THAT SURE WAS A FUCKING RIDE HUH
Star Trek needs to capitalize on the fact that it has such a cool and expansive universe. They need to make more shows/movies/stories centered around the more niche corners of the galaxy. I want truckstop romance stories between a Vulcan freighter captain and a human waiter whose claustrophobia won’t let them get on a space ship. I want an epic political thriller of an orphan gorn egg raised by a ferengi family, I want to learn how a Klingon family started a barbecue joint on Kronos and became universe famous for their lava butter (there actually is something like this in the Star Trek travel guide but it’s such a short snippet and I want to know more), I want to see the drama of a Klingon opera, i want to see the stories that are always just out of focus.
There are just so many cool ideas. And not to say I don’t love the challenge of the weekly crew style but we saw how interesting the stories can get if you expand past just starfleet (especially in ds9)
MASS EFFECT 2: LEGENDARY EDITION
it sounds like you’re carrying some tension. maybe i could help you get rid of it. i, uh, didn’t think you’d feel like sparring, commander.
if sinners (2025) taught me anything, it's that it IS actually always about race.
you can be oppressed, and still promote and maintain the very same systems of oppression onto other marginalized people. being oppressed in one dimension doesn't allow you to be exempt from oppressing in other dimensions. the "villain" of the movie, remmick, being from the time period of the english colonization of ireland, all the while wanting to take a piece of sammie's own culture from him, use him for it. and this plot point coming after remmick witnesses the significance of sammie's playing within his culture, for his ancestors and how it would shape Black culture in the future.
even in today's society, ive noticed that people treat Black people like a commodity. our worth is only as much as other people decide it to be, and that's usually dependent on how much the oppressor can take from us. for example, the controversy of"internet slang" and how it is blatantly just AAVE with a bad disguise on
do you listen to Black musicians? do you watch Black movies? do you engage with Black creators? do you defend the racist tendencies you notice in your friends, in your family, or do you stay silent? do you listen when Black people tell you you've said or done something racist? do you actually care about not being racist, or do you just not want to look like you're racist?
i just think people have a very specific take on what racism is, and that if they're not committing KKK-levels of violence on people, then they're not racist. or if you've experienced oppression in one form, you cannot possibly be engaging with oppression in another form. but the ways in which we interact with other people and the world will always be through the lens of race, because that is simply what it means for oppression to be systemic, especially in the US and our current political climate
anyway 10/10 movie. highly recommend
mark schultz
BLADE (1998) Dir. Stephen Norrington
He/They. Comic writer. Occasional filmmaker. Part-time podcaster (LOST Legacies; The Adventures of Cinnamon & Oatmeal). Xavier Institute dropout. Doom Patrol reject. Future action figure. BLM. Free Palestine.
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