George Costanza: Thinks Holistic is the way to go.
Olafur Eliasson, Untitled, 1996
This design transforms mundane electrical pylons into statues on the Icelandic landscape.Choi + Shine,is the US architecture practice behind the proposal
Making only minor alterations to well established steel-framed tower design, we have created a series of towers that are powerful, solemn and variable. These iconic pylon-figures will become monuments in the landscape. Seeing the pylon-figures will become an unforgettable experience, elevating the towers to something more than merely a functional design of necessity.
The pylon-figures can be configured to respond to their environment with appropriate gestures. As the carried electrical lines ascend a hill, the pylon-figures change posture, imitating a climbing person. Over long spans, the pylon-figure stretches to gain increased height, crouches for increased strength or strains under the weight of the wires.
The pylon-figures can also be arranged to create a sense of place through deliberate expression. Subtle alterations in the hands and head combined with repositioning of the main body parts in the x, y and z-axis, allow for a rich variety of expressions. The pylon-figures can be placed in pairs, walking in the same direction or opposite directions, glancing at each other as they pass by or kneeling respectively, head bowed at a town.
Like the statues of Easter Island, it is envisioned that these one hundred and fifty foot tall, modern caryatids will take on a quiet authority, belonging to their landscape yet serving the people, silently transporting electricity across all terrain, day and night, sunshine or snow.
Anticipation
Tanja Jeremić, ello, behance, redbubble
Georges Rochegrosse (1859–1938), Le Chevalier aux Fleurs (The Knight of the Flowers) (detail) (1894), oil on canvas, 235.5 x 374 cm, Musée d'Orsay, Paris. Wikimedia Commons.
The Responsive Eye, 1966
Brian De Palma
Buffalo ‘66 (1998) dir. Vincent Gallo
Max Ernst. Paysage Noir. 1923.