Chris Foss

Friends:  Do some D&D art! Me:  Like this? 

GILLIAN ANDERSON photographed by Matthew Rolston for Rolling Stone (1997)

Andor | Official Trailer

muppet profiles

the muppets trading cards (1992), pt. 3

captured from an ambulance. captured. from an ambulance. do not stop speaking about palestine please

i love andor's refusal to be subtle in the face of rising fascism. it's not complex metaphors for the audience to unpick. it's a kick in the fucking teeth. a banner and blaring alarms. THIS IS WHERE WE ARE. THIS IS WHERE WE'RE HEADING. it's knowing there's a time and place to be gentle and knowing the here and now needs us shouting from the rooftops. it's using energy independence, that thing tr*mp harps on about, as a cover for building the death star. it's a bunch of powerful empire officials brainstorming ways to colonise a planet for capitalist gains. it's the pomp and circumstance of the upper classes used to distract from the grit and ruin of the everyday. it's the visa inspection of harvest workers. it's the brutal abuse of power over "illegals" to the point of dehumanisation. but more than that. more than that. it's people working together against these forces of tyranny. it's kellen running around trying to keep them from the troopers. it's mon mothma trying to save her daughter. it's talia putting her legal status on the line to help them. it's brasso trying to save wilmon. it's wilmon running all the way home to help bix. it's cassian choosing home over orders. it's bix fighting for her fucking life rather than giving in. it's the fight. it's the people.

Larry Trainor & Keeg Bovo by James Harvey Doom Patrol: Weight of the Worlds #2