Part Of What Cory Booker Is Doing With This Filibuster Is Reading Things Into The Record. Sometimes When

Hey. Look at me. Please leave yourself a note somewhere you'll see it later that says "it is going to take years if not decades to get the United States government to the level of functionality it had in November of 2024." If we elect a democrat in 2028, we are not going to be up and running by 2032.

Please make sure you have a reminder in your phone reminding you to not look at 2028/32/36 Democratic candidates and say "why are they not promising/delivering Cool Shit?" because you are going to understand that to get Cool Shit we must have competent people running a decently funded government, and we are not going to have that.

We are not getting UBI. We are not getting single payer healthcare. We are not getting free college or free preschool. We are not redistributing wealth on a large scale. We are not getting free internet. We are not getting ranked choice voting.

If we are lucky, we are going to get an IRS that can collect taxes, qualified schoolteachers, research grants, Social Security, and a government that thinks maybe it should be a priority for people around the worlds to not have AIDS, malaria or TB.

Cory Booker has been talking in the senate for over 20 hours now

He’s not filibustering. He’s protesting the current administration.

Oh hey btw: If you're starting your second draft of something and you're having a hard time editing out the useless fluff that doesn't lead the story anywhere, consider changing tactics: Condense, don't cut.

"Kill your darlings" is bullshit, you shouldn't throw out things that spark joy, just put them into good use or somewhere they're not in the way. Combine scenes, characters and locations. You've got two beloved but unimportant background characters with only a vague scraping role in the story? Combine them. Have just one, who now has the traits, speaking lines and the role of both of them.

You've got a Super Important But Boring scene, and a scene that doesn't progress the story but was basically just you indulging in describing a wonderful location? Combine them. Have the characters have that Super Important Conversation in the pretty rose garden or the lovely bookshop you wanted to include.

You've got two really cool locations that are in the same city but both only show up once, and it feels like a waste to indulge in describing them in detail? Combine them. The smoky tavern and the smoky witch's brew shop are now working out of the same building - the witch and the tavern keeper are now married.

If you feel like you have too much description or too many characters, don't throw anything out before you've checked if you have an empty shelf to put them in. Give the Cool Character Description to a previously nondescript character who only shows up to tell the protagonist the One Important Thing. Make the Cool Location You Described For Three Pages But Which Only Shows Up Once show up again later.

reminder that it's never too late in the day to do something nice for yourself!!

couldn't get out of bed until 5pm? that's okay! there's still time to make yourself a nice meal or drink!

too stuck in executive dysfunction to do anything you wanted until 7pm? that's okay!! you can still start!!

sometimes it can be difficult to do things until later on in the day and that's okay!! you're still allowed to do something nice for yourself, no matter how late it is <3

42+ ways to fix a story in progress

(Also posted on: 42+ ways to fix a story)

Here is a list of (some) ways to fix a draft or story in progress. I started it in the observation journal when I was struggling with some story changes.

In summary, these can be reduced to intensify; focus/tighten; swap/invert. But in a tight spot, specifics are often more useful. And making the list was also important, because it reassured me I knew all these techniques, and had used them before, and should calm down.

List 10 terrible endings (adapted from a Helen Marshall exercise), or just 20 endings. Or 100…

Re-outline it

Map it onto another story (I like to quick-outline fairy tales until one resonates, and then identify the parts to strengthen)

Fill it out as a synopsis questionnaire (I used to use Sue Dennard’s 1-page synopsis to trap story ideas)

Ask — what is the story behind the story?

Change the place

Change the era

Genderflip main character

Genderflip everyone

Change the genre

Change the adjectives

Describe the story in one emotion, & align/adjust

Do the same for each scene/section (see also three moods)

Flip (main) character’s personality (quiet to loud, etc)

What happens after

What happens before

What’s happening at the same time

It’s a metaphor for: ___

Pick/change emotional note for end

Scene-map

Match to 3-act structure

Match to 5-act structure

Give characters a preoccupation or secret

Start it later

Start it earlier

End it earlier

End it later

Map it onto a song

Blow something up

Make everything worse

Change [define & intensify] the aesthetic

Explain the reasons

Invert

Make it/ the weak bits A Whole Thing

Make it/ the weak bits a Good/Bad Thing

Make it/ the weak bits The Shape of the World

Tell from a non-obvious point of view (see also: by whom and to whom, and some less common points of view)

Change the type of character in the role (think archetypes and stereotypes)

Change drama – pose (?)

Change motifs

Change sentence structure

Change form, shape (e.g. list, pastiche, non-fiction)

And to these I’d add:

change voice, and

change age.

I might add more as I go. But in the meantime: hey, my debut collection of short stories, KINDLING, is now out from Small Beer Press (in the USA, and coming soon to Australia). It includes the new story “Annie Coal”. And if you look closely at the journal page above, you’ll see that was the story I was editing when I made this list.

Attempting to get my students to fucking come to class

Have a restful evening babes! Take a nice bath, read a cozy book, have a sweet treat, this is going to be a difficult road ahead and we need to take care of ourselves.

no one will come to save you but some will offer you their hand to hold when life gets tough and those are the ppl that matter