900 followers... wow... as a thank-you present i have a haul of pearlina art <3 also my 300th post
70 followers post... i've come so far
alt vers
Last Art Dump! (2023)
((
The clouds below rumbled and threatened rain upon the valley. She could feel it around her, the dropping pressure as the warm front pushed through, and the inevitable fall of water dropplets coating the vegetation.
Maya, in her dozing off, focused on every single one. They trickled down and bounced, some colliding with each other and some shattering into mist and cycling back up into the clouds.
It was a shame that it never rained on the monastery, what advantages would she have during training if it did, but then again the fire EMs powers would surely be dampened.
Speaking of, her mind wandered back to his odd behavor that day. During training he had excused himself claiming to be sick, in which Wu allowed, and the he didn't show up for lunch or dinner or even chores. Ray didn't allow her into his room despite how close she felt that had become as of late, which was even more odd.
Did she say something to him and made him upset? Maya made note to speak to him about it in the morning.
Falling deeper into sleep, her mind's consiousness slipped into lucidity. The dream before her she had many times before: a blue lit cave with strange markings that coiled around led her down to a gated opening. Within laid an unfathomably large serpent, its horns jutting like jagged yellow coral from its dark scaley head. Its eyes, however open, peered lifelessly towards her.
In her hand she held a stone that shimmered blue, the shape ever shifting between her fingers. Somehow she knew it belonged to the sleeping beast, and although she knew it wrong to return the stone, she felt as though it was calling for her.
Just as the thought to break in came to her, Maya felt the hairs on her neck stand up. Something was watching her, something large and unknown that loomed with an intent to attack.
Maya snapped awake fast enough to see a serpents tail twist its way into the shadowed rafters.
A serpentine, here? Wu had said anacondrai could turn invisible and despite their size, were very sneaky. If one had snuck out here and managed to get past everyone, that meant that it surely has had enough time to collect information and was on the move to get out.
"Oh no you don't," She spat and sprung up into the rafters.
The quiet nimble motions of the intruder became loud and scrambled as she skipped closer, its tail flicking around wildly as it attempted to throw her off. It dived between a beam and the roof, squirming as it squeezed its way into a small storage area.
Although being unable to see in the dark, she heared it and dropped down into the room just outside of it. Maya smirked triumphantly, knowing well that the room beyond the door was a dead end, albeit pitch black. "You're pretty dumb for a serpentine," she taunted, lighting a lamp and taking one of the sparring rods off the wall.
Confident in her combat abilities, she batted away the thought of getting backup and slid the door open. Many scrolls and boxes laid in piles amongst overflowing shelves, the yellowed paper flickering with the fire in the lamp. Maya eased her way in, eyes scanning the room as she went. This serpent could be anywhere, could be any colour, but any movement it had she was confident that the sheer amout of paper would give away its position immediately.
And then, as the lamp's glow met the far wall, she saw it: a red scaley form sat upon a crate, its body curled around in a tight ball with its hands childishly around its face as if it would help it further hide. From between its claws, a fearful eye peaked out and stared at her.
If this was a serpentine, she reasoned, it surely was an ugly one. Especially wearing such a red gi that seemed stretched and unfitting, yet somehow familiar... Maya took a step closer, eyeing over its form once more and lowering the lantern. "You're not a serpentine... you're... Ray?" She asked almost not believing her own words.
Any doubt left her mind when he squeaked out his awkward laugh and smiled his goofy smile. His hands fell to his lap and idly squeezed at the ruined fabric, "you caught me, surprise." Ray fidgeted.
"Ray what happened to you? Is this why you disappeared all day? We need to tell Wu right away, I'm sure he can undo this-" Maya turned to do so as she talked, only to spin around and approach him again. This time, in a much lower voice she asked, "Was it the fangpyre general?"
He blinked, unsure of what she meant, "N-no? Maya this isn't serpentine related, its, I'm-I'm not fully human." Well that's an odd way to put it.
"Then what are you?" Her voice became harder, "and why were you watching me sleep?"
"Well, I maybe kind of sort of am part dragon..." he squeaked, "and I-I can explain the second one! I was going to tell you about this but then- well you looked so peaceful I didn't want to wake you up. But then you looked at me like you wanted to kill me so I got scared and ran." Ray smiled.
Maya squinted, not buying it for a second, "does Wu know?"
"No. I rather him not know... Maybe he already does... I don't know."
"Can you change back?"
"Uhh, well, no. I'm stuck sort of."
If it was a secret enough to cause him to be in hiding all day, that certainly didn't bode well for tomorrow. "How did you end up like this in the first place, maybe we can reverse walk through this." She set the lamp down and sat on a box across from him, leaning the rod against a shelf.
Ray thought about it, "I dunno. We were all sparring in the morning and then I guess I just started thinking about how to really channel my element you know? Then I started thinking about the war and what we're fighting for and I just got so worked up about it that I felt -I dunno- sick. And thats when this happened." He flicked his tail. "My dad told me a story once, about how a dragon in our family went rogue and forced a drought that wiped out villages. What if I do the same thing?? What if I lose control when we go to fight and I hurt you?"
Maya tapped her fingers on the wood, "do you feel yourself slipping away?"
"No... but what if people think I am?"
"I think you're overthinking this."
"But what if-"
"Ray," she stopped him, "So you're part dragon and you had some bad family history. That doesn't mean anything until you prove it to mean something. My mom told me when I was a little kid that all of the great feats in my bloodline mean nothing to me unless I make them meaningful, and unless you actually want to go and make farmers mad, I don't think you'll do it." She crossed a leg over the other, "You may look differen't, but you're still the dorkishly annoying blacksmith I care about."
He looked away, "you don't think the others would be scared of me if I looked like this?"
"well... no I think they would be, which is why we should tell Wu."
"I don't want anyone else to know about this." Ray muttered.
"Then we'll make him promise not to say." Maya nodded, picking up her things. "Ill be back with him shortly."))
As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.
Here is the first one ART TEACHERS! There are plenty online and in places like youtube.
📺Here is my list:
Proko (Free)
Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard)
Aaron Rutten (free)
BoroCG (free)
Jesse J. Jones (free, talks about animating)
Jesus Conde (free)
Mohammed Agbadi (free, he gives some advice in some videos and talks about art)
Ross Draws (free, he does have other classes for a good price)
SamDoesArts (free, gives good advice and critiques)
Drawfee Show (free, they do give some good advice and great inspiration)
The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney)
Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)
Second part BOOKS, I have collected some books that have helped me and might help others.
📚Here is my list:
The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.
"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.
"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.
"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.
"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.
"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.
"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.
"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.
"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.
Etherington Brothers, they make books and have a free blog with art tips.
As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. For digital art, I recommend not starting with a screen art drawing tablet as they are more expensive.
For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.
💻As for art programs here is a list of Free to pay.
Clip Studio paint ( you can choose to pay once or sub and get updates)
Procreate ( pay once for $9.99)
Blender (for 3D modules/sculpting, ect Free)
PaintTool SAI (pay but has a 31 day free trail)
Krita (Free)
mypaint (free)
FireAlpaca (free)
Libresprite (free, for pixel art)
Those are the ones I can recall.
So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.
I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.
Hope this was helpful and have a great day.
“Today I'm delivering packages, but tomorrow I'll be earning the respect of everyone on the Boiling Isles with my magical prowess.”
Luz, you have no idea
Okay so I spent a lot of nights just making SP items via coffee and curry so I figured MC really likes the things he learns from Sojiro (especially with the trivia we get sometimes) and then fast forward late game with best girl Haru and I learn that she wants to have a little home-y cafe just like Sojiro’s and grow everything they sell organically and never have I wanted to date somebody so fAST– (I was already planning on romancing her and her link definitely didn’t disappoint for me.)
if nintendo isn't gonna elaborate on how agent 4 is involved in side order then im gonna do it myself in the stupidest way possible
this came to me in a dream
I'm stuck in a Nya mood (@marsipain's fault) and I found this REALLLLY cool pose earlier today that felt REALLY Nya to me (also Mars' fault) so I decided to draw it! It took me an EMARRASINGLY long time to compose this shit, but holy SHIT am I sooo proud of it....
pls rb
Listen, Side Order is fun and great.
But...
what if... it was a little different? 👀
SIDE ORDER REWRITE THOUGHTS DOWN BELOW:
(please reblog!)
OKAY SO the main issue I have with side order is a lack of incentive for Agent 8 and the player to complete the spire with all the palettes. YES. LORE. and I like that a lot BUT fighting Smollusk everytime? Snore. Let's spice it up. We free the owner of the palette by fighting the grayscaled version of them. Each final boss is different, so we as the player have an incentive to see new boss and Agent 8 has to save their souls!!!
So in pic one, Deep Cut (at least Shiver and Frye) still haven't been freed, so they're spaced out. They still give the news, but their dialogue is different and more tired/boring. It'll be like this until the player frees their palettes. (or until they complete the first run? that'd be more forgiving for casual players)
Speaking of, apparently a lot of people got pulled in, right? Let's show them in the order plaza!!! Wouldn't it be creepy to just have grayscaled people wandering around- and the text boxes that usually contain players messages and art is just... blank? (or all replaced with the same message like "Order Will Prevail")
Some other notes:
On your first run, Marina is the final boss. You gotta rescue her!!! First phase it's Marina Agitando, then the second and third phases are Overlorder
Pearl stays a Drone until you complete her palette
As you complete palettes, less and less grayscaled people will be in the square. It makes it more empty, but that's only because you're saving people. But in contrast the lobby becomes more full of instruments and light (like in the actual game)
lmk what you think :)