Frazer Irving
Jo Mullein in Far Sector #10
glad we could turn thirteen's houdini reference homoerotic. this is what i want out of doctor who
the team reconciling their past and trauma in therapy Unstoppable Doom Patrol #4
“Authors should not be ALLOWED to write about–” you are an anti-intellectual and functionally a conservative
“This book should be taken off of shelves for featuring–” you are an anti-intellectual and functionally a conservative
“Schools shouldn’t teach this book in class because–” you are an anti-intellectual and functionally a conservative
“Nobody actually likes or wants to read classics because they’re–” you are an anti-intellectual and an idiot
“I only read YA fantasy books because every classic novel or work of literary fiction is problematic and features–” you are an anti-intellectual and you are robbing yourself of the full richness of the human experience.
Chris Foss
Art by Xi Zhang
dont talk to me if you don’t know that this, recruits, is a 20-kilo ferrous slug. Feel the weight! Every five seconds, the main gun of an Everest-class dreadnought accelerates one to 1.3 percent of light speed! It impacts with the force of a 38-kiloton bomb! That is three times the yield of the city buster dropped on Hiroshima back on Earth. That means: Sir Isaac Newton is the deadliest son of a bitch in space. Now! Serviceman Burnside! What is Newton’s First Law?
TNG | 3.03 THE SURVIVORS
Superman tarot for assignment :3
The three primary uses of masks in film are entertainment, disguise and protection. From ancient Greek plays through Japanese Noh theater, masks are deeply intertwined in the universal language of entertainment and ritual, and its power as a transformative tool is so ritualized and timeworn that it is the unofficial logo for an entire artform. Since theater was an influence on early motion pictures (consider the framing and gestural acting of silent film), it figures that masks would be smuggled into movies, and some of the most enduring images from film history are now associated with masks. —Alex Vlahov
V for Vendetta (2005), The Mask (1961), The Mummy Returns (2001), Emerald City s01e06 (2016), Black Orpheus (1959), Judex (1963), The Man in the Iron Mask (1998), Kingdom of Heaven (2005), Eyes Without A face (1960), Eyes Wide Shut (1999), Squid Game s01e07 (2021), Knights of the Zodiac (2023), Onibaba (1964), Scream (1996)
He/They. Comic writer. Occasional filmmaker. Part-time podcaster (LOST Legacies; The Adventures of Cinnamon & Oatmeal). Xavier Institute dropout. Doom Patrol reject. Future action figure. BLM. Free Palestine.
295 posts