It’s haunting to think about how this rings true today:
“Greed has poisoned men’s souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical. Our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost…."
Charlie Chaplin - The Great Dictator Speech (1940)
You can occupy my every sigh
You can rent the space inside my mind
At least until the price becomes too high
Please credit me if you repost elsewhere. @saintavangeline (insta)
RIP Gideon Nav, you would have loved Chappell Roan with a sword
*on a long car ride*
me: I spy with my little eye-
girlfriend: no
me: …
girlfriend: …
me: I hears with my little ears-
you've heard of no nut november, now get ready for dyke dick december
“jealousy is so disgusting” “anger is so toxic” did u know? these are emotions every human has
zheng really was like i can't have straight men on this ship you lot are ok tho
RAAAAAAH I LOVE THEM
Michala Norup
In my photographic work, I seek to create new visual experiences through a poetic investigative approach to the surroundings. This, in combination with the timeless and dreamy atmosphere of analog photography and especially the historical photography from the beginning of the history of photography as well as light, space, time, and memory are inspirations and fascinations to me in my photographic work. My approach is associative and intuitive. I often write or draw as part of my work process. I think that, in a way, I draw or write my way into what the work is about. When I pick up the camera, it is not always clear to me what I am doing, conceptual wise, or how it might be connected to the “warming up” with the writing or drawing. But as the process progress things emerge to me along the way (both like synchronicities, like meaningful findings or as epiphanies), and often as realizations in the end of the process. Recently, in my work, I have turned back to photographs that I have taken many years ago and to making new darkroom prints of them incorporating mistakes in the development process, giving them too much light and too little time in the chemistry. The work is about light and memory, and how photographs can work as a sensory memory generator.
she/they | 22 lesbian humani’m a slut for symbolism & a hoe for hyberboles
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