Hagar’s ear that He had whispered in Abraham’s. Maybe He took her to a hill and showed her the stars too. Maybe He sent a soft breeze across the desert to stir the sand and say to Hagar - your children will outnumber these. The God of living water has seen you. 

And then God turned to Abraham and said your turn. Take your son, your beloved son, Abraham, the promise for your future, and take the life from his lungs. You had no remorse to do the same thing to Ishmael - Ishmael, your son. And Abraham felt the sun burning his face and his body faint from thirst and walking through the wilderness, and he felt the pain in his heart at the fear of losing his child. For a moment, he sees through Hagar’s eyes, squinting from the sun and sting of sand. And this time Abraham listens. This time he obeys God - and obedience comes in the form of the sun glinting off a knife, of Isaac’s terrified sobs. God does not need to say this act is justice. No words could make Abraham understand deeper than the terror and grief in his chest. 

Mercy comes for Abraham as it came for Hagar first.       

Ishmael and Isaac are both spared, both protected, both children of the same promise. 

The sacrifice was never just a test. It was not some story to confuse or contradict the character of God.

It was justice for Hagar, justice from the God who sees.                                   

beginner’s guide to the indie web

“i miss the old internet” “we’ll never have websites like the ones from the 90s and early 2000s ever again” “i’m tired of social media but there’s nowhere to go”

HOLD ON!

personal websites and indie web development still very much exist! it may be out of the way to access and may not be the default internet experience anymore, but if you want to look and read through someone’s personally crafted site, or even make your own, you can still do it! here’s how:

use NEOCITIES! neocities has a built in search and browse tools to let you discover websites, and most importantly, lets you build your own website from scratch for free! (there are other ways to host websites for free, but neocities is a really good hub for beginners!)

need help getting started with coding your website? sadgrl online has a section on her website dedicated to providing resources for newbie webmasters!

HTML (HyperText Markup Language) and CSS (Cascading Style Sheets) are the core of what all websites are built on. many websites also use JS (JavaScript) to add interactive elements to their pages. w3schools is a useful directory of quick reference for pretty much every HTML/CSS/JS topic you can think of.

there is also this well written and lengthy guide on dragonfly cave that will put you step by step through the basics of HTML/CSS (what webpages are made from), if that’s your sort of thing!

stack overflow is every programmer’s hub for asking questions and getting help, so if you’re struggling with getting something to look how you want or can’t fix a bug, you may be able to get your answer here! you can even ask if no one’s asked the same question before.

websites like codepen and jsfiddle let you test HTML/CSS/JS in your browser as you tinker with small edits and bugfixing.

want to find indie websites outside the scope of neocities? use the search engine marginalia to find results you actually want that google won’t show you!

you can also use directory sites like yesterweb’s link section to find websites in all sorts of places.

if you are going to browse the indie web or make your own website, i also have some more personal tips as a webmaster myself (i am not an expert and i am just a small hobbyist, so take me with a grain of salt!)

if you are making your own site:

get expressive! truly make whatever you want! customize your corner of the internet to your heart’s content! you have left the constrains of social media where every page looks the same. you have no character limit, image limit, or design limit. want to make an entire page or even a whole website dedicated to your one niche interest that no one seems to be into but you? go for it! want to keep a public journal where you can express your thoughts without worry? do it! want to keep an art gallery that looks exactly how you want? heck yeah! you are free now! you will enjoy the indie web so much more if you actually use it for the things you can’t do on websites like twitter, instead of just using it as a carrd bio alternative or a place to dump nostalgic geocities gifs.

don’t overwhelm yourself! if you’ve never worked with HTML/CSS or JS before, it may look really intimidating. start slow, use some guides, and don’t bite off more than you can chew. even if your site doesn’t look how you want quite yet, be proud of your work! you’re learning a skill that most people don’t have or care to have, and that’s pretty cool.

keep a personal copy of your website downloaded to your computer and don’t just edit it on neocities (or your host of choice) and call it a day. if for some reason your host were to ever go down, you would lose all your hard work! and besides, by editing locally and offline, you can use editors like vscode (very robust) or notepad++ (on the simpler side), which have more features and is more intuitive than editing a site in-browser.

you can use ctrl+shift+i on most browsers to inspect the HTML/CSS and other components of the website you’re currently viewing. it’ll even notify you of errors! this is useful for bugfixing your own site if you have a problem, as well as looking at the code of sites you like and learning from it. don’t use this to steal other people’s code! it would be like art theft to just copy/paste an entire website layout. learn, don’t steal.

don’t hotlink images from other sites, unless the resource you’re taking from says it’s okay! it’s common courtesy to download images and host them on your own site instead of linking to someone else’s site to display them. by hotlinking, every time someone views your site, you’re taking up someone else’s bandwidth.

if you want to make your website easily editable in the future (or even for it to have multiple themes), you will find it useful to not use inline CSS (putting CSS in your HTML document, which holds your website’s content) and instead put it in a separate CSS file. this way, you can also use the same theme for multiple pages on your site by simply linking the CSS file to it. if this sounds overwhelming or foreign to you, don’t sweat it, but if you are interested in the difference between inline CSS and using separate stylesheets, w3schools has a useful, quick guide on the subject.

visit other people’s sites sometimes! you may gain new ideas or find links to more cool websites or resources just by browsing.

if you are browsing sites:

if the page you’re viewing has a guestbook or cbox and you enjoyed looking at the site, leave a comment! there is nothing better as a webmaster than for someone to take the time to even just say “love your site” in their guestbook.

that being said, if there’s something on a website you don’t like, simply move on to something else and don’t leave hate comments. this should be self explanatory, but it is really not the norm to start discourse in indie web spaces, and you will likely not even be responded to. it’s not worth it when you could be spending your time on stuff you love somewhere else.

take your time! indie web doesn’t prioritize fast content consumption the way social media does. you’ll get a lot more out of indie websites if you really read what’s in front of you, or take a little while to notice the details in someone’s art gallery instead of just moving on to the next thing. the person who put labor into presenting this information to you would also love to know that someone is truly looking and listening.

explore! by clicking links on a website, it’s easy to go down rabbitholes of more and more websites that you can get lost in for hours.

seeking out fansites or pages for the stuff you love is great and fulfilling, but reading someone’s site about a topic you’ve never even heard of before can be fun, too. i encourage you to branch out and really look for all the indie web has to offer.

i hope this post helps you get started with using and browsing the indie web! feel free to shoot me an ask if you have any questions or want any advice. <3

you literally dont need a boyfriend. go help someone